{"id":17546,"date":"2017-10-02T10:08:22","date_gmt":"2017-10-02T10:08:22","guid":{"rendered":"http:\/\/a-desk.org\/2017\/09\/22\/proyectos-expandidos-en-el-tiempo\/"},"modified":"2017-10-12T16:49:46","modified_gmt":"2017-10-12T16:49:46","slug":"proyectos-expandidos-en-el-tiempo","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/proyectos-expandidos-en-el-tiempo\/","title":{"rendered":"Proyectos expandidos en el tiempo"},"content":{"rendered":"<p>Si aquest text tingu\u00e9s una banda sonora, arrencaria amb <em>Time is on my side<\/em> de The Rolling Stones (<em>Tiiiime is on my side, yes it is. Tiiiime is on my side, yes it is<\/em>\u2026) perque el temps \u00e9s relatiu, experimentat com a subjectiu i un b\u00e9 esc\u00e0s que es pot gestionar, administrar, perdre o gaudir. Quan en els projectes art\u00edstics l\u2019aspecte temporal s\u2019expandeix m\u00e9s enll\u00e0 del que es consideraria \u201cnormal\u201d, es converteix en un tema en si mateix. Ho hem vist en cinema, no nom\u00e9s en films el metratge dels quals frega el l\u00edmit del sostenible, sin\u00f3 especialment en produccions que van m\u00e9s enll\u00e0 d\u2019aquests l\u00edmits est\u00e0ndard (el rodatge de <em>Boyhood<\/em> de Richard Linklater es va realitzar entre 2002 i 2013 i explica la hist\u00f2ria d\u2019un nen i la seva fam\u00edlia, interpretats pels mateixos actors al llarg d\u2019onze anys). Ho hem vist tamb\u00e9 en teatre, per exemple, amb sessions maratonianas de 12 hores com la de <em>Mahabharata<\/em> de Peter Brook i Jean-Claude Carri\u00e8re. Tamb\u00e9 en art, especialment en les primeres <em>performances<\/em> de Ulay\/*Abramovic com a forma de resist\u00e8ncia o, ara fa un any, quan Anna Dot feia un exercici de filibusterisme en intentar allargar al m\u00e0xim la xerrada de clausura de la seva exposici\u00f3 a la Capella per sabotejar l\u2019hora de tancament que la instituci\u00f3 establia.<\/p>\n<p>Resist\u00e8ncia \u00e9s tamb\u00e9 la de creadors que, incansables, dediquen tota la seva vida al seu treball de manera obsessiva, independentment del reconeixement obtingut. Aix\u00ed, el m\u00fasic Joaqu\u00edn Orellana porta d\u00e8cades component i creant els seus propis instruments en el seu estudi de Ciudad de Guatemala i, a punt de complir 87 anys, acaba de ser \u201cdescobert\u201d per un p\u00fablic global, a partir de la invitaci\u00f3 a compondre i presentar una Simfonia per a documenta 14.<\/p>\n<div class=\"youtube video-container\"><iframe loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/ZFkXoD8KKlo?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>Art\u00edstic i vital \u00e9s el projecte de <em>performance<\/em> expandida d\u2019EVA &amp; ADELE una parella, transgressora de g\u00e8neres, sempre impecablement i conjuntadament vestides i maquillades, amb cont\u00ednues aparicions p\u00fabliques en les inauguracions dels principals esdeveniments art\u00edstics des de 1989.<\/p>\n<p>En el desenvolupament de projectes art\u00edstics, sovint s\u2019estableix un conflicte entre el cronograma que naturalment necessitaria un determinat projecte i el temps institucional marcat per una programaci\u00f3 que requereix que una proposta (ja sigui exposici\u00f3, <i>performance<\/i>, presentaci\u00f3, publicaci\u00f3, taller o seminari) tingui unes dates d\u2019inici i finalitzaci\u00f3 clares que no es solapen amb el seg\u00fcent esdeveniment que ocupa l\u2019agenda del centre.<\/p>\n<p>En aquests temps d\u2019acceleraci\u00f3 i rapidesa m\u00e0xims, acomodar un projecte a les seves necessitats reals i atorgar-li el temps necessari per completar els seus processos no deixa de tenir un component reivindicatiu i de comprom\u00eds a llarg termini per part dels artistes i les institucions u organitzacions que els fan possible.<\/p>\n<p>Canviem de pista en la banda sonora (potser Brass Band) i anem amb els casos d\u2019estudi.