{"id":25794,"date":"2019-03-29T08:04:42","date_gmt":"2019-03-29T07:04:42","guid":{"rendered":"http:\/\/a-desk.org\/magazine\/flax-kale-barcelona-world\/"},"modified":"2019-03-30T21:52:14","modified_gmt":"2019-03-30T20:52:14","slug":"flax-kale-barcelona-world","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/flax-kale-barcelona-world\/","title":{"rendered":"Flax, Kale, Barcelona World"},"content":{"rendered":"

Mar\u00e7 conclou i ens situem enfront d’un Abril tumultu\u00f3s; la batalla per Barcelona comen\u00e7a el seu compte enrere. La multi-partida electoral en la qual se situa Espanya sembla un signe m\u00e9s de la cru\u00eflla dels nostres temps. En aquest context, l’\u00edmpetu d’aquest n\u00famero d\u2019A-desk ha estat el de visualitzar i verbalitzar aquells processos i situacions que, tot i ser presents, s\u00f3n despla\u00e7ats o ignorats. El text que van signar Luc\u00eda Ega\u00f1a i Jara Rocha<\/a> dona compte de les pr\u00e0ctiques en organitzacions culturals, on de manera freq\u00fcent ens trobem supeditats a forces abusives que imposen i promouen relacions nocives.<\/p>\n

\u201cSovint aquestes males pr\u00e0ctiques s\u00f3n sostingudes per subjectes amb bastant legitimitat institucional (m\u00e9s que la teva en qualsevol cas), i altres vegades succeeixen per simple in\u00e8rcia: les males pr\u00e0ctiques formen part del paisatge m\u00e9s mediocre.”<\/p>\n

Exercicis de psico-pol\u00edtica dels nostres bons neoliberals que fan servir la precarietat laboral com a eina per a estr\u00e8nyer les rosques de l’auto-explotaci\u00f3. Supeditaci\u00f3, submissi\u00f3, i servilisme per por de perdre el poc que ens queda. Una condici\u00f3 que es trasllada a la ciutat sencera, i construeix arguments per a resignar-se als processos globals de gentrificaci\u00f3 i degradaci\u00f3 de l’ecol\u00f2gic i el social. Habitatge, inseguretat, massificaci\u00f3 tur\u00edstica, p\u00e8rdua de singularitat, despla\u00e7ament de la poblaci\u00f3, encariment de la vida, i desigualtat, s\u00f3n alguns dels mals que aguaiten a la ciutat. All\u00e0, els dibuixos d’Alba Feito<\/a>.<\/p>\n

 <\/p>\n

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La Barcelona despullada de les seves particularitats, tant materials com vivencials, fa que aquesta sigui un intermedi entre una caricatura de si mateixa, un parc tem\u00e0tic i un shopping mall d’un gran aero-port en temporada estival. Turistes i locals basculen entre una experi\u00e8ncia del global (uber, airbnb, brunch, food trucks, co-workings, mercats ambulants i festivals) i una autenticitat estilitzada del que \u00e9s local (cellers de vermut, Gr\u00e0cia i Sant Antoni, festes en terrats, pisos amb hidr\u00e0ulica, festes majors i mediterrani). El moment inesperat, el rastre del temps, i la resist\u00e8ncia de la Barcelona canalla es deixen entreveure en les fotografies de Michael Hart<\/a>.<\/p>\n

Sovint, se’ns diu que Barcelona va morir d’\u00e8xit. Que se’ns va anar de les mans, i que, com en tota Espanya, passem d’uns anys bojos d’especulaci\u00f3, balafiament i corrupci\u00f3 a haver de vendre’ns al millor postor en els moments m\u00e9s crus de l’\u00faltima crisi. El text de Carlos Delcl\u00f3s<\/a> ens ajuda a resituar el debat del model i l’efecte de la ciutat tant com a atracci\u00f3 internacional com a agent d’influ\u00e8ncia metropolitana. Hi ha una Barcelona expandida que haur\u00edem de tractar \u2013 que estem tractant \u2013 per a no abandonar-la a les maniobres dels voltors. I fer-ho amb el grau suficient d\u2019utopisme localista (horitzontalitat, anti-normativitat, horts urbans) i acceleracionisme eficient (transport, medi ambient, economia sostenible), evitant met\u00e0fores que condicionen m\u00e9s que ambicionen. N’hi ha prou de comparar L\u2019Hospitalet amb Brooklyn, Barcelona amb Amsterdam, i Catalunya amb Massachusetts.<\/p>\n

