{"id":23385,"date":"2018-02-05T10:09:20","date_gmt":"2018-02-05T09:09:20","guid":{"rendered":"http:\/\/a-desk.org\/?p=23385"},"modified":"2018-05-02T15:12:49","modified_gmt":"2018-05-02T14:12:49","slug":"surely-such-transformative-time-on-earth-must-not-be-named-the-anthropocene-1","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/surely-such-transformative-time-on-earth-must-not-be-named-the-anthropocene-1\/","title":{"rendered":"Surely such a transformative time on Earth must not be named the Anthropocene! (1)"},"content":{"rendered":"

A Strata<\/em>, d’Ariadna Guiteras, una Veu ancestral que creua la hist\u00f2ria es veu embolicada en “una rom\u00e0ntica hist\u00f2ria de poliamor a l\u2019Antrobsc\u00e8”. Amb aquest terme Jussi Parikka es refereix al miratge d’una falsa promesa: la d’una tecnologia redemptora que torna m\u00e9s sana la nostra relaci\u00f3 amb el medi ambient. La hist\u00f2ria de poliamor que mantenim amb els nostres dispositius i que els nostres dispositius mantenen entre si gr\u00e0cies a una extensa xarxa de relacions materials \u00e9s una relaci\u00f3 t\u00f2xica. El N\u00favol perfora la Terra. Vivim en la Tercera Era del Carboni. El plastiglomerat amb el qual intima la Veu de Strata<\/em> ser\u00e0 part fonamental del nostre llegat geol\u00f2gic. Una sonda espacial que apunta cap a la Terra. El missatge s\u00f3n els media. El programari \u00e9s mat\u00e8ria. Arqueologia d’un futur mediambiental residual. El contenidor d’escombraries \u00e9s un laboratori de la Plastifera, les formes de vida potser tamb\u00e9 es pregunten, com va fer Arthur Clarke, per qu\u00e8 aquest planeta es diu Terra quan \u00e9s Oce\u00e0.<\/p>\n

A l\u2019Antrobsc\u00e8 els \u00e9ssers humans som una for\u00e7a geof\u00edsica al costat dels desitjos corporatius que instrumentalitzen les nostres vides en benefici del capital. Un capital que des de fa m\u00e9s d’un segle \u00e9s El Capital. La b\u00e8stia mitol\u00f2gica per excel\u00b7l\u00e8ncia del nostre present. Ferotge, impune i omnipresent. Capa\u00e7 de fer-nos creure que no hi ha una alternativa possible, ni tan sols en aquest reducte de llibertat que podria ser la imaginaci\u00f3. Tal \u00e9s la seva for\u00e7a que ha donat nom al Capitaloc\u00e8, un terme m\u00e9s controvertit i amb menys c\u00f2mplices que el seu germ\u00e0 gran: l\u2019Antropoc\u00e8. El Capitaloc\u00e8 \u00e9s d’her\u00e8ncia marxista, un revenant de la Modernitat en un present que tendeix a creure que \u00e9s possible enterrar el passat. L’encanteri del progr\u00e9s segueix dominant les nostres vides i la nostra comprensi\u00f3 del m\u00f3n. Abans ens dirigia cap a una vict\u00f2ria sense adversari; ara ens dirigeix \u200b\u200bal frac\u00e0s, al desastre total. L’enemic som nosaltres mateixos. Per\u00f2 la condecoraci\u00f3 ens l’hem posat nosaltres. Som la gran for\u00e7a geol\u00f2gica del planeta.<\/p>\n

