{"id":31126,"date":"2020-12-30T06:00:29","date_gmt":"2020-12-30T05:00:29","guid":{"rendered":"http:\/\/a-desk.org\/?p=31126"},"modified":"2020-12-29T15:31:35","modified_gmt":"2020-12-29T14:31:35","slug":"allargar-la-consciencia-material","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/allargar-la-consciencia-material\/","title":{"rendered":"Allargar la consci\u00e8ncia material"},"content":{"rendered":"

Des de fa alguns anys apunto en diverses direccions a trav\u00e9s d’un tema que em sedueix, el de la consci\u00e8ncia material. La consci\u00e8ncia material \u00e9s la manera que Richard\u00a0Sennet utilitza, en el seu mega-citat\u00a0L’artes\u00e0<\/em>, per a referir-se a la manera en qu\u00e8, des dels or\u00edgens de la civilitzaci\u00f3 cl\u00e0ssica, l’artesanat ha aconseguit sobreposar-se al menyspreu i el maltractament per mitj\u00e0 de la creen\u00e7a en el seu treball i la implicaci\u00f3 personal amb els seus materials.<\/p>\n

Afegeix\u00a0Sennet\u00a0la seg\u00fcent pregunta: \u00c9s la nostra consci\u00e8ncia de les coses independent de les coses mateixes? <\/em>i sent\u00e8ncia: Millor que perdre’s en aquest bosc filos\u00f2fic seria centrar-se en el que fa interessant a un objecte. Aquest \u00e9s el camp de consci\u00e8ncia propi de l’artes\u00e0; tots els seus esfor\u00e7os per aconseguir un treball de bona qualitat depenen de la seva curiositat pel material que t\u00e9 entre les mans<\/em>.<\/p>\n

Des de la primera vegada que vaig llegir aquestes paraules de\u00a0Sennet, vaig comen\u00e7ar a preguntar-me on se situa la consci\u00e8ncia material de l’activitat art\u00edstica, fins i tot d’aquesta que creu situar-se en un lloc antag\u00f2nic a l’activitat artesanal. Des de llavors han anat sorgint diferents oportunitats per a treballar en\u00a0curaduries\u00a0que m’han perm\u00e8s reflexionar sobre aquesta q\u00fcesti\u00f3, de la necessitat de mostrar certa curiositat pel que tenim entre mans, i que sigui aquesta curiositat la que ens permeti enriquir el resultat d’all\u00f2 que fem, sigui el que sigui.<\/p>\n

A l’octubre de 2018 A*Desk\u00a0em va convidar a operar com a editor durant un mes al llarg de 2019, proposta que vaig acceptar per\u00f2 que per diferents motius hem anat posposant fins que finalment ha tingut lloc ara, al desembre de 2020. Reviso la meva resposta inicial i, encara que al principi la meva intenci\u00f3 era dedicar el mes a analitzar el pes i la vig\u00e8ncia de quatre experi\u00e8ncies que van tenir lloc a Gal\u00edcia i en el seu extens exili al llarg del segle XX, alguna cosa finalment no he respectat, celebro no obstant aix\u00f2 que en ess\u00e8ncia la idea central s’hagi mantingut.<\/p>\n

De Gal\u00edcia s’ha quedat un cas que, encara que desconegut per a moltes, representa una fita sense igual en l’Estat Espanyol. Per aix\u00f2, despr\u00e9s de recordar el text Museo Carlos\u00a0Maside. O relat d\u00f3na\u00a0outra historia<\/em> que Agar\u00a0Ledo<\/a>\u00a0havia publicat el 2016 en la revista Grial, li vaig llan\u00e7ar la invitaci\u00f3 per a traduir i reduir en la mesura del possible la seva extensi\u00f3. El Museo Carlos\u00a0Maside, juntament amb els projectes de reactivaci\u00f3 de la ind\u00fastria cer\u00e0mica de\u00a0Sargadelos, la creaci\u00f3 del Laboratorio de Formas de Gal\u00edcia, l’editorial\u00a0Edici\u00f3s\u00a0do Castro, el Laboratori\u00a0Xeol\u00f3xico\u00a0de\u00a0Laxe\u00a0o l’Instituto\u00a0Galego\u00a0de Informaci\u00f3n van ser algunes de les iniciatives culturals m\u00e9s importants i necess\u00e0ries que tindrien lloc a Gal\u00edcia, en un escenari escombrat per la dictadura i per una guerra \u2013no de trinxeres, per\u00f2 s\u00ed de gaireb\u00e9 tres d\u00e8cades de resist\u00e8ncia activa en les muntanyes.<\/p>\n

