{"id":32375,"date":"2021-04-30T06:00:52","date_gmt":"2021-04-30T05:00:52","guid":{"rendered":"http:\/\/a-desk.org\/?p=32375"},"modified":"2023-07-09T14:34:05","modified_gmt":"2023-07-09T12:34:05","slug":"dar-a-ver","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/dar-a-ver\/","title":{"rendered":"Donar a Veure"},"content":{"rendered":"

Oye Zurita, me dijo, s\u00e1cate de la cabeza esos malos pensamientos
\n<\/em>Ra\u00fal Zurita<\/p><\/blockquote>\n

En les seves mem\u00f2ries el periodista i fot\u00f2graf\u00a0Jacob\u00a0Riis\u00a0va descriure la seva sorpresa en llegir el diari un mat\u00ed de 1887: \u201cel que havia estat buscant tots aquests anys era aqu\u00ed, en una not\u00edcia de quatre l\u00ednies procedent, si mal no recordo, d’algun rac\u00f3 d’Alemanya: s’havia descobert la manera, deia, de treure fotos amb flaix. Amb aix\u00f2 es podrien treure els racons m\u00e9s foscos\u201d<\/em>. Despr\u00e9s de perfeccionar aquesta t\u00e8cnica\u00a0Riis\u00a0va poder fotografiar desenes de soterranis i habitatges insalubres que fins llavors no havien pogut ser registrats per a denunciar les condicions de pobresa en les quals es vivia a la ciutat de Nova York.<\/p>\n

Aquesta an\u00e8cdota em va fer pensar que cada \u00e8poca t\u00e9 un imaginari visual i, al mateix temps, un revers opac on resideix l’irrepresentable. A vegades l’opacitat d’aquest revers \u00e9s provocada per la impossibilitat d’accedir-hi, com si es tract\u00e9s d’un punt cec. En altres ocasions som nosaltres mateixos els que evitem acostar-nos perqu\u00e8 oculta q\u00fcestions que normalment no volem abordar, b\u00e9 perqu\u00e8 resulten excessivament banals o, al contrari, perqu\u00e8 ens semblen insuportables.<\/p>\n

No se’ns escapa que aquests \u00faltims mesos tamb\u00e9 hem viscut immersos en situacions d’extrema gravetat. Amb la pand\u00e8mia el m\u00f3n ha pres consci\u00e8ncia que som una esp\u00e8cie vulnerable. Tamb\u00e9 hem viscut un proc\u00e9s de\u00a0velament\u00a0de la situaci\u00f3, un saber sense voler saber del tot. En situacions l\u00edmit continuem treballant, fent. Per\u00f2 perqu\u00e8 aix\u00f2 sigui possible necessitem oblidar, enfosquir o traslladar el real, i all\u00ed \u00e9s on comen\u00e7a la ficci\u00f3. El treball en art t\u00e9 a veure, d’alguna manera, amb remuntar i gargotejar aquesta ficci\u00f3.<\/p>\n

Durant aquest mes d’abril he volgut plantejar aquesta noci\u00f3 de\u00a0desvelament\u00a0al voltant de l’obra de quatre persones que, d’una manera o una altra, responen a aquest impuls; Javier\u00a0Arbizu,\u00a0Efr\u00e9n\u00a0\u00c1lvarez, Cl\u00e0udia\u00a0Pag\u00e9s\u00a0i Alex\u00a0Reynolds.<\/p>\n

Durant la conversa mantinguda amb Javier\u00a0Arbizu\u00a0(\u201cErrar, pla, plasma, plaer o lloc provenen de la mateixa arrel, no \u00e9s aix\u00f2 escultura?\u201d)<\/a> nocions com plasma o desig servien per a posar en dubte el sup\u00f2sit objectiu de l’escultura de fixar una forma.<\/p>\n

En\u00a0\u201cAll\u00f2 insuportable\u201d\u00a0Efren\u00a0\u00c1lvarez <\/a>vincula aquest concepte a la viol\u00e8ncia estructural de la societat en la qual vivim. Aquesta autoconsci\u00e8ncia el porta a usar el dibuix per a intentar capturar visualment aquesta situaci\u00f3, de la mateixa manera que en altres obres anteriors, com\u00a0Government<\/em>, ha mapejat els engranatges de la pol\u00edtica i el poder.<\/p>\n

En el text \u201cVermell, quechua, pollancre; insuportable\u201d, Claudia\u00a0Pag\u00e9s<\/a>\u00a0recopila una s\u00e8rie d’anotacions i reflexions sobre el seu entorn m\u00e9s immediat. L’artista se serveix del llenguatge per a recon\u00e8ixer el grau zero del quotidi\u00e0.<\/p>\n

Finalment, el text d’Alex\u00a0Reynolds<\/a>, que descriu una escena a la manera d’un breu relat o gui\u00f3 cinematogr\u00e0fic ens recorda altres obres similars de l’autora en la qual opera una certa ambig\u00fcitat narrativa. Una ambig\u00fcitat un punt ombr\u00edvola, com el registre de les seves\u00a0derives a l’interior del Palau de Just\u00edcia de Brussel\u00b7les, recollits en l’obra\u00a0Palais<\/em>.<\/p>\n

Tant la seva obra com la de la resta d’artistes reunits en aquesta selecci\u00f3 operen amb aquest gest de treure a la llum o donar a veure, des d’\u00f2ptiques i formats diferents. Tots ells han desenvolupat t\u00e8cniques per a registrar, cadascun a la seva manera, \u201cels racons m\u00e9s foscos\u201d del present.<\/p>\n

(Imatge destacada: Jacob Riis, fotograf\u00edai del llibre\u00a0How the other half lives<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"

Oye Zurita, me dijo, s\u00e1cate de la cabeza esos malos pensamientos Ra\u00fal Zurita En les seves mem\u00f2ries el periodista i fot\u00f2graf\u00a0Jacob\u00a0Riis\u00a0va descriure la seva sorpresa en llegir el diari un…<\/p>\n","protected":false},"author":2708,"featured_media":32369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6101],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nDonar a Veure – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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