ENPAP<\/a> es rep amb candeletes. Tanmateix, dir que l\u00b4ENPAP fa el seu acte de presentaci\u00f3 p\u00fablica en el moment pol\u00edtic i social m\u00e9s pertinent seria menysprear la feina que durant dos anys han dut a terme. Probablement en aquell temps les treballadores de Mossutst\u00e4llningar (Estocolm, Su\u00e8cia), Baltic Art Centre (Visby, Su\u00e8cia), consonni (Bilbao), Situations (Bristol, Regne Unit), Vector (Iasi, Romania) i SKOR (Amsterdam, Holanda), integrants de la xarxa, ja preveien el que s’apropava, en part perqu\u00e8 s’entreveia la vict\u00f2ria del neocapitalisme, i en part per la seva profunda experi\u00e8ncia en projectes p\u00fablics i contextuals, una caracter\u00edstica que sens dubte els fa m\u00e9s sensibles a la percepci\u00f3 d\u00b4all\u00f2 com\u00fa.\u2028<\/p>\n\u2028Des de llavors aquestes sis organitzacions que se senten identificades (i orgulloses) per la seva dedicaci\u00f3 a all\u00f2 p\u00fablic han unit forces per buscar solucions comunes a problemes particulars, en un proc\u00e9s d’autoan\u00e0lisi, discussions compartides, investigaci\u00f3 i intercanvi. Tot aix\u00f2 a porta tancada encara que amb puntuals complicitats, a trav\u00e9s de case studies en cadascun dels contextos, probablement amb llocs de trobada i de disson\u00e0ncia.<\/p>\n
\u2028\u2028El desig de fer-nos arribar les seves conclusions (i les seves q\u00fcestions sense resoldre) s’ha materialitzat en una s\u00e8rie d’accions portades a terme a Bilbao sota el t\u00edtol “Going public, telling it as it is?”. Una introducci\u00f3 suggerent i perfectament ben triada, que en primer lloc ens mostra la necessitat de publicar un proc\u00e9s de treball, tot i avan\u00e7ant-nos, mitjan\u00e7ant aquest senzill s\u00edmbol d’interrogaci\u00f3, que probablement ens trobem davant de m\u00e9s preguntes que respostes. Aquesta necessitat de posar les cartes sobre la taula es deriva, \u00f2bviament, del car\u00e0cter p\u00fablic de les organitzacions participants, per\u00f2 probablement no errar\u00edem molt el tret si interpretem un doble significat de la paraula “public”, entenent-la aix\u00ed mateix com una reivindicaci\u00f3 de la pertin\u00e8ncia de presentar i compartir la reflexi\u00f3, com si d’una responsabilitat comuna cap als processos de coneixement es tract\u00e9s.\u2028<\/p>\n
\u2028La pregunta “telling it as it is?”, amb el seu apropiat to interrogatiu, ens endinsa de ple en les q\u00fcestions de base que van apar\u00e8ixer al llarg dels tres dies d’intervencions p\u00fabliques (per Martha Rossler, Itziar Barrio, Phil Collins, Alex Reynolds i Mar\u00eda Ruido de dia, Jeleton, OJO, Insitut Fatima i Bego\u00f1a & la Jawara de nit), de confer\u00e8ncies preformatives (amb Asier Mendiz\u00e1bal, Falke Pisano & Francesco Pedraglio, Olof Olsson, Goldin + Senneby, Patricia Esquivias i Asli Cavusoglu) i de taules de treball entre diferents institucions i expertes convidades en aquest context. En diverses ocasions es va fregar la pregunta de qu\u00e8 o qui representa en realitat ho p\u00fablic, com quan la performance de Cavusoglu juntament amb la The Hand of God Curch va deixar en evid\u00e8ncia l’exclusiva pres\u00e8ncia de persones blanques, probablement amb concepcions pol\u00edtiques m\u00e9s aviat atees i de deix esquerr\u00e0, i dedicades professionalment