Acompanyant aquesta recerca, vaig decidir proposar sengles converses a\u00a0Gareth\u00a0Kennedy<\/a> i Claudia Fern\u00e1ndez<\/a>, dos artistes la l\u00ednia de treball dels quals transita no sols per un obvi inter\u00e8s pels processos i les comunitats artesanes dels seus respectius pa\u00efsos, Irlanda i M\u00e8xic, sin\u00f3 tamb\u00e9 per una visi\u00f3 col\u00b7lectiva que ha anat prenent forma en alguns dels projectes que han desenvolupat al llarg de les dues \u00faltimes d\u00e8cades. Els de Fern\u00e1ndez armats d’una forta implicaci\u00f3 social que l’ha posat en contacte amb les desigualtats m\u00e9s flagrants del seu pa\u00eds, i per extensi\u00f3 de la realitat Llatinoamericana; i els de Kennedy basats en una revisi\u00f3 gaireb\u00e9 teatral dels processos artesanals i comunals que han anat diluint-se en un escenari socioecon\u00f2mic tan particular com ho ha estat en les \u00faltimes d\u00e8cades l’irland\u00e8s.<\/p>\n

Com a colof\u00f3, l’artista Xavier Aren\u00f3s<\/a> va assumir un enc\u00e0rrec inicialment llan\u00e7at a la tamb\u00e9 artista Teresa\u00a0Lanceta, companya d’Aren\u00f3s durant anys en l’equip docent de la\u00a0Escola Massana (Barcelona). L’enc\u00e0rrec partia d’unes prestatgeries que Alberto S\u00e1nchez hauria dissenyat i constru\u00eft per a mostrar la cer\u00e0mica en l’exposici\u00f3 d’art popular que es va incloure en el Pavell\u00f3 de la Rep\u00fablica de l’Exposici\u00f3 Internacional de Par\u00eds en 1937. Els motius eren clars, analitzar en aquell acte simb\u00f2lic el paper de l’art en relaci\u00f3 a l’artesanal i reivindicar una mica m\u00e9s la labor d’Alberto com a figura clau i aglutinant en aquell proc\u00e9s. Si Lanceta, qui per falta de temps va haver de recusar finalment la invitaci\u00f3, no havia tingut fins aquell llavors not\u00edcia de les prestatgeries d’Alberto, Aren\u00f3s ja les tenia sobre la taula des de feia temps i va assumir l’enc\u00e0rrec que ell mateix s’ha ocupat d’il\u00b7lustrar.<\/p>\n

Arribats a aquest punt caldria preguntar-se qu\u00e8 tenen en com\u00fa la creaci\u00f3 d’un museu de l’exili art\u00edstic en un llogaret gallec; els projectes socials i mediambientals d’una artista mexicana; la perquisici\u00f3 d’un artista irland\u00e8s entorn dels conceptes de tradici\u00f3 i ficci\u00f3 en comunitats rurals; o les prestatgeries que un artista va elaborar en 1937 a Par\u00eds, amb la finalitat de ser ocupades per peces d’artesania. Tornant a les paraules de\u00a0Sennet, totes aquestes experi\u00e8ncies, lluny d’un hipot\u00e8tic inter\u00e8s per perfeccionar alguna t\u00e8cnica, neixen d’un afany per investigar i mantenir aquesta curiositat pel que es t\u00e9 entre mans. La consci\u00e8ncia material pret\u00e9n cobrar aqu\u00ed un sentit m\u00e9s ampli, enlairant-se d’aquest terreny al qual\u00a0Sennet\u00a0la limita i buscant indagar en m\u00faltiples direccions els seus possibles camps d’acci\u00f3, apel\u00b7lant per descomptat a una q\u00fcesti\u00f3 afectiva que operi com a motor d’aquesta cerca.<\/p>\n

 <\/p>\n

(Imatge destacada:\u00a0\u201cLuis Seoane e Isaac D\u00edaz Pardo en O Castro, amb les m\u00e1scaras dissenyades pel primer per a l’obra \u201cCastelao e a s\u00faa \u00e9poca\u201d del dramaturg Ricard Salvat. Cortesia Fundaci\u00f3n Luis Seoane)<\/p>\n","protected":false},"excerpt":{"rendered":"

Des de fa alguns anys apunto en diverses direccions a trav\u00e9s d’un tema que em sedueix, el de la consci\u00e8ncia material. La consci\u00e8ncia material \u00e9s la manera que Richard\u00a0Sennet utilitza,…<\/p>\n","protected":false},"author":1268,"featured_media":31134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6086],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAllargar la consci\u00e8ncia material – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/allargar-la-consciencia-material\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Allargar la consci\u00e8ncia material – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Des de fa alguns anys apunto en diverses direccions a trav\u00e9s d’un tema que em sedueix, el de la consci\u00e8ncia material. 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