<\/p>\n<div id=\"attachment_17527\" style=\"width: 2372px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-17527\" decoding=\"async\" class=\"wp-image-17527 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-2935.jpg\" alt=\"\" width=\"2362\" height=\"1772\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-2935.jpg 2362w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-2935-768x576.jpg 768w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-2935-533x400.jpg 533w\" sizes=\"(max-width: 2362px) 100vw, 2362px\" \/><p id=\"caption-attachment-17527\" class=\"wp-caption-text\">Jeremy Deller. Speak to the Earth and it will Tell You (2007-2017) (c) Skulptur Projekte 2017. Foto: Henning Rogge<\/p><\/div>\n<p>El 2007, Jeremy Deller va iniciar el projecte <em>Speak to the Earth and it Will Tell you<\/em> pel Skulptur Projekte de M\u00fcnster, un altre exemple singular at\u00e8s que el lapse de temps entre edicions \u00e9s de deu anys. A partir dels seus interessos en el treball amb grups i comunitats de persones amb determinades afinitats, va distribuir una s\u00e8rie de quaderns enquadernats en pell a les cinquanta associacions relacionades amb jardins i horts comunitaris de la ciutat, perqu\u00e8, al llarg de deu anys, les utilitzessin com a diari (de les seves activitats, novetats, accions, contratemps\u2026). Per donar visibilitat a aquest lapse temporal, es van plantar Davidias, que triguen deu anys a florir, i el 2017, els visitants de la seg\u00fcent edici\u00f3 del Skulptur Projekte M\u00fcnster hem pogut acostar-nos al dia a dia de trenta d\u2019aquestes associacions consultant aquests diaris que, no nom\u00e9s s\u2019han centrat en temes d\u2019horticultura, sin\u00f3 que constitueixen una cr\u00f2nica social i un comentari sense mediacions als canvis de la ciutat i els seus habitants i, fins a cert punt, del m\u00f3n.<\/p>\n<div id=\"attachment_17530\" style=\"width: 1782px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-17530\" decoding=\"async\" class=\"wp-image-17530 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-0345.jpg\" alt=\"\" width=\"1772\" height=\"2363\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-0345.jpg 1772w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-0345-768x1024.jpg 768w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/Deller_Rogge-0345-300x400.jpg 300w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/><p id=\"caption-attachment-17530\" class=\"wp-caption-text\">Jeremy Deller. Speak to the Earth and it will Tell You (2007-2017) (c) Skulptur Projekte 2017. Foto: Henning Rogge<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" width=\"550\" height=\"413\" class=\"size-full wp-image-17533 aligncenter\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/SpeakToTheEarth10_Jeremy_Deller.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/SpeakToTheEarth10_Jeremy_Deller.jpg 550w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/SpeakToTheEarth10_Jeremy_Deller-533x400.jpg 533w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Canvi de m\u00fasica i canvi de cas d\u2019estudi.<\/p>\n<div class=\"youtube video-container\"><iframe loading=\"lazy\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/g3otw0Ecbmo?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p><i>No agreement today, no agreement tomorrow<\/i> de Fela Kuti d\u00f3na t\u00edtol a una intervenci\u00f3 a l\u2019espai p\u00fablic, a la ciutat de Bergkamen, que es va iniciar l\u2019any 2004 i acabar\u00e0 el 2028. Es tracta d\u2019una escultura de forma cil\u00edndrica feta amb acer i cristall mat acr\u00edlic, realitzada per l\u2019artista Andreas M. Kaufmann, despr\u00e9s de guanyar un concurs de projectes p\u00fablics per a diverses rotondes de la ciutat, convocat per l\u2019ajuntament. A l\u2019interior de l\u2019escultura, quatre projectors projecten sis imatges cadascun, amb retrats i gestos de persones dels \u00e0mbits pol\u00edtic, cultural i social, extrets dels mitjans de comunicaci\u00f3. George Bush, Julian Assange, Halle Berry o Leo Messi, entre altres, es fan ress\u00f3 del relat del present escrit pels mitjans de comunicaci\u00f3.