{"id":33364,"date":"2021-08-09T06:00:05","date_gmt":"2021-08-09T05:00:05","guid":{"rendered":"http:\/\/a-desk.org\/?p=33364"},"modified":"2023-07-09T14:33:54","modified_gmt":"2023-07-09T12:33:54","slug":"diaris-de-viatges","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/diaris-de-viatges\/","title":{"rendered":"Diaris de viatges"},"content":{"rendered":"<p>Aquest text \u00e9s una successi\u00f3 de notes i extractes que es mouen entre el camp de l\u2019ART i de la PISCOLOGIA i que travessen l\u2019obra de dos artistes que admiro i respecto. De forma fuga\u00e7 i experimental plantejo una s\u00e8rie d\u2019associacions sota les premisses MOBILITAT i VIATGE que es desplacen des del que \u00e9s f\u00edsic i tangible, fins al que \u00e9s emocional i imperceptible.<\/p>\n<p>Sempre m\u2019interessaren artistes que introdueixen relats biogr\u00e0fics en primera persona a les seves obres, artistes que no separen VIDA i OBRA. En aquest collage textual m\u2019aproximo a la sensibilitat de l\u2019obra del DAVID WOJNAROWICZ (1964, Nova Jersey \u2013 1992, Nova York) i de la IDA APPLEBROOG (1929, Nova York), visitant a trav\u00e9s dels seus relats els espais en els marges on les seves obres cohabiten.<\/p>\n<blockquote><p><em>\u201cI\u2019m in a car traveling the folds of the southwest region of the country and the road is steadying out and becoming flat and giving off an energy like a vortex leading into the horizon line. I\u2019m getting closer to the coast and realize how much I hate arriving at a destination. Transition is always a relief. Destination means death to me. If I could figure out a way to remain forever in transition, in the disconnected and unfamiliar, I could remain in a state of perpetual freedom.\u201d D.W <\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_1');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_1');\" ><sup id=\"footnote_plugin_tooltip_33364_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_1\" class=\"footnote_tooltip\">\u00a0\u00abEstic en un cotxe viatjant pels plecs de la regi\u00f3 sud-oest del pa\u00eds i la carretera es va estabilitzant i aplanant i desprenent una energia com un v\u00f2rtex que es dirigeix cap a la l\u00ednia de&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_1');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>El David Wojnarowicz, en el seu meravell\u00f3s llibre <em>Close to the Knives <\/em>(A prop dels ganivets). <em>A Memoir of Disintegration (<\/em>Una mem\u00f2ria de desintegraci\u00f3) documenta a trav\u00e9s d\u2019una col\u00b7lecci\u00f3 d\u2019assaigs visceralment honestos, bells i afilats, la seva amplificaci\u00f3 i activisme pol\u00edtic en la dolorosa crisi de la sida. De vegades, la seva veu \u00e9s amplificada per la manca de punts i comes i et deixa quasi sense aire en llegir-ho. El seu cos \u00e9s un vehicle en constant moviment que es despla\u00e7a a trav\u00e9s dels carrers de Nova York, on l\u2019ASFALT es transforma en FLUIDS u el DESIG conviu en un estrany buit amb l\u2019AMOR.<\/p>\n<blockquote><p><em>\u201cThere were times in my teens when I was living on the streets and selling my body to anyone interested. I hung around a neighborhood that was so crowded with homeless people that I can\u2019t even remember what the architecture of the blocks looked like. Whereas I could at least spread my legs and gain a roof over my head, all those people down in those streets had reached the point where the commodity of their bodies and souls meant nothing more to anyone but themselves. I remember times getting picked up by some gentle and repressed fag living in a high-rise apartment filled with priceless north american indian artifacts and twentieth-century art who was paying me ten bucks to suck on my dick.