al m\u00f3n de l’art en un simposi sobre all\u00f2 p\u00fablic i all\u00f2 com\u00fa. Olof Olsson va ironitzar molt seriosament sobre el significat d’Europa, un tema de complexitat creixent per a les integrants de la xarxa. L’idioma tamb\u00e9 va resultar font de confusi\u00f3 i aclariment simult\u00e0niament, ja que a les confer\u00e8ncies preformatives tots els participants van optar per l’angl\u00e8s, tot i que es comptava amb traducci\u00f3 i alguns d’ells eren castellanoparlants, deixant clar que la pres\u00e8ncia internacional guanyava el simb\u00f2lic combat sobre all\u00f2 local.<\/p>\n
\u2028\u2028Durant l’\u00faltima sessi\u00f3 de treball a porta tancada es va obrir la q\u00fcesti\u00f3 de la nova fase a projectar: l\u00b4ENPAP va compartir les seves idees i els seus dubtes amb col\u00b7legues i els hi va oferir participar en una continuaci\u00f3 del projecte amb m\u00e9s integrants, l\u00ednies m\u00e9s precisades i accions comunes. Un dia va resultar massa breu per posar sobre la taula totes les q\u00fcestions que havien sorgit durant les jornades anteriors, i va deixar a la vista fins i tot les possibles difer\u00e8ncies d’enfocament entre organitzacions: mentre una taula de treball apuntava la necessitat de buscar solucions a problemes comuns, altra recalcava encertadament la necessitat d’establir una s\u00e8rie de definicions b\u00e0siques sobre all\u00f2 p\u00fablic, all\u00f2 com\u00fa i el context, entre altres, per poder admetre els punts de trobada i de diverg\u00e8ncia entre les diverses organitzacions i partir des de l\u00b4\u00f2bvia difer\u00e8ncia.<\/p>\n
\u2028\u2028I aqu\u00ed arribem a la part clau, ja que resulta clar que dins de la pr\u00f2pia ENPAP existeixen moltes difer\u00e8ncies. Com comparar una ag\u00e8ncia com SKOR, gran en mida, pressupost i institucionalitat, amb una organitzaci\u00f3 com consonni, que ha de lluitar per cada projecte i cada euro de subvenci\u00f3? Quins s\u00f3n els punts d’uni\u00f3 entre el context d’Estocolm, Su\u00e8cia i el de Iasi, Romania? I anant al fons de la q\u00fcesti\u00f3, es compr\u00e8n de la mateixa manera all\u00f2 p\u00fablic a Bristol i a Bilbao? I \u00e9s que en el fons, de qu\u00e8 parlem quan parlem d\u00b4all\u00f2 p\u00fablic? D’un espai a la ciutat? De la terrassa d’un museu? D’unes certes institucions? D’uns valors compartits?<\/p>\n
\u2028\u2028ENPAP contribueix a donar un gran pas davant amb totes aquestes q\u00fcestions: les posa sobre la taula, les reconeix com un valor i no com una limitaci\u00f3 i es llen\u00e7a a analitzar-les, sense pretensions de resolucions definitives, per\u00f2 amb la ferma intenci\u00f3 de trobar llocs comuns des dels quals acostar-se a all\u00f2 contextual i propi de cada situaci\u00f3. Si els passos en aquest sentit es concretessin en la seva pr\u00f2xima ampliaci\u00f3, la seva aportaci\u00f3 ser\u00e0 sens dubte encara m\u00e9s valuosa.<\/p>\n","protected":false},"excerpt":{"rendered":"
Sota el t\u00edtol de “Going public, telling it as it is?” la xarxa europea de productors d’art p\u00fablic ENPAP va presentar a Bilbao el seu primer programa p\u00fablic. Un t\u00edtol…<\/p>\n","protected":false},"author":1255,"featured_media":11118,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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