 <\/p>\n

\"\"<\/a> Strata (2013)<\/p>\n

La ci\u00e8ncia-ficci\u00f3, que tant hem lloat per a pensar el futur, ens ha proporcionat nombrosos Apocalipsi que segueixen col\u00b7locant l’Home -que no l’\u00e9sser hum\u00e0- en el centre dels seus imaginaris suposadament alternatius. El relat no deixa de ser teleol\u00f2gic. I heteropatriarcal. Com en tot, hi ha necess\u00e0ries excepcions. The Female Man<\/em>, de Joanna Russ, no presenta la possibilitat imminent o latent d’un tr\u00e0gic final per a la humanitat. Imagina l’inimaginable: elimina l’actor principal que domina l’equaci\u00f3 m\u00f3n \/ futur i desintegra sense viol\u00e8ncia la simbiosi entre extractivisme i tecnologia. The Female Man<\/em> esborra despreocupadament als homes del futur, intercanviant el desert post-apocal\u00edptic per la calma d’un m\u00f3n cient\u00edficament molt avan\u00e7at en el qual les dones trien de manera volunt\u00e0ria construir una societat agr\u00e0ria durant segles. La utopia rural de Russ es torna real en l’actualitat mitjan\u00e7ant el desig i les recomanacions d’aquells que han ent\u00e8s que les ciutats no s\u00f3n el resultat natural de la Hist\u00f2ria -res ho \u00e9s- sin\u00f3 una elecci\u00f3 ideol\u00f2gica inconscient. Potser per pensar el futur ens cal m\u00e9s ficci\u00f3-social i no tanta ci\u00e8ncia-ficci\u00f3. Potser, per a qu\u00e8 aquest futur existeixi, ens cal comen\u00e7ar a deixar de pensar que les solucions es troben en ell. O en nosaltres.<\/p>\n

La major part de les hist\u00f2ries de la ci\u00e8ncia-ficci\u00f3 estan orientades a una mateixa fi: la fi de la Hist\u00f2ria. Un relat que \u00e9s simplement un dels relats possibles. Un relat que \u00e9s ali\u00e8 a la vida (i la no-vida) de moltes altres entitats, per\u00f2 que ha acabat per apropiar-se’n, usurpan-los-hi el dret a una hist\u00f2ria pr\u00f2pia que no comprometi la seva superviv\u00e8ncia. Una no-hist\u00f2ria. La fi de la Hist\u00f2ria \u00e9s una meta suposadament involunt\u00e0ria que tamb\u00e9 est\u00e0 arrelada en el relat teleol\u00f2gic que comparteixen Capitaloc\u00e8 i Antropoc\u00e8. Un tema que ni tan sols \u00e9s nou, que neix amb ella, i que nom\u00e9s s’esgotar\u00e0 quan aquest final realment passi. Amb l\u2019Antropoc\u00e8 som m\u00e9s conscients dels efectes transformadors de l’activitat humana sobre el planeta que amb l’Holoc\u00e8. Per\u00f2 \u00e9s una categoria tan dram\u00e0tica com tots aquells finals del m\u00f3n que pronostica. Un terme ideol\u00f2gic que, a causa de la seva her\u00e8ncia etimol\u00f2gica, ni tan sols ens inclou a totes. L\u2019\u00e0ntropos \u00e9s parcial. \u00c9s l’home universal, blanc i occidental. Aquell que ha inventat la locomotora de vapor o els explosius. El mateix que ha dissenyat la import\u00e0ncia del carb\u00f3, del petroli o del liti dins de l’economia mundial. L’Antropoc\u00e8 \u00e9s euroc\u00e8ntric. En el seu repartiment hist\u00f2ric de culpes acusa la Revoluci\u00f3 Industrial, un esdeveniment realment petit que eclipsa la resta de relacions mundials que treballen en la transformaci\u00f3 del planeta. L’Antropoc\u00e8 \u00e9s arrogant i antropoc\u00e8ntric. Segueix posant l’\u00e9sser hum\u00e0 en el centre de forces d’una acci\u00f3 descentralitzada. L’Antropoc\u00e8 \u00e9s una ficci\u00f3, una mite-auto-poiesis. Com diu Haraway -a qui esmento ara per\u00f2 que est\u00e0 present en tot aquest text- “\u00e9s dif\u00edcil explicar una bona hist\u00f2ria amb un actor tan dolent. Els mals actors necessiten una hist\u00f2ria, per\u00f2 no tota la hist\u00f2ria.”<\/p>\n