\u201d D.W\u00a0<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_2');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_2');\" ><sup id=\"footnote_plugin_tooltip_33364_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_2\" class=\"footnote_tooltip\">\u00abHi va haver temps a la meva adolesc\u00e8ncia que vivia als carrers i venia el meu cos a qualsevol que estigu\u00e9s interessat. Freq\u00fcentava un barri que estava tan ple de gent sense sostre que ni tan&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_2');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>David Wojnarowicz creix\u00e9 en els SUBURBIS de Nova Jersey amb un pare alcoh\u00f2lic i abusiu. La seva obra \u00e9s crua i honesta, extensa i multiforme, passa de l\u2019escriptura a la <em>performance<\/em>, de la pintura al v\u00eddeo o de la fotografia a l\u2019activisme. En un dels seus treballs veiem una fotografia del DAVID de nen somrient amb una camisa estampada i tirants, dues columnes de text abriguen la imatge i li donen VEU.<\/p>\n<blockquote><p><em>\u201cOne day this kid will get larger. One day this kid will come to know something that causes a sensation equivalent to the separation of the earth from its axis. One day this kid will reach a point where he senses a division that isn\u2019t mathematical. One day this kid will feel something stir in his heart and throat and mouth. One day this kid will find something in his mind and body and soul that makes him hungry. (\u2026) Or one day this kid will talk.\u201d D.W\u00a0<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_3');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_3');\" ><sup id=\"footnote_plugin_tooltip_33364_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_3\" class=\"footnote_tooltip\">\u00abUn dia aquest nen es far\u00e0 gran. Un dia aquest nen arribar\u00e0 a con\u00e8ixer alguna cosa que causa una sensaci\u00f3 equivalent a la separaci\u00f3 de la terra del seu eix. Un dia aquest nen arribar\u00e0 al punt&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_3');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>#EMOCI\u00d3: L\u2019arrel\u00a0 de la paraula EMOCI\u00d3 \u00e9s MOURE, que aix\u00ed mateix prov\u00e9 de la paraula en franc\u00e8s mitj\u00e0 <em>\u00e9motion<\/em>, que significa \u00abmoviment (social), agitaci\u00f3, renou\u00bb. El terme <em>emoci\u00f3 <\/em>s\u2019introdu\u00ed a la discussi\u00f3 acad\u00e8mica per assignar \u00abpassions, sentiments i afectes\u00bb i s\u2019encuny\u00e0 a principis del segle XIX per en Thomas Brown. Segons aquesta definici\u00f3 ning\u00fa sent\u00ed emocions abans de 1830, en canvi, si sentien altres coses com \u00abpassions\u00bb, \u00abaccidents de l\u2019\u00e0nima\u00bb o \u00absentiments morals\u00bb.<\/p>\n<p>Recordo el dia que passejava per la DOCUMENTA (13) de Kassel el 2012 i vaig topar amb la meravellosa i generosa obra de la Ida Applebroog. La gran sala estava plena de reproduccions impreses en <em>offset<\/em> de notes escrites a m\u00e0 o a m\u00e0quina, cartes, il\u00b7lustracions de la seva pr\u00f2pia vagina o pintures, apilades o clavades a les parets. Els cossos dels visitants circulaven a l\u2019interior de l\u2019obra fent zig-zag entre caixes plenes de papers que anirien buidant-se al llarg de l\u2019exposici\u00f3. Cada un podia adquirir els exemplars que desitjava d\u2019aquella INTIMITAT REPRODU\u00cfDA EN S\u00c8RIE que era compartida de forma COL\u00b7LECTIVA. La seva escriptura \u00e9s sovint incomprensible, altres vegades graciosa, grotesca o fins i tot pamflet\u00e0ria. Notes escrites en antics diaris o quaderns, on la TINTA traspassa d\u2019un costat a l\u2019altre superposant continguts i reflexions.