{"id":11171,"date":"2012-05-28T04:45:57","date_gmt":"2012-05-28T04:45:57","guid":{"rendered":"http:\/\/a-desk.org\/2012\/05\/28\/una-partida-amistosa-2\/"},"modified":"2017-08-10T10:27:06","modified_gmt":"2017-08-10T10:27:06","slug":"una-partida-amistosa","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/una-partida-amistosa\/","title":{"rendered":"Una partida amistosa"},"content":{"rendered":"

Cercar l’euf\u00f2ria \u00e9s un sistema per intentar oblidar un context precari i fer un salt cap a algun lloc desconegut. Jugada a Tres Bandas \u00e9s una estrat\u00e8gia per unir, per celebrar, per gaudir … oblidant que potser no hi ha molt ni a unir, ni celebrar o gaudir.<\/p>\n


\nHi ha esdeveniments que es repeteixen en el calendari donant la sensaci\u00f3 que tot marxa, que la cultura i l’art es mouen, que estem tots junts -en una mateixa cosa-, en un gest, entre euf\u00f2ric i desesperat, per fer veure que tot est\u00e0 b\u00e9. No obstant aix\u00f2, vivim en un m\u00f3n d’esdeveniments sense conseq\u00fc\u00e8ncies, on les estrat\u00e8gies, quan n’hi ha, resulten res o poc efectives tot i la suma d’esfor\u00e7os.<\/p>\n

A mitjans d\u00b4abril es va presentar la segona edici\u00f3 de Jugada a Tres Bandas<\/a>, una proposta de la comiss\u00e0ria Virginia Torrente: un recorregut per 16 galeries madrilenyes que van presentar les seves exposicions a un mateix temps, i que aquest any tenia a Portugal com a pa\u00eds convidat. Ja3b pret\u00e9n omplir el “buit” expositiu entre ARCO i Photoespa\u00f1a, en una ciutat, Madrid, que sempre ha sentit predilecci\u00f3 pels grans esdeveniments -medi\u00e0tics- , encara en crisi, donant la sensaci\u00f3 que la resta del temps no passa res.<\/p>\n

Per\u00f2, \u00e9s que potser no es fan exposicions la resta de l’any a les galeries? Exposicions n\u00b4hi han sempre, per\u00f2 potser aqu\u00ed la novetat, que no ho \u00e9s tant, \u00e9s que les mostres han estat ideades per comissaris independents convidats per les galeries. No \u00e9s estrany que els agents art\u00edstics busquin noves possibilitats i nous fronts, davant el suspens institucional en qu\u00e8 estem immersos. Tampoc que les galeries espanyoles s’afanyin per trobar noves vies, l\u00f2gic si tenim en compte l’esc\u00e0s i poc rellevant paper que ocupen en el mercat internacional, per la qual cosa estr\u00e8nyer relacions amb aquest pa\u00eds ve\u00ed que sembla que ens mira, i al qual nosaltres no mirem mai, Portugal, sembla, en principi, una bona estrat\u00e8gia.<\/p>\n

Les institucions mirant cap a les empreses, i les galeries atalaiant cap a fora a la recerca d’oxigen (o liquiditat) per reactivar el mercat i la producci\u00f3 art\u00edstica p\u00e0tria? De totes maneres, \u00e9s una bona i obligada oportunitat per pensar les relacions que s’estableixen en el circuit galer\u00edstic, el tipus de convocat\u00f2ries que obren aquestes iniciatives, com es trien els itineraris i s’obren cap a la ciutat i quines s\u00f3n les estrat\u00e8gies que s’utilitzen perqu\u00e8 arribin a la ciutadania, aix\u00ed com estudiar les col\u00b7laboracions que sorgeixen i la continu\u00eftat que tenen totes elles. L’objectiu ha de ser la creaci\u00f3 de xarxes que vagin m\u00e9s enll\u00e0 de l’acord econ\u00f2mic i el simple intercanvi d’objectes i no el de marcar calendari, en una ciutat, en la qual per altra banda, no falten esdeveniments.<\/p>\n