L’Antropoc\u00e8 \u00e9s neoliberal. El seu aparell social \u00e9s pesat i fatigosament burocr\u00e0tic en la recerca d’unes solucions que nom\u00e9s s\u00f3n v\u00e0lides si segueixen beneficiant al capital. Les energies renovables simplement renoven els continguts i estrat\u00e8gies del neoliberalisme. Intercanvien uns recursos i necessitats per uns altres dins del mateix paradigma de dominaci\u00f3 de l’entorn. La burocr\u00e0cia, inscrita en el codi gen\u00e8tic del neoliberalisme, \u00e9s una cosa que Mark Fisher va saber dissociar del comunisme, tan digne com el primer de l\u2019Extractivoc\u00e8, la categoria amb menys \u00e8xit de tota aquesta elit onom\u00e0stica que intenta abastar interaccions que no podem contenir. L’Antropoc\u00e8 \u00e9s classista. Com a terme, ha estat naturalitzat per la classe intel\u00b7lectual de les zones m\u00e9s riques i privilegiades de la societat occidental, sent poc \u00fatil per pensar altres societats i altres formes d’interacci\u00f3 i relaci\u00f3, humanes i no humanes. L’Antropoc\u00e8 \u00e9s un estat d’excepci\u00f3 posthum\u00e0 que apareix quan ja no \u00e9s possible seguir vivint en la Hist\u00f2ria. L\u2019Antropoc\u00e8 no ens serveix, tampoc el Capitaloc\u00e8. El problema aqu\u00ed no \u00e9s la terminologia, sin\u00f3 els efectes materials que produeixen i reprodueixen els discursos. I doncs?<\/p>\n

Haraway obre la possibilitat de pensar des d’un relat inacabat en el qual all\u00f2 subversiu deriva d’un posicionament m\u00e9s humil. El Chthuluc\u00e8. Un relat en qu\u00e8 som un element m\u00e9s dins d’un embull de relacions i entitats en cont\u00ednua transformaci\u00f3. Tots som compost. Un relat en qu\u00e8 les formes mitol\u00f2giques s\u00f3n unes altres. S\u00f3n terrenals. Perseu com a aliat de la Medusa. Medusa com a aliada de la humanitat. Atenea mai va ser \u00f2rfena. Gaia com un nom que cont\u00e9 molts altres noms. Deesses amb cossos mutants i dimensi\u00f3 sensorial. Cossos de cossos. Sistemes de sistemes. Eixams, corals, liquen. Lynn Margulis: el genoma com a registre de l’activitat dels organismes. L’homo que es transforma en humus. La terra com un sistema complex que s’adapta i que \u00e9s capa\u00e7 d’absorbir els cops per transformar-se en un espai visc\u00f3s i no en un descampat \u00e0rid. Per\u00f2 fins i tot els deserts s\u00f3n plens de vida. Relacions de parentiu que no v\u00e9nen determinades per la consanguinitat. Tentacular i no testicular. Una macro-micro-hist\u00f2ria de poliamor sense la toxicitat del romanticisme. Un temps transformatiu i no catastr\u00f2fic. La interacci\u00f3 es converteix en intra-acci\u00f3. El feminisme com a via per a un altre posicionament \u00e8tic que s\u00ed que ha sabut desvincular-se de l\u2019antropocentrisme. All\u00f2 impersonal \u00e9s pol\u00edtic. El Chthuluc\u00e8 com aquell m\u00f3n en qu\u00e8 \u00e9s tan important morir b\u00e9 com viure b\u00e9. En present continu i no en futur.<\/p>\n

 <\/p>\n

(1) Donna Haraway<\/p>\n","protected":false},"excerpt":{"rendered":"

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