I al final l’art contemporani. Gr\u00e0cies a Caterina Almirall i a Carolina Jim\u00e9nez ens acostem a les Escenes que celebren el vint-i-cinc aniversari de La Capella<\/a>. El seu text ens proporciona una mirada al que hi ha darrere i als costats de la tarima escenogr\u00e0fica.<\/p>\n

Les moltes crisis que hem acumulat en l’\u00faltima d\u00e8cada viuen en el sector de l’art una gravetat apressant, frivolitzada per les bandades en l’estrat\u00e8gia cultural tant de l’Ajuntament com de la Generalitat. La situaci\u00f3 \u00e9s coneguda: 1. falta de legislaci\u00f3 pr\u00f2pia i adequada al sector que afecta a tot l’entramat (mecenatge, procediment administratiu, estatut de l’artista, sistema de beques i subvencions), 2. extrema depend\u00e8ncia de l’administraci\u00f3 p\u00fablica (pressupost, gesti\u00f3, falta d’ambici\u00f3 i continu\u00eftat dels projectes, males pr\u00e0ctiques), 3. precarietat de les traject\u00f2ries professionals, 4. sospita generalitzada (propiciada per la repercussi\u00f3 de pol\u00e8miques passades de moda, i per una visi\u00f3 de l’art com a aixecada de camisa, improductiu, elitista, etc.), i 5. una falta d’auto-cr\u00edtica i auto-exig\u00e8ncia per part de tots els agents que conformen el sector.<\/p>\n

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Si b\u00e9 l’art contemporani s’ha convertit en el llenguatge de la globalitzaci\u00f3 neoliberal, en la seva funci\u00f3 especulativa-mercantil i en la seva for\u00e7a gentrificadora. A Barcelona se li afegeixen diverses dificultats que paralitzen, desmoralitzen, distorsionen i flagel\u00b7len cont\u00ednuament els qui intenten tirar endavant. La classe pol\u00edtica es comporta envers el m\u00f3n de l’art com el perro del hortelano<\/em>: ni menja, ni deixa menjar. Ni exerceix la seva funci\u00f3, ni deixa que sorgeixin altres sistemes operatius. La mis\u00e8ria de les estructures burocr\u00e0tiques (i les mis\u00e8ries personalistes) mata al sector de pur cansament, i afegeix m\u00e9s que soluciona els problemes base d’un sistema que \u00e9s en si dif\u00edcil de quantificar. Com tra\u00e7ar el recorregut d’una idea, que es pot formar per inputs cognitius, creatius, o sensorials presents en l’art, i que poden acabar alimentant a un altre sector? Com detectar les fonts que ens porten cap a una ciutadania activa, cr\u00edtica, i imaginativa?<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

En un univers paral\u00b7lel, hi ha una Barcelona en la que Metr\u00f2nom, la Sala Montcada, l’Espai Poblenou o fins i tot la C\u00fapula Venus continuen oberts. On l’eix entre el l\u2019Umbracle i l’Antic Palau de Belles Arts funciona com una entitat trans-disciplin\u00e0ria dedicada a l\u2019Antropoc\u00e8, i on Santa M\u00f2nica, el Can\u00f2drom i Fabra i Coats s\u00f3n tres centres d’art independents, estables, finan\u00e7ats per convenis p\u00fablic-privats, i dirigits per persones respectades pel sector. On els espais auto-gestionats no s\u00f3n una excepci\u00f3, i on el potencial creatiu de molta gent \u00e9s aprofitat en escoles, universitats, empreses, i centres de recerca. Una Barcelona en la que els bars musicals no estan en continu risc de tancament, on el teatre no \u00e9s un art burg\u00e8s de diumenge a la tarda, i on els museus obren a les nits. Vin\u00e7on continua oberta, i encara es fan expos al taller de Ramon Casas, on l’interior de Sert de la galeria Joan Prats continua intacte, i les llibreries Canuda i Ancora y Delf\u00edn venen llibres cada dia. No \u00e9s malenconia, sin\u00f3 simple necessitat de ser una mica m\u00e9s que Barcelona World o qualsevol altra fantasia que es filtra en les ments dels nostres pol\u00edtics. El mono-cultiu mai ha estat benefici\u00f3s per a la salut del s\u00f2l.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mar\u00e7 conclou i ens situem enfront d’un Abril tumultu\u00f3s; la batalla per Barcelona comen\u00e7a el seu compte enrere. La multi-partida electoral en la qual se situa Espanya sembla un signe…<\/p>\n","protected":false},"author":1267,"featured_media":25775,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[5993],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nFlax, Kale, Barcelona World – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/flax-kale-barcelona-world\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flax, Kale, Barcelona World – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Mar\u00e7 conclou i ens situem enfront d’un Abril tumultu\u00f3s; la batalla per Barcelona comen\u00e7a el seu compte enrere. 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