<\/p>\n<blockquote><p><em>I am human, you pig<br \/>\n<\/em><em>I&#8217;m a female anarchist<br \/>\n<\/em><em>I&#8217;ll burn down their supermarkets<br \/>\n<\/em><em>I&#8217;ll ban all their churches<\/em><\/p>\n<p><em>I&#8217;m polymorphous perverse<br \/>\n<\/em><em>Come off it<br \/>\n<\/em><em>You&#8217;re too old\u00a0<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_4');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_4');\" ><sup id=\"footnote_plugin_tooltip_33364_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_4\" class=\"footnote_tooltip\">\u00a0<em>Soc humana, porc<br \/>\n<\/em><em>Soc una dona anarquista<br \/>\n<\/em><em>Cremar\u00e9 els seus supermercats<br \/>\n<\/em><em>Prohibir\u00e9 totes les seves esgl\u00e9sies<br \/>\n<\/em><em>\u00a0<\/em><em>Soc una perversa polimorfa<br \/>\n<\/em><em>Va, vinga<br \/>\n<\/em><em>Ets massa vell\u00a0<\/em><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>En una de les obres l\u2019artista s\u2019apropia i reprodueix en una carta que data de 1600 i que va ser escrita per la Virginia Galilei, coneguda com a \u00abGermana Mar\u00eda Celeste\u00bb, al seu pare acusat d\u2019heretgia i condemnat a arrest domiciliari de per vida per la Inquisici\u00f3. A trav\u00e9s d\u2019aquesta carta connecta la seva pr\u00f2pia biografia amb la de la Galilei, l\u2019estricta paternitat i conviccions religioses de la qual la van fer sofrir en un entorn fortament repressiu i disciplinat durant tota la seva vida. Una de les reproduccions en <em>offset<\/em> exposades en la DOCUMENTA (13), mostra notes del diari de l\u2019Applebroog on comparteix obertament abusos sexuals que va patir a mans del seu propi pare. L\u2019ARXIU m\u00e9s privat de l\u2019Applebroog, artista nascuda al Bronx, filla de pares jueus ortodoxos emigrats de Pol\u00f2nia, esdevingu\u00e9 p\u00fablic despr\u00e9s de 30 o 40 anys sense ser vist.<\/p>\n<blockquote><p><em>The abuse<br \/>\n<\/em><em>Is in the disease<br \/>\n<\/em><em>It&#8217;s just<br \/>\n<\/em><em>That I have<br \/>\n<\/em><em>Too much blood<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_5');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_5');\" ><sup id=\"footnote_plugin_tooltip_33364_1_5\" class=\"footnote_plugin_tooltip_text\">[5]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_5\" class=\"footnote_tooltip\"><em>L\u2019ab\u00fas<br \/>\n<\/em><em>Est\u00e0 en la malaltia<br \/>\n<\/em><em>\u00c9s nom\u00e9s<br \/>\n<\/em><em>Que tinc<br \/>\n<\/em><em>Massa sang<\/em><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_5').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_5', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>#TRAUMA: Del grec antic \u03c4\u03c1\u03b1\u1fe6\u03bc\u03b1 significa FERIDA, est\u00e0 format per l\u2019arrel del verb \u03c4\u03b9\u03c4\u03c1\u03ce\u03c3\u03ba\u03c9 (tritosko = jo fereixo, jo danyo) i est\u00e0 associada amb una arrel indoeuropea *ter\u0259- (fregar, moldre cridant) i les paraules tribulaci\u00f3, triturar i blat. Generalment es denomina trauma ps\u00edquic tant a un esdeveniment que amena\u00e7a el benestar o vida d\u2019una persona, com a la conseq\u00fc\u00e8ncia d\u2019aquest esdeveniment en el sistema, l\u2019estructura mental o la vida emocional d\u2019aquesta. A vegades, si est\u00edmuls del present fan <em>match <\/em>\u00a0amb records d\u2019una experi\u00e8ncia traum\u00e0tica del passat, el cervell pot reaccionar com si l\u2019experi\u00e8ncia del passat estigu\u00e9s ocorrent en el present. Una esp\u00e8cie de VIATGE TEMPORAL sense moure\u2019s del lloc.<\/p>\n<blockquote><p><em>I sublimate my problems into art<br \/>\n<\/em><em>The problems disappear<br \/>\n<\/em><em>My art remains<br \/>\n<\/em><em>That is another problem<\/em><em>\u00a0<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_6');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_6');\" ><sup id=\"footnote_plugin_tooltip_33364_1_6\" class=\"footnote_plugin_tooltip_text\">[6]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_6\" class=\"footnote_tooltip\"><em>Jo canalitzo els meus problemes en art<br \/>\n<\/em><em>Els problemes desapareixen<br \/>\n<\/em><em>El meu art roman<br \/>\n<\/em><em>Aquest \u00e9s un altre problema<\/em><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_6').