Les exposicions d’all\u00f2 m\u00e9s variades, tot i que els formats, en general, convencionals. Ana Santos i Jo\u00e2o Ferro Martins, portuguesos tots dos, a la proposta de la galeria The Goma, comissariada per Jos\u00e9 Casta\u00f1al: dos artistes que reflexionen sobre el concepte de pintura a trav\u00e9s d’objectes ja creats al donar-los un nou \u00fas. “Narra\u00e7oes fragmentadas” \u00e9s la mostra comissariada per Tania Pardo i Cristina Anglada a la galeria Liebre. Pintura, dibuix i collage de la m\u00e0 de Jaume Abat, Marthino Costa, Santiago Lara i Luis Nobre, aquest \u00faltim un artista de 70 anys considerat emergent, el que posa de manifest que all\u00f2 emergent no \u00e9s una q\u00fcesti\u00f3 que afecti a l’artista i a la seva edat , sin\u00f3 que t\u00e9 a veure amb una forma d’entendre l’art. En el cas de la galeria Elba Ben\u00edtez el comissari \u00e9s el portugu\u00e8s, Ricardo Nicolau, subdirector del Museu Serralves, a Oporto. Aqu\u00ed presenta l’exposici\u00f3 Prince, de l’artista litu\u00e0 Gintaras Didziapetris, amb una redu\u00efda selecci\u00f3 de peces, fotografies i un v\u00eddeo, d’un artista que agrada de l’ambig\u00fcitat i la c\u00e0rrega po\u00e8tica. Luj\u00e1n Marcos i Roberto Vidal com a comissaris en l’espai Mad is Mad, reflexionen sobre el dandisme actual, un concepte que es perfila avui entre la desgana i l’ambig\u00fcitat, lluny del refinat i atent dandi de Baudelaire. “Esperando a Houdini”, a la galeria Raquel Ponce, \u00e9s una mostra fotogr\u00e0fica de No\u00e8 Sendes i Miguel \u00c1ngel Tornero, dos artistes que utilitzen “la m\u00e0gia” en els seus treballs i en les peces dels quals el llenguatge es converteix en una met\u00e0fora visual. Curiosament, aquesta \u00e9s l’\u00fanica exposici\u00f3, comissariada per l’organitzadora, Virginia Torrente, en qu\u00e8 no “s’ha colat” cap artista portugu\u00e8s. “Una tirada de dados”, a Moriarty, de la m\u00e0 de David Barro i Mar\u00eda de F\u00e1tima Lambert, \u00e9s l’aposta per l’execuci\u00f3 d’un projecte radiof\u00f2nic, que continuar\u00e0 en el temps, entre Espanya i Portugal, juntament amb l’edici\u00f3 d’una revista col\u00b7lectiva “El Estado Mental Radio”.<\/p>\n

Una de les novetats d’aquesta edici\u00f3 \u00e9s que s’han unit dos espais independents, Felipa Manuela i noestudio. El primer, un antic domicili convertit en resid\u00e8ncia per a artistes, i el segon, una antiga piscifactoria gestionat pels artistes Miki Leal, Abraham Lacalle, Jaime de la Jara i Jacobo Castellano en el qual realitzen exposicions d’altres creadors. Dos espais, dos contextos diferents, que han nascut de forma independent com una necessitat del teixit art\u00edstic de la ciutat, i que malgrat la dificultat intr\u00ednseca dels formats, sembla que funcionen.<\/p>\n

Exposicions com a formes de crear noves relacions i contactes, galeries que conviden a comissaris i comissaris que conviden a la vegada a artistes, una jugada, a tres bandes, en qu\u00e8 el p\u00fablic no especialitzat pinta m\u00e9s aviat poc. Ens dirigim potser cap a una din\u00e0mica d’autogesti\u00f3 que busca la trobada de tots els agents art\u00edstics, un fem-ho nosaltres mateixos, per oferir una imatge d’unitat davant del possible comprador o visitant. El repte seria ara incloure a aquest p\u00fablic perqu\u00e8 no tingui la sensaci\u00f3 de quedar-se fora d’una partida entre amics.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cercar l’euf\u00f2ria \u00e9s un sistema per intentar oblidar un context precari i fer un salt cap a algun lloc desconegut. Jugada a Tres Bandas \u00e9s una estrat\u00e8gia per unir, per…<\/p>\n","protected":false},"author":1246,"featured_media":11170,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[5811,5746],"coauthors":[],"acf":[],"yoast_head":"\nUna partida amistosa – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/una-partida-amistosa\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Una partida amistosa – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Cercar l’euf\u00f2ria \u00e9s un sistema per intentar oblidar un context precari i fer un salt cap a algun lloc desconegut. 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