{"id":35418,"date":"2022-02-28T07:19:17","date_gmt":"2022-02-28T06:19:17","guid":{"rendered":"http:\/\/a-desk.org\/?p=35418"},"modified":"2023-07-09T14:33:33","modified_gmt":"2023-07-09T12:33:33","slug":"tiempo-al-tiempo","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/tiempo-al-tiempo\/","title":{"rendered":"Temps al temps"},"content":{"rendered":"<p>La relaci\u00f3 entre la cronologia hist\u00f2rica i l&#8217;ordre \u00e9s indefugible. On hi ha enumeraci\u00f3 hi ha ordre, on hi ha grans esdeveniments hi ha cronologia, hi ha successi\u00f3 i hi ha hist\u00f2ria.<\/p>\n<p>L&#8217;antropologia, al comen\u00e7ament, gaudia d&#8217;una autoritat cient\u00edfica per poder nomenar el temps. Distingir entre <em>temps real i temps f\u00e0ctic<\/em> era la seva comesa. Els primers antrop\u00f2legs, benintencionats, van estendre la idea de les cronologies m\u00faltiples: les dominants i les subalternes. Una cultura <em>avan\u00e7ada<\/em>\u00a0convivia en el <em>temps f\u00e0ctic<\/em>\u00a0amb una cultura <em>endarrerida<\/em>, per\u00f2 mai en el temps <em>real<\/em>. Pitt-Rivers, el creador del fam\u00f3s museu etnogr\u00e0fic d&#8217;Oxford, va afirmar que \u00ables races existents, als seus respectius estadis de progr\u00e9s, representen fidelment les races de l&#8217;antiguitat\u00bb. L&#8217;estudi d&#8217;una <em>cultura fossilitzada<\/em> o primitiva, que s&#8217;havia quedat estancada al llarg del temps, il\u00b7luminava el passat.<\/p>\n<p>\u00abLa localitzaci\u00f3 del temps, el lloc on el temps importava, era Occident\u00bb<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_1');\" onkeypress=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_1');\" ><sup id=\"footnote_plugin_tooltip_35418_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35418_1_1\" class=\"footnote_tooltip\">Moxey, K. <em>El tiempo de lo visual. La imagen en la historia. <\/em>Sans Soleil, Barcelona, 2015, p. 25.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35418_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_35418_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p><img decoding=\"async\" width=\"800\" height=\"600\" class=\"alignnone size-full wp-image-35404\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-1-y-2.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-1-y-2.jpg 800w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-1-y-2-533x400.jpg 533w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-1-y-2-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><br \/>\n<span lang=\"CA\">A l&#8217;argot de la hist\u00f2ria de l&#8217;art \u00e9s usual dotar les imatges d&#8217;una capacitat loqua\u00e7: les parets parlen, les imatges dialoguen, els quadres, com al Castell de Hogwarts, interpel\u00b7len i responen personalment\u00a0<\/span><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_2');\" onkeypress=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_2');\" ><sup id=\"footnote_plugin_tooltip_35418_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35418_1_2\" class=\"footnote_tooltip\"><span class=\"footnote_url_wrap\">https:\/\/elpais.com\/diario\/2002\/06\/29\/babelia\/1025305567_850215.html<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35418_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_35418_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><strong>**<\/strong><\/p>\n<p>Tenia sis anys quan es va publicar aquella famosa novel\u00b7la de Dan Brown. Amb innoc\u00e8ncia infantil vaig viure l&#8217;auge del nou misticisme pict\u00f2ric, que convertia la mirada de la Gioconda en un fort artefacte de mercat. En preguntar als meus adults per qu\u00e8 aquest retrat era tan important, em van respondre que era l&#8217;\u00fanic quadre que et seguia amb els ulls. No em podien donar m\u00e9s pistes. Quan viatg\u00e9s d&#8217;adult a Par\u00eds, ho comprovaria. Aix\u00ed es desenvolupa la mirada anacr\u00f2nica.<\/p>\n<p>El 1620, Francisco Ribalta pinta a Sant Francesc d&#8217;Ass\u00eds abra\u00e7at a Crist recent crucificat. A l&#8217;exercici pict\u00f2ric, devota especulaci\u00f3 figurativa, es revela una pot\u00e8ncia anacr\u00f2nica modelada per la sensaci\u00f3 d&#8217;<em>irrealitat<\/em>: una mica m\u00e9s de dotze segles separen el naixement de Sant Francesc de la mort de Crist.<\/p>\n<p><img decoding=\"async\" width=\"800\" height=\"1090\" class=\"alignnone size-full wp-image-35407\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-3.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-3.jpg 800w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-3-294x400.jpg 294w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-3-768x1046.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Per a Jacques le Goff, la principal mutaci\u00f3 pict\u00f2rica de l&#8217;Edat Mitjana es produeix quan es pren consci\u00e8ncia del temps. Seguint la seva tesi, arriba un moment en qu\u00e8 el retrat s&#8217;emancipa de l&#8217;afany d&#8217;eternitat i mostra el subjecte en el seu \u00e9sser ef\u00edmer\u00a0<\/span><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_3');\" onkeypress=\"footnote_moveToReference_35418_1('footnote_plugin_reference_35418_1_3');\" ><sup id=\"footnote_plugin_tooltip_35418_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35418_1_3\" class=\"footnote_tooltip\">Le Goff, J. (2020) <em>Por otra Edad Media. Tiempo, trabajo y cultura en Occidente<\/em>. Madrid: Taurus, p. 68.