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_17539\" style=\"width: 2477px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-17539\" decoding=\"async\" class=\"wp-image-17539 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/01-No-Agreement-today-no-agreement-tomorrow-2004-28.jpg\" alt=\"\" width=\"2467\" height=\"1984\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/01-No-Agreement-today-no-agreement-tomorrow-2004-28.jpg 2467w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/01-No-Agreement-today-no-agreement-tomorrow-2004-28-768x618.jpg 768w, https:\/\/a-desk.org\/wp-content\/uploads\/2017\/09\/01-No-Agreement-today-no-agreement-tomorrow-2004-28-497x400.jpg 497w\" sizes=\"(max-width: 2467px) 100vw, 2467px\" \/><p id=\"caption-attachment-17539\" class=\"wp-caption-text\">Andreas M. Kaufmann. No agreement today, no agreement tomorrow (2004-2028). Foto: Roman Mensig<\/p><\/div>\n<p><em>No agreement today, no agreement tomorrow<\/em> (i la refer\u00e8ncia musical i pol\u00edtica a Fela Kuti no \u00e9s casual) \u00e9s una escultura medi\u00e0tica oberta a la participaci\u00f3 de la ciutadania de Bergkamen. Des que la pe\u00e7a es va instal\u00b7lar a la rotonda que hi ha prop de l\u2019Ajuntament i al costat d\u2019una estaci\u00f3 d\u2019autobusos, ha estat objecte de preguntes, cr\u00edtiques, comentaris i d\u2019un ritual que es desenvolupa anualment i que consisteix en el canvi d\u2019una de les diapositives amb la substituci\u00f3 d\u2019un dels personatges. Aquest proc\u00e9s no \u00e9s realitzat per l\u2019artista de manera unilateral sin\u00f3 que, conscient d\u2019ocupar un espai p\u00fablic que pertany a tots, es transforma en un moment de comunicaci\u00f3 a partir d\u2019un treball amb un col\u00b7lectiu espec\u00edfic de la ciutat (que va canviant cada any) en el qual es fan propostes sobre quin personatge ha d\u2019anar-se i quin, representatiu de l\u2019any anterior, ha de \u201centrar\u201d, triant tamb\u00e9 la imatge concreta amb la qual es realitzar\u00e0 la diapositiva i es projectar\u00e0 en la rotonda.<\/p>\n<p>Des de 2004, l\u2019entrada i sortida de personatges de l\u2019actualitat p\u00fablica i medi\u00e0tica com Paris Hilton, Hillary Clinton, Angela Merkel, Joan Pau II o Steve Jobs han estat debatudes amb un grup d\u2019estudiants adolescents, una associaci\u00f3 cultural turca o un grup de folklore rus, entre altres, que han tingut plena potestat per decidir en relaci\u00f3 a l\u2019espai p\u00fablic de la seva ciutat. Quatre projectors x sis diapositives cadascun s\u00f3n 24 diapositives, que s\u2019hauran renovat totalment 24 anys despr\u00e9s de la seva instal\u00b7laci\u00f3, \u00e9s a dir, l\u2019any 2028, quan el projecte <em>No agreement today, no agreement tomorrow<\/em>, en l\u2019accepci\u00f3 m\u00e9s beuysiana de \u201cescultura social\u201d, aix\u00f2 \u00e9s, processual i participativa, haur\u00e0 arribat a la seva fi.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si aquest text tingu\u00e9s una banda sonora, arrencaria amb Time is on my side de The Rolling Stones (Tiiiime is on my side, yes it is. Tiiiime is on my&#8230;<\/p>\n","protected":false},"author":1239,"featured_media":17525,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[5441],"tags":[],"coauthors":[6368],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Proyectos expandidos en el tiempo &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/proyectos-expandidos-en-el-tiempo\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Proyectos expandidos en el tiempo &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Si aquest text tingu\u00e9s una banda sonora, arrencaria amb Time is on my side de The Rolling Stones (Tiiiime is on my side, yes it is. 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