{"id":11976,"date":"2014-05-16T01:00:00","date_gmt":"2014-05-16T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/05\/16\/tell-me-the-story-of-us-again\/"},"modified":"2017-09-25T19:05:45","modified_gmt":"2017-09-25T19:05:45","slug":"tell-me-the-story-of-us-again","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/tell-me-the-story-of-us-again\/","title":{"rendered":"\u201cTell me the story of us, again\u201d: rituales de paso en Frances Ha y Oh Boy"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8880\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/05\/Tell_me.jpg\" alt=\"Tell_me.jpg\" align=\"left\" width=\"670\" height=\"493\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/05\/Tell_me.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/05\/Tell_me-544x400.jpg 544w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><br \/>\nPor el camino de curvas peligrosas donde se cruzan de frente las expectativas y la frustraci\u00f3n de las mismas, decoradas por las mentiras que nos contamos a nosotros mismos para camuflar  decepciones, avanza el gui\u00f3n de <em>Frances Ha<\/em> (2011), coguionada y tambi\u00e9n protagonizada, por Greta Gerwig. El car\u00e1cter atolondrado del personaje, su torpeza verbal, su impulsividad se\u00f1alizan la deriva de Frances Halladay, una aspirante a bailarina en una compa\u00f1\u00eda profesional de danza moderna y egresada del exclusivo Vassar College. Frances se desliza tropezando por Nueva York, desde Brooklyn hasta Chinatown y Washington Heights, en una obsesiva relaci\u00f3n de dependencia sentimental con Sophie (Mickey Summer), su mejor amiga de la universidad, quien la har\u00e1 a un lado para mudarse con otra amiga a TriBeca y consolidar su relaci\u00f3n con su novio, obligando a Frances a buscarse otro piso y, tambi\u00e9n, a crecer un poco. Durmiendo en colchones al ras del suelo, habitando diferentes pisos como si acampara, con una desesperaci\u00f3n vital tan contagiosa como angustiante, la precariedad existencial de la protagonista trasciende la acuciante cuesti\u00f3n del trabajo y las condiciones laborales. Con un humor afilado y plagado de gags y tics solipsistas deudores del neur\u00f3tico y obsesivo-compulsivo Alvy Singer y de su ep\u00edgono femenino, la Hannah Horvath de Lena Dunham, Baumbach y Gerwig han tramado un gui\u00f3n que remite tanto al Woody Allen de <em>Annie Hall<\/em> (1975) y <em>Manhattan<\/em> (1979), como a los recursos visuales de la Nouvelle Vague.<\/p>\n<p><em>Oh, Boy<\/em> (2012), el debut cinematogr\u00e1fico del alem\u00e1n Jan Ole Gerster parece un transplante europeo de esta tradici\u00f3n. Niko Fischer (Tom Schilling) es un veintea\u00f1ero tard\u00edo que comienza el d\u00eda rompiendo con su novia, luego llega tarde a renovar su carnet de conducir y vive una situaci\u00f3n absurda y paranoica con un funcionario a la que le seguir\u00e1n una serie de  incidentes donde el punto m\u00e1s alto ser\u00e1 asistir a la imprevista muerte de un desconocido en un bar.<\/p>\n<p>En ambos films se repiten los tres aspectos fundamentales y comunes de los rituales de paso que simbolizan y marcan la transici\u00f3n desde esa post-adolescencia cr\u00f3nica al mundo adulto. El primero es un cambio de situaci\u00f3n. Al comienzo, los dos personajes se quedan solos (la mejor amiga de Frances se muda desatando el conflicto, y Niko deja a su novia) manifest\u00e1ndose el cambio de su vida anterior. Las peripecias que seguir\u00e1n al primer momento (Frances deambulando de un piso compartido a otro, de un trabajo precario a otro intentando con desesperaci\u00f3n entablar nuevas amistades, y Niko quien se queda sin tarjeta de d\u00e9bito y deber\u00e1 enfrentarse a su padre) corresponden a una transici\u00f3n, un intermedio entre el momento inicial con el que se entra al proceso, y en el cual se permuta al nuevo estado. Y este nuevo estado consiste en la inserci\u00f3n en la din\u00e1mica social ya ostentando su nueva condici\u00f3n de iniciado. Si bien en <em>Oh, Boy<\/em>, cuando Niko se deja afectar por la muerte de un desconocido el cambio que afecta al protagonista es impresionista e inconcluso, en <em>Frances Ha<\/em>, tambi\u00e9n se da al final de la pel\u00edcula,  cuando la vemos trabajando como administrativa en la oficina de la compa\u00f1\u00eda de danza en la que era aspirante, y consiguiendo finalmente el lugar propio, aunque incompleto, igual que el pedacito de papel que da nombre a su buz\u00f3n. <\/p>\n<p>De Nueva York a Berl\u00edn, de Am\u00e9rica a Europa, con una protagonista mujer y un protagonista hombre, apelando a las mismas tradiciones, la comedia <em>indie<\/em> americana, el Billdungsroman, la historia de iniciaci\u00f3n y el cine franc\u00e9s de los sesenta,  Frances y Niko se resbalan y caen sobre la superficie  peligrosamente delgada de la realidad, representada en ambos films con un filtro blanco y negro como si este vol\u00e1til e inestable Zeitgeist contempor\u00e1neo solo se pudiera abrazar con esas acogedoras variaciones de grises que intentan congelar el tiempo en la pantalla.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por el camino de curvas peligrosas donde se cruzan de frente las expectativas y la frustraci\u00f3n de las mismas, decoradas por las mentiras que nos contamos a nosotros mismos para&#8230;<\/p>\n","protected":false},"author":1322,"featured_media":15516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cTell me the story of us, again\u201d: rituales de paso en Frances Ha y Oh Boy &#8211; 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