{"id":27085,"date":"2019-10-30T06:00:35","date_gmt":"2019-10-30T05:00:35","guid":{"rendered":"http:\/\/a-desk.org\/?p=27085"},"modified":"2019-10-30T12:50:30","modified_gmt":"2019-10-30T11:50:30","slug":"compte-sescolta","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/compte-sescolta\/","title":{"rendered":"Compte, s’escolta"},"content":{"rendered":"

Tancar els ulls i escoltar s\u00f3n dos gestos no correlatius. Sovint haurien de ser-ho. La sobreestimulaci\u00f3 visual i la demanda cont\u00ednua de verificaci\u00f3 ocular, propiciada per les pantalles dels aparells digitals, converteix l’escolta atenta \u2013sense la mediaci\u00f3 de l’ull\u2013 en un impossible. L\u2019oculocentrisme tamb\u00e9 evidencia aquesta perspectiva. No obstant aix\u00f2, deixar de mirar aguditza els altres sentits. Privar la vista afina l’o\u00efda. Escoltar sense veure pot ser una acci\u00f3 totalment enriquidora, sempre que es tracti d’una acci\u00f3 autoconscient i intermitent. Fomenta una actitud auditiva pro-activa focalitzada en l’experi\u00e8ncia est\u00e8tica. Per\u00f2 parar esment a les vibracions sonores que es produeixen al nostre voltant tamb\u00e9 \u00e9s un acte de coratge. En nombroses ocasions un preferiria tapar-se les o\u00efdes ben fort i amb la mateixa efic\u00e0cia amb la que tanca les parpelles. En qualsevol escenari urb\u00e0 danyat permanentment pel soroll eixordador del vehicle privat un desitjaria bloquejar l’abast de les seves ones sonores. La possibilitat de deixar d’escoltar situacions adverses i la predisposici\u00f3 a escoltar subtileses pr\u00e0cticament imperceptibles s\u00f3n dos anhels que vehiculen les diferents col\u00b7laboracions textuals d’aquest mes.<\/p>\n

“Compte, s’escolta” \u00e9s un enunciat que deriva de la traducci\u00f3 a l’angl\u00e8s de la noci\u00f3 d’escolta atenta. Listen carefully<\/em> \u00e9s un concepte l’adverbi del qual incorpora matisos relatius a la cura i la precauci\u00f3. Al llarg del mes d’octubre de 2019, a la meva proposta com a editor convidat d\u2019A*Desk es convoquen raonaments te\u00f2rics i intervencions art\u00edstiques que conviden a pensar l’escolta. Les diverses contribucions proposen reflexions pol\u00edtiques, est\u00e8tiques i divulgatives en les quals s’infiltra el debat sobre la musicalitat. L’apreciaci\u00f3 auditiva, en un moment hist\u00f2ric caracteritzat per la ubiq\u00fcitat musical despr\u00e9s de la desmaterialitzaci\u00f3 dels seus suports, permet col\u00b7locar l’audi\u00e8ncia i les seves o\u00efdes en el centre del debat.<\/p>\n

En el seu escrit preliminar la te\u00f2rica Carmen Pardo Salgado<\/a> es det\u00e9 en el cilindre de cera del fon\u00f2graf de Thomas Edison, l’orella del pintor Vincent Van Gogh i el projecte sonor Surround Me: A Song Cycle for the City of London<\/em> (2010-2011) de l’artista escocesa Susan Philipsz per a articular un assaig que, en termes auditius, defensa la “distracci\u00f3” com a “mesura de protecci\u00f3”. Promoure “un altre tempo en l’o\u00efda de l’oient” \u00e9s una de les conclusions que suscita una an\u00e0lisi consp\u00edcua sobre l\u2019auralitat a la ciutat global.<\/p>\n

