Roger Bernat<\/a> en la seva \u00faltima proposta ha donat la volta a la premissa del teatre sense teatre. Aqu\u00ed s\u00ed que estem en un teatre, en una sala amb escenari i butaques, amb espectadors, per\u00f2 sense teatralitat. O, almenys, sense representaci\u00f3 i sense actors. Els actors s\u00f3n els propis espectadors que es passen les dues hores de la “funci\u00f3” prenent decisions, votant i discutint les propostes d’una m\u00e0quina. Que ning\u00fa s’espanti!, no es tracta de la t\u00edpica obra de teatre intimidant en qu\u00e8 et toca sortir a l’escenari a fer el rid\u00edcul.<\/p>\nAbans d’entrar a la sala cada espectador rep un comandament amb el qual votar\u00e0 s\u00ed, no o s’abstindr\u00e0 davant les preguntes que planteja la m\u00e0quina sobreimpressionades en una gran pantalla al centre de l’escenari. De fet ni tan sols est\u00e0s obligat a votar. Les primeres preguntes funcionen com una mena de comprom\u00eds o contracte amb l’espectador sobre si est\u00e0 disposat a entrar en el joc: et sents capa\u00e7 d’usar el comandament sense rebre instruccions? Et sents capa\u00e7 de prendre decisions aquesta nit? Els s\u00eds s\u00f3n aclaparadors. S’accepta el joc, estem disposats a votar i prendre decisions. Suposo que si en algun cas Roger Bernat es trob\u00e9s amb un no un\u00e0nime acabaria la funci\u00f3 en aquest moment.<\/p>\n
Des del principi la q\u00fcesti\u00f3 est\u00e0 plantejada: aquest no \u00e9s un espai de representaci\u00f3, \u00e9s un espai aut\u00f2nom en el qual unes persones prenen les decisions sobre com organitzar-se. \u00c9s un espai real. La sala es declara inviolable, es declara territori propi i independent. Teatre sense representaci\u00f3, a “pendent de votaci\u00f3” Roger Bernat insisteix en portar a terme una pr\u00e0ctica teatral que assumeix la crisi de la representaci\u00f3, de la impossibilitat de representar. Seguint al peu de la lletra la teoria Situacionista, el que proposa \u00e9s una situaci\u00f3. La qual cosa no significa que no hagi narrativa. Al contrari, les pr\u00f2pies votacions estableixen un relat.<\/p>\n
Podem escollir entre escoltar els Beatles o els Stones. Ens hem de fotre!, a la sessi\u00f3 a la qual vaig assistir van guanyar els Beatles. Diuen que el m\u00f3n es divideix entre aquells als que els agraden els Beatles i als que els agraden els Stones. Estic en minoria. Cal acceptar les lleis d’aquesta democr\u00e0cia petita i transit\u00f2ria a la qual hem decidit jugar aqu\u00ed durant un parell d’hores. D’aix\u00f2 va l’obra: d’assumir les contradiccions de la democr\u00e0cia. Encara m\u00e9s, com era el cas, davant d’un p\u00fablic entregat al lliure pensament i davant del qual Roger Bernat fa algunes concessions segurament destinades a generar simpatia i empatia: es desestima la proposta d’un servei militar obligatori, no hi haur\u00e0 seguretat, s\u00b4abolir\u00e0 la monarquia i es declara la tercera rep\u00fablica. Ovacions. Per\u00f2, fins i tot aqu\u00ed hi ha preguntes trampa: si no hi ha seguretat, la seguretat queda a merc\u00e8 d’altres, per exemple de la seguretat del teatre. Tamb\u00e9 la predisposici\u00f3 revolucion\u00e0ria del p\u00fablic porta a la decisi\u00f3 que el sistema pugui preveure la revoluci\u00f3, la qual cosa anul\u00b7la tota possibilitat revolucion\u00e0ria. O que establir un sistema de reinserci\u00f3 social per a terroristes significa admetre que en un proc\u00e9s de pau ha d’haver un intercanvi econ\u00f2mic. Aix\u00ed introdueix temes d’actualitat (el 15M o els ajuts socials), en preguntes, sens dubte, capcioses per\u00f2 que tenen la virtut d’assenyalar que des del moment en qu\u00e8 es decideix jugar el joc democr\u00e0tic s’assumeixen les seves contradiccions i, en definitiva, el caure en la demag\u00f2gia.<\/p>\n
De fet el relat de l’obra insisteix en aix\u00f2. Primer a l\u00b4aparellar als espectadors per afinitat i haver de compartir el vot, despr\u00e9s en establir partits en base a les mateixes afinitats en qu\u00e8 les discussions internes, almenys en la sessi\u00f3 a la qual vaig assistir, estaven marcades per la indecisi\u00f3. Una indecisi\u00f3 portada al l\u00edmit al final de l’obra quan el portaveu general de tots els espectadors concedeix, per des\u00eddia, cansament o manca de decisi\u00f3, tot el poder a la m\u00e0quina. Aquesta m\u00e0quina oculta que tots sospitem est\u00e0 governant la nostra aparent democr\u00e0cia. Aix\u00ed que al final, tampoc Roger Bernat ha pogut escapar de la representaci\u00f3: la representaci\u00f3 de la democr\u00e0cia. Aquest espai real del teatre finalment queda desvirtuat en ser ell tamb\u00e9 un espai figurat i que exigeix \u200b\u200buna metalectura. La d’haver assistit a un espectacle en qu\u00e8 tamb\u00e9 hem tingut la il\u00b7lusi\u00f3 que pod\u00edem decidir. Encara que, aix\u00f2 s\u00ed, aquest ha estat divertit.<\/p>\n","protected":false},"excerpt":{"rendered":"
Roger Bernat ha presentat la seva obra “Pendent de votaci\u00f3” al Festival de Noves Escenes Obertes (un altre esdeveniment cultural de Barcelona que est\u00e0 pendent d’un fil). Una obra en…<\/p>\n","protected":false},"author":1237,"featured_media":11186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[5864],"coauthors":[],"acf":[],"yoast_head":"\n
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