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_6', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>#DISSOCIACI\u00d3: La dissociaci\u00f3 \u00e9s una capacitat mental complexa que utilitzem a la vida quotidiana; implica desvincular-se del m\u00f3n exterior i centrar-se en el nostre m\u00f3n interior. Somniar despert, deixar que la ment divagui s\u00f3n formes de dissociaci\u00f3. Mentre que la fisiologia de la resposta a un est\u00edmul \u00e9s optimitzar reaccions com <em>fight-or-flight <\/em>(lluita o fugida), la fisiologia de la dissociaci\u00f3 ajuda a descansar, agafar forces, sobreviure lesions \u00a0i tolerar el dolor.<\/p>\n<blockquote><p><em>Once upon a time<br \/>\n<\/em><em>I went to the zoo<br \/>\n<\/em><em>and watched<br \/>\n<\/em><em>one hundred<br \/>\n<\/em><em>and thirty-two<br \/>\n<\/em><em>tortoises<br \/>\n<\/em><em>slowly fuck<br \/>\n<\/em><em>in the sun<br \/>\n<\/em><em>that day<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_7');\" onkeypress=\"footnote_moveToReference_33364_1('footnote_plugin_reference_33364_1_7');\" ><sup id=\"footnote_plugin_tooltip_33364_1_7\" class=\"footnote_plugin_tooltip_text\">[7]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_33364_1_7\" class=\"footnote_tooltip\"><em>Vet aqu\u00ed que una vegada hi havia<br \/>\n<\/em><em>Vaig anar al zoo<br \/>\n<\/em><em>I aquell dia<br \/>\n<\/em><em>Vaig veure<br \/>\n<\/em><em>Cent<br \/>\n<\/em><em>Trenta-dos<br \/>\n<\/em><em>Tortugues<br \/>\n<\/em><em>Follar lentament<br \/>\n<\/em><em>Al sol<\/em><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_33364_1_7').tooltip({ tip: '#footnote_plugin_tooltip_text_33364_1_7', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p><\/blockquote>\n<p>Els traumes no es produeixen en el buit i tot i que sovint nom\u00e9s afecten una persona no haurien de considerar-se individuals. Les obres que presento en aquest text, obres que em mouen per dins, encarnen un espai de cura col\u00b7lectiva i mobilitzaci\u00f3. Els relats privats esdevenen p\u00fablics, les obres parlen des del silenci i la invisibilitat.<\/p>\n<p>&nbsp;<\/p>\n<p>Refer\u00e8ncies bibliogr\u00e1fiques<\/p>\n<p>Wojnarowicz, David: \u201cClose to the Knives. A Memoir of Disintegration\u201d, Vintage Books, Nueva York 1991<br \/>\nCarr, Cynthia: \u201cFire in the Belly. The Life and Times Of. David Wojnarowicz\u201d, Blomsbury, Nueva York 2012<br \/>\nEd. Documenta und Museum Fredericianum: \u201cDas Begleitbuch \/ The Guidebook &#8211; dOCUMENTA (13)\u201d, Hatje Cantz, Ostfildern 2012<br \/>\nGoleman, Daniel: \u201cEmotional Intelligence. Why It Can Matter More Than IQ\u201d, Bantam Books, Nueva York 1995<br \/>\nPerry, Bruce \/ Winfrey, Oprah: \u201cWhat happened to you? Conversations on Trauma, Resilience, and Healing\u201d, Flatiron Books, London 2021<\/p>\n<p>&nbsp;<\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_33364_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_33364_1();\">[<a id=\"footnote_reference_container_collapse_button_33364_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_33364_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_1');\"><a id=\"footnote_plugin_reference_33364_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">\u00a0\u00abEstic en un cotxe viatjant pels plecs de la regi\u00f3 sud-oest del pa\u00eds i la carretera es va estabilitzant i aplanant i desprenent una energia com un v\u00f2rtex que es dirigeix cap a la l\u00ednia de l\u2019horitz\u00f3. M\u2019estic apropant a la costa i m\u2019adono de quant odio arribar al dest\u00ed. La transici\u00f3 sempre \u00e9s un alliberament. Per mi, el dest\u00ed significa la mort. Si pogu\u00e9s descobrir una manera per tal de poder romandre per sempre en transici\u00f3, en l\u2019inconnex i desconegut, podria romandre en un estat de llibertat perpetua.