El m\u00fasic i artista visual Arnau Sala Saez<\/a> investiga les formes difuses de la fenomenologia ent\u00f2ptica per a elaborar un projecte art\u00edstic desplegat a trav\u00e9s de tres eixos: uns enregistraments sonors distribu\u00efts en sis seccions, un conjunt de composicions gr\u00e0fiques de naturalesa abstracta i un text explicatiu que argumenta l’exploraci\u00f3 f\u00edsica del fenomen, aix\u00ed com el proc\u00e9s de creaci\u00f3 establert. Les peces sonores resultants dibuixen microsons electr\u00f2nics que esbossen textures sint\u00e8tiques tra\u00e7ant escenaris auditius imaginaris.<\/p>\n

Shak Benavides<\/a> explica l’experi\u00e8ncia que suposa dirigir TeslaFM, una emissora de r\u00e0dio centrada en una labor encomiable: difondre les pr\u00e0ctiques musicals d’arrel experimental. Electroac\u00fastica, electr\u00f2nica d’avantguarda i art sonor s\u00f3n alguns dels \u00e0mbits tractats per un mitj\u00e0 radiof\u00f2nic que emet tant els enregistraments espectrals del segle XIX com els artefactes musicals m\u00e9s insospitats de l’actualitat. El seu ampl\u00edssim bagatge musical tamb\u00e9 es manifesta a trav\u00e9s de la seva ecl\u00e8ctica labor com Dj Shak i l’exploraci\u00f3 hauntol\u00f2gica que \u00e9s Lucius Works Here.<\/p>\n

Sam Roig<\/a>, director del projecte sonor L’Ull Cec, es pregunta on \u00e9s la m\u00fasica. Per a fer-ho organitza s\u00e8ries d’interrogants estructurats en funci\u00f3 de par\u00e0metres espec\u00edfics que a priori servirien per a albirar la localitzaci\u00f3 d’aquesta. Q\u00fcestionant la interpretaci\u00f3, la sonoritat, el silenci, l’escolta, el suport f\u00edsic i la partitura el text indaga en els m\u00faltiples dubtes ontol\u00f2gics que suscita la m\u00fasica. “Quina difer\u00e8ncia hi ha entre pensar-la, escoltar-la i recordar-la?” \u00e9s una de les q\u00fcestions clau d’una reflexi\u00f3 que interpel\u00b7la l’evocaci\u00f3 i la il\u00b7lusi\u00f3 en clau coclear.<\/p>\n

Aquestes valuoses contribucions respecte a les connotacions est\u00e8tiques i ideol\u00f2giques de l’escolta poden ampliar-se mitjan\u00e7ant el seguiment de les propostes te\u00f2riques i art\u00edstiques \u2013passades i futures\u2013 de cadascun dels seus col\u00b7laboradors. De la mateixa manera es recomana parar esment a l’exposici\u00f3 Art sonor?<\/em> comissariada per Arnau Horta (Fundaci\u00f3 Mir\u00f3 de Barcelona, 2019), la compilaci\u00f3 de textos Escucha, por favor<\/em> editada per Jos\u00e9 Luis Espejo (Madrid: EXIT, 2019), la s\u00e8rie de vinils del projecte art\u00edstic LEVE (coordinat per Esperanza Collado i Rafael Mart\u00edn del Pou des de 2011) i la revista anglesa The Wire, una font inesgotable d’articles a auscultar.<\/p>\n

 <\/p>\n

(Imatge: National Scientific and Industrial Research and Inventions Office, les botzines ac\u00fastiques de George Mabboux per a localitzar avions, 31 de maig de 1935. CNRS collection, A_3264).<\/p>\n","protected":false},"excerpt":{"rendered":"

Tancar els ulls i escoltar s\u00f3n dos gestos no correlatius. Sovint haurien de ser-ho. La sobreestimulaci\u00f3 visual i la demanda cont\u00ednua de verificaci\u00f3 ocular, propiciada per les pantalles dels aparells…<\/p>\n","protected":false},"author":2588,"featured_media":27039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6016],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nCompte, s'escolta – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/compte-sescolta\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Compte, s'escolta – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Tancar els ulls i escoltar s\u00f3n dos gestos no correlatius. 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