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35418_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_35418_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. El <em>gir contemporani<\/em>, que representa tan b\u00e9 Walid Raad, ens mostra la temporalitat afegida a l&#8217;obra d&#8217;art. Ja no es tracta de concebre-la com a cosa, sin\u00f3 com a objecte.<\/p>\n<p><img decoding=\"async\" width=\"800\" height=\"982\" class=\"alignnone size-full wp-image-35410\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-4.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-4.jpg 800w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-4-326x400.jpg 326w, https:\/\/a-desk.org\/wp-content\/uploads\/2022\/02\/foto-4-768x943.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Si relacionar imatges \u00e9s l&#8217;impuls de l&#8217;esfor\u00e7 curatorial, si per pensar imatges cal <em>posar-les en relaci\u00f3<\/em>, aleshores l&#8217;anacronisme no \u00e9s una cosa excepcional, sin\u00f3 el s\u00f2l on es treballa, una cosa comuna i assentada. Per qu\u00e8 parlar encara del sentit del temps? No es tracta, en aquest especial sobre temporalitats heterodoxes, de reivindicar formes subalternes de construir hist\u00f2ria(s), ni d&#8217;insistir en el trencament dels l\u00edmits temporals de qu\u00e8 \u00e9s capa\u00e7 una obra d&#8217;art. Es tracta de continuar obrint la q\u00fcesti\u00f3, com ho fa <a href=\"http:\/\/a-desk.org\/ca\/magazine\/flamenco-meets-queer-theory\/\">Patricia Lara Folch<\/a> des de la dansa, pensant la inscripci\u00f3 temporal del gest com una cosa pol\u00edtica, o <a href=\"http:\/\/a-desk.org\/ca\/magazine\/el-temps-propi-dels-objectes-dart\/\">Juan Gallego Benot<\/a> en reflexionar sobre l&#8217;entramat objectual que construeix Walid Raad dins d&#8217;una instituci\u00f3 que es pret\u00e9n &#8216; temporalment clausurada&#8217;. \u00c9s q\u00fcesti\u00f3 d&#8217;endinsar-se, com <a href=\"http:\/\/a-desk.org\/ca\/magazine\/el-jardin-por-encontrar\/\">Manu Pad\u00edn<\/a>, en un territori que suspengui el temps, i pensar-hi \u2014en imatges\u2014 des d&#8217;all\u00e0.<\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_35418_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_35418_1();\">[<a id=\"footnote_reference_container_collapse_button_35418_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_35418_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35418_1('footnote_plugin_tooltip_35418_1_1');\"><a id=\"footnote_plugin_reference_35418_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">Moxey, K. <em>El tiempo de lo visual. La imagen en la historia. <\/em>Sans Soleil, Barcelona, 2015, p. 25.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35418_1('footnote_plugin_tooltip_35418_1_2');\"><a id=\"footnote_plugin_reference_35418_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\"><span class=\"footnote_url_wrap\">https:\/\/elpais.com\/diario\/2002\/06\/29\/babelia\/1025305567_850215.html<\/span><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35418_1('footnote_plugin_tooltip_35418_1_3');\"><a id=\"footnote_plugin_reference_35418_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">Le Goff, J. (2020) <em>Por otra Edad Media. Tiempo, trabajo y cultura en Occidente<\/em>. Madrid: Taurus, p. 68.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_35418_1() { jQuery('#footnote_references_container_35418_1').show(); jQuery('#footnote_reference_container_collapse_button_35418_1').text('\u2212'); } function footnote_collapse_reference_container_35418_1() { jQuery('#footnote_references_container_35418_1').hide(); jQuery('#footnote_reference_container_collapse_button_35418_1').text('+'); } function footnote_expand_collapse_reference_container_35418_1() { if (jQuery('#footnote_references_container_35418_1').is(':hidden')) { footnote_expand_reference_container_35418_1(); } else { footnote_collapse_reference_container_35418_1(); } } function footnote_moveToReference_35418_1(p_str_TargetID) { footnote_expand_reference_container_35418_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_35418_1(p_str_TargetID) { footnote_expand_reference_container_35418_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>La relaci\u00f3 entre la cronologia hist\u00f2rica i l&#8217;ordre \u00e9s indefugible. On hi ha enumeraci\u00f3 hi ha ordre, on hi ha grans esdeveniments hi ha cronologia, hi ha successi\u00f3 i hi&#8230;<\/p>\n","protected":false},"author":2707,"featured_media":35414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6149],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Temps al temps &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/tiempo-al-tiempo\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Temps al temps &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"La relaci\u00f3 entre la cronologia hist\u00f2rica i l&#8217;ordre \u00e9s indefugible. 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