{"id":10975,"date":"2012-01-09T03:06:33","date_gmt":"2012-01-09T03:06:33","guid":{"rendered":"http:\/\/a-desk.org\/2012\/01\/09\/dispositius-critics\/"},"modified":"2012-01-09T03:06:33","modified_gmt":"2012-01-09T03:06:33","slug":"dispositius-critics","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/dispositius-critics\/","title":{"rendered":"Dispositius cr\u00edtics"},"content":{"rendered":"

De la quarta planta de l’edifici Sabatini a la Sala de Protocol, i d’aqu\u00ed a les entreplantes de l’edifici Nouvel, Antoni Muntadas proposa una deriva, perdre\u00b4s al Reina Sofia, on exposa una s\u00e8rie de projectes repartits per tot el museu i que, a m\u00e9s de resumir la seva traject\u00f2ria, conviden a la reflexi\u00f3 i a l’an\u00e0lisi del moment actual que travessen les institucions art\u00edstiques.<\/p>\n


\nUn dispositiu, tal com ho entenia Deleuze, \u00e9s un interstici, una fisura, un punt de fuga que permet l’emerg\u00e8ncia d\u00b4all\u00f2 nou. Des d’aquesta premisa cal apropar-se a l’obra d’Antoni Muntadas, ja que els seus projectes s\u00f3n sempre dispositius cr\u00edtics des dels quals escenifica les diferents formes de control. Comissariada per Daina Augaitis, l’exposici\u00f3, Entre\/Between<\/a>, ha estat plantejada en nou blocs tem\u00e0tics o conjunts conceptuals que reflecteixen en gran mesura les preocupacions i temes tractats fins ara per l’artista: all\u00f2 p\u00fablic i all\u00f2 privat, l’emissor i el receptor, l’espectador i l’espectacle, els mass media, la tecnologia i el poder; en definitiva, sobre gran part de la idiosincr\u00e0sia de la societat de la informaci\u00f3 i el coneixement, i les seves corresponents biopol\u00edtiques del poder. Dif\u00edcil ho hagu\u00e9s tingut la comiss\u00e0ria d’haver-ho fet cronol\u00f2gicament, ja que el treball de Muntadas m\u00e9s que peces concretes s\u00f3n projectes de recerca que s’allarguen en el temps. Situat als instersticis, en els “entre”, m\u00e9s que un creador d’imatges, la tasca de Muntadas ha consistit en investigar com el poder des de qualsevol \u00e0mbit configura les imatges.<\/p>\n

\u00a0“Atenci\u00f3, la percepci\u00f3 requereix participaci\u00f3” \u00e9s segurament una de les m\u00e9s conegudes sent\u00e8ncies d’Antoni Muntadas, i que ha introdu\u00eft en molts dels seus projectes i intervencions. Per\u00f2 m\u00e9s que una sent\u00e8ncia o projecte concret significa per a Muntadas una forma d’entendre l’art, – col\u00b7laboratiu i participatiu-, i que est\u00e0 latent en tota la mostra que ara el Museu Reina Sofia dedica a l’artista: des de les postals que va realitzar al 1975 , on deixava espais buits perqu\u00e8 fossin reenviades, fins l’arxiu creat a Internet, “The File Room”, que possibilita a qualsevol que es dediqui a l’\u00e0mbit de la creaci\u00f3 pugui denunciar una censura. Citant a Jacques Ranci\u00e8re, la intenci\u00f3 de Muntadas seria “reconstituir la xarxa de pressupostos que situen la q\u00fcesti\u00f3 de l’espectador al centre del debat sobre les relacions entre art i pol\u00edtica.” Un dels majors \u00e8xits de Muntadas, \u00e9s doncs, haver situat a l’espectador en el centre del debat entre art i pol\u00edtica, donant a aquest un paper actiu, ja que \u00e9s aquest qui ha d’interpretar i traduir segons els codis dels que disposi les obres exposades. D’aqu\u00ed la import\u00e0ncia de l’educaci\u00f3 perqu\u00e8 un museu sigui transmissor de coneixements, i no nom\u00e9s un lloc on consumir imatges.<\/p>\n

A m\u00e9s dels projectes situats a la quarta planta de l’edifici Sabatini, tots ells molt coneguts, com “On Translation”, “Exposici\u00f3n-Exhibition”, “The Board Room”, o “El aplauso”, Muntadas crea “Situaci\u00f3n 2011”, una producci\u00f3 espec\u00edfica per al MNCARS, i que suposa la continuaci\u00f3 de la que va realitzar al mateix museu l’any 1988 per a l’exposici\u00f3 “H\u00edbridos”. Si en aquell moment Muntadas reflexionava sobre la transformaci\u00f3 d’un centre hospitalari en centre d’art, i la influ\u00e8ncia de les decisions pol\u00edtiques, socials i culturals que van tenir lloc, ara en l’any 2011 proposa una an\u00e0lisi sobre la situaci\u00f3 actual de les institucions art\u00edstiques.<\/p>\n

Per a aix\u00f2, Muntadas cedeix la paraula a alguns dels responsables i implicats en l’ampliaci\u00f3 i gesti\u00f3 del museu, com Manuel Borja-Villel, Jos\u00e9 Guirao, o l’arquitecte Jean Nouvel. Interessant reflexi\u00f3 de Manuel Borja-Villel en la qual planteja el museu no tant com un edifici, sin\u00f3 com una ciutat, que resulta significatiu tenint en compte la ubicaci\u00f3 de les projeccions: a les entreplantes de l’edifici Nouvel, espai de tr\u00e0nsit, sense connexi\u00f3 directa amb l’antic edifici, i des d’on es pot contemplar l’exterior, el carrer. \u00c9s a dir, un espai on potser \u00e9s possible el di\u00e0leg. En els \u00faltims vint anys, Espanya ha generat una important estructura de museus i centres d’art, i l’exig\u00e8ncia ara \u00e9s que aquesta despesa tingui repercussi\u00f3 al carrer, a la ciutat, en els ciutadans. Sense que aix\u00f2 signifiqui que les ciutats es converteixin en museus, ni les manifestacions o moviments dels ciutadans en exposicions ni obres d’art.<\/p>\n","protected":false},"excerpt":{"rendered":"

De la quarta planta de l’edifici Sabatini a la Sala de Protocol, i d’aqu\u00ed a les entreplantes de l’edifici Nouvel, Antoni Muntadas proposa una deriva, perdre\u00b4s al Reina Sofia, on…<\/p>\n","protected":false},"author":1246,"featured_media":10974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[5647,5539],"coauthors":[],"acf":[],"yoast_head":"\nDispositius cr\u00edtics – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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