\u00bb D.W. <\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_2');\"><a id=\"footnote_plugin_reference_33364_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">\u00abHi va haver temps a la meva adolesc\u00e8ncia que vivia als carrers i venia el meu cos a qualsevol que estigu\u00e9s interessat. Freq\u00fcentava un barri que estava tan ple de gent sense sostre que ni tan sols puc recordar com era l\u2019arquitectura dels edificis. Mentre que jo pogu\u00e9s almenys obrir-me de cames i guanyar-me un sostre, tota aquella gent als carrers havien arribat a un punt on la comoditat dels seus cossos i \u00e0nimes no importaven a ning\u00fa m\u00e9s que ells mateixos. Recordo vegades en qu\u00e8 em recollia un marieta amable i reprimit que vivia en un apartament d\u2019un gratacel ple d\u2019artefactes indis valuosos i art del segle vint que em pagava deu d\u00f2lars per mamar-me el penis.\u00bb D.W.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_3');\"><a id=\"footnote_plugin_reference_33364_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">\u00abUn dia aquest nen es far\u00e0 gran. Un dia aquest nen arribar\u00e0 a con\u00e8ixer alguna cosa que causa una sensaci\u00f3 equivalent a la separaci\u00f3 de la terra del seu eix. Un dia aquest nen arribar\u00e0 al punt on sentir\u00e0 una divisi\u00f3 que no \u00e9s matem\u00e0tica. Un dia aquest nen sentir\u00e0 alguna cosa remoure\u2019s en el seu cor, la seva gola i la seva boca. Un dia aquest nen trobar\u00e0 alguna cosa a la seva ment, al seu cos i a la seva \u00e0nima que el torna famolenc. (&#8230;) O un dia aquest nen parlar\u00e0.\u00bb D.W <\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_4');\"><a id=\"footnote_plugin_reference_33364_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">\u00a0<em>Soc humana, porc<br \/>\n<\/em><em>Soc una dona anarquista<br \/>\n<\/em><em>Cremar\u00e9 els seus supermercats<br \/>\n<\/em><em>Prohibir\u00e9 totes les seves esgl\u00e9sies<br \/>\n<\/em><em>\u00a0<\/em><em>Soc una perversa polimorfa<br \/>\n<\/em><em>Va, vinga<br \/>\n<\/em><em>Ets massa vell\u00a0<\/em><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_5');\"><a id=\"footnote_plugin_reference_33364_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\"><em>L\u2019ab\u00fas<br \/>\n<\/em><em>Est\u00e0 en la malaltia<br \/>\n<\/em><em>\u00c9s nom\u00e9s<br \/>\n<\/em><em>Que tinc<br \/>\n<\/em><em>Massa sang<\/em><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_6');\"><a id=\"footnote_plugin_reference_33364_1_6\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>6<\/a><\/th> <td class=\"footnote_plugin_text\"><em>Jo canalitzo els meus problemes en art<br \/>\n<\/em><em>Els problemes desapareixen<br \/>\n<\/em><em>El meu art roman<br \/>\n<\/em><em>Aquest \u00e9s un altre problema<\/em><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_33364_1('footnote_plugin_tooltip_33364_1_7');\"><a id=\"footnote_plugin_reference_33364_1_7\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>7<\/a><\/th> <td class=\"footnote_plugin_text\"><em>Vet aqu\u00ed que una vegada hi havia<br \/>\n<\/em><em>Vaig anar al zoo<br \/>\n<\/em><em>I aquell dia<br \/>\n<\/em><em>Vaig veure<br \/>\n<\/em><em>Cent<br \/>\n<\/em><em>Trenta-dos<br \/>\n<\/em><em>Tortugues<br \/>\n<\/em><em>Follar lentament<br \/>\n<\/em><em>Al sol<\/em><\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_33364_1() { jQuery('#footnote_references_container_33364_1').show(); 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