{"id":17593,"date":"2014-05-07T01:00:00","date_gmt":"2014-05-07T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/05\/07\/leer-lenguajes-y-detectar\/"},"modified":"2017-09-24T18:33:45","modified_gmt":"2017-09-24T18:33:45","slug":"llegir-llenguatges-i-detectar-resistencies-el-ultimo-baile-de-carolina-bonfim","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/llegir-llenguatges-i-detectar-resistencies-el-ultimo-baile-de-carolina-bonfim\/","title":{"rendered":"Llegir llenguatges i detectar resist\u00e8ncies: El \u00faltimo baile de Carolina Bonfim"},"content":{"rendered":"

\"Carolina
\nSi quan parlem i escrivim contribu\u00efm a la transformaci\u00f3 aix\u00ed com a la legitimaci\u00f3 de codis i consensos que defineixen -si m\u00e9s no moment\u00e0niament- els l\u00edmits del nostre llenguatge, tamb\u00e9 passa aix\u00f2 amb els nostres moviments corporals. Amb els nostres gests donem pistes del nostre origen: com quan parlo i pel meu accent alg\u00fa podr\u00e0 endevinar amb for\u00e7a facilitat que s\u00f3c d’Osona, segur que per la manera com travesso el carrer o com agafo uns coberts tamb\u00e9 parlo del lloc i la cultura dels quals procedeixo i en els que m’han ensenyat com m’he de comportar.<\/p>\n

Des d’aquesta perspectiva \u00e9s des d’on m’aproximo a l’obra \u201cEl \u00faltimo baile\u201d, de Carolina Bonfim, dins el marc de A 3 Bandas a Barcelona. La pe\u00e7a de Bonfim es porta a terme en un espai de l’Eixample que es troba en un moment de transici\u00f3: durant la primera d\u00e8cada dels 2000 va ser un after, l’anomenat Balmes 88 i m\u00e9s tard Destino. En tancar-lo cap el 2011 va quedar en des\u00fas. Actualment es troba en vies de ser el futur espai de la Galeria Cyan i les obres ja han comen\u00e7at. Tot i aix\u00ed, les tardes dels divendres hi ha alg\u00fa que, entre les restes del qu\u00e8 queda de l’antic espai dedicat a l’oci nocturn i les parets que acolliran la nova galeria, balla temes disco amb la m\u00fasica al m\u00e0xim i en plena solitud. L’entrada a l’espai no est\u00e0 permesa per\u00f2 des del carrer sentim la m\u00fasica i podem veure aquest personatge de pres\u00e8ncia gaireb\u00e9 fantasmag\u00f2rica i que no \u00e9s altre que l’artista: Bonfim, que reprodueix moviments de ball comuns de l’escena club. Aquesta performance mant\u00e9 una relaci\u00f3 especial amb el projecte \u201cRemakes of movements in nightclubs\u201d, del 2012, per al qual, com explica aqu\u00ed<\/a>, l’artista va portar a terme una disciplina d’aprenentatge dels gests d’aquells i aquelles que passaven les nits ballant al club Moog, de Barcelona. Amb tot aix\u00f2 no resulta anecd\u00f2tic remarcar aqu\u00ed que Bonfim \u00e9s de proced\u00e8ncia brasilera i que un dels motius pels quals va comen\u00e7ar a portar a terme aquesta pr\u00e0ctica \u00e9s el fet que va detectar difer\u00e8ncies entre els moviments corporals que articulen els passos de ball en el context barcelon\u00ed i els del seu propi lloc d’origen.<\/p>\n

\u00c9s aix\u00ed com, per mitj\u00e0 de la mimesi, amb \u201cEl \u00faltimo baile\u201d Bonfim introdueix a l’espai uns codis corporals que ja no s\u00f3n propis d’aquest. En aquesta mena de gest nost\u00e0lgic i tossut que podem interpretar com un gest de resist\u00e8ncia inserit en un espai que ja no est\u00e0 destinat a aquests h\u00e0bits \u00e9s on podem llegir una de les moltes transformacions de la ciutat. \u00c9s a dir, en l’actualitat el llenguatge que Bonfim utilitza en aquest espai concret queda descontextualitzat temporalment. Aquest contrast entre codis i temps \u00e9s el reflex d’una s\u00e8rie de decisions pol\u00edtiques i de determinats projectes legislatius que han provocat canvis en el comportament dels ciutadans barcelonins. I \u00e9s que, com dic, qualssevol tipus de llenguatge \u00e9s el reflex d’una societat i \u00e9s precisament en aquest reflex on es fan visibles les transformacions de les pol\u00edtiques que estructuren els codis socials i la seva conseq\u00fcent evoluci\u00f3.<\/p>\n

Els nostres llenguatges estan carregats de marques que donen pistes de les relacions de poder que els ha desenvolupat. Essent conscients d’aix\u00f2 podem entendre com fins i tot la paraula o el gest que ens sembli m\u00e9s vulgar de tots pot arribar a actuar com un subjecte d’alteraci\u00f3 d’un determinat ordre pol\u00edtic quan es col\u00b7loca en aquella situaci\u00f3 en qu\u00e8 crea una determinada relaci\u00f3 de tensions amb la resta d’objectes i subjectes. Aquestes tensions les anomenaria contrastos contextuals, pel fet que all\u00f2 que les fa possible \u00e9s la difer\u00e8ncia entre dues o m\u00e9s realitats quan aquestes succeeixen en un mateix episodi, \u00e9s a dir, quan comparteixen un mateix espai i temps.<\/p>\n","protected":false},"excerpt":{"rendered":"

Si quan parlem i escrivim contribu\u00efm a la transformaci\u00f3 aix\u00ed com a la legitimaci\u00f3 de codis i consensos que defineixen -si m\u00e9s no moment\u00e0niament- els l\u00edmits del nostre llenguatge, tamb\u00e9…<\/p>\n","protected":false},"author":1259,"featured_media":15501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[5445,5460],"coauthors":[],"acf":[],"yoast_head":"\nLlegir llenguatges i detectar resist\u00e8ncies: El \u00faltimo baile de Carolina Bonfim – A*Desk<\/title>\n<meta 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