{"id":35862,"date":"2022-04-04T07:30:49","date_gmt":"2022-04-04T06:30:49","guid":{"rendered":"http:\/\/a-desk.org\/?p=35862"},"modified":"2023-07-09T14:33:29","modified_gmt":"2023-07-09T12:33:29","slug":"cinco-notas-inacabadas-sobre-la-clase-social-en-el-ambito-artistico-y-dos-gestos-a-los-que-agarrarte","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/cinco-notas-inacabadas-sobre-la-clase-social-en-el-ambito-artistico-y-dos-gestos-a-los-que-agarrarte\/","title":{"rendered":"Cinc notes* inacabades sobre la classe social a l\u2019\u00e0mbit art\u00edstic i dos gestos als quals aferrar-te"},"content":{"rendered":"<p>Venies molt vigorosa i turgent a fotre el teu discurset habitual. Habitual entre amigues que et suporten, amigues d\u2019amigues, col\u00b7legues, conegudes o advingudes a trobades casuals, cerveses pre o post inauguracions, pon\u00e8ncies, tallers, performances, visites o activacions. Diversos moments de <em>socialitzaci\u00f3 <\/em>que, amb tot, et generen una falsa sensaci\u00f3 de comunitat, tan estranya com inc\u00f2moda. Moments en els quals observes \u2014mires de re\u00fcll\u2014, comproves qui duu la tote bag del centre d\u2019art m\u00e9s guai, discuteixes de passada un tema candent de l\u2019actualitat pol\u00edtica i intentes copsar qui cita l\u2019autora m\u00e9s complicada o desconeguda. <em>Qu\u00e8 est\u00e0s fent ara? Qu\u00e8 far\u00e0s despr\u00e9s?<\/em> Converses per a la <em>socialitzaci\u00f3<\/em> d\u2019investigacions, agendes, convocat\u00f2ries i altres vectors i ramificacions del projectesopo <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_1');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_1');\" ><sup id=\"footnote_plugin_tooltip_35862_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_1\" class=\"footnote_tooltip\"> Aquesta i altres ocurr\u00e8ncies \u2013<em>sopo<\/em> les manllevo a la Sonia Fern\u00e1ndez Pan.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> de l\u2019art. Les coneixes b\u00e9. M\u00e9s ben dit, les pateixes. Moments d\u2019<em>atomitzaci\u00f3<\/em> que congrega l\u2019art. En ells, el tema sobrevola. O passa desapercebut. En febril lat\u00e8ncia i corrosiva soledat. La historieta de sempre. La historiassa de sempre. Vibra en sincronia amb el transcurs del capitalisme global i constant en la seva dimensi\u00f3 paradoxal com el motor r\u00edtmic precaritzador d\u2019un context com el cultural. Abans no t\u2019haguessis atrevit, per\u00f2 ja no pots m\u00e9s. N\u2019est\u00e0s farta. Sents que t\u2019ofegues a l\u2019hora que est\u00e0s a punt de rebentar. Si no apareix, ser\u00e0s tu qui ho faci apar\u00e8ixer. Literalment. Materialment. Som-hi: <em>Quant pagues pel taller? I quant costa el lloguer de la teva casa? Quant guanyes per les teves classes? Reps ajuda? Qui t\u2019ajuda? Com vas aconseguir la beca? Qui et finan\u00e7a la tesi? Quant et paguen d\u2019honoraris? Com arribes a final de mes? Com nassos ho fas?<\/em><\/p>\n<p>I aqu\u00ed ve<em>: Ai, noia! Ja est\u00e0 b\u00e9! Com preguntes aix\u00f2! A tu qu\u00e8 t\u2019importa! Ets una pesada. Avorreixes. Fas que la gent se senti inc\u00f2moda. No te n\u2019adones que no est\u00e0 b\u00e9 parlar de diners? I per qu\u00e8 t\u2019empipes tant! Tant se val! A m\u00e9s a m\u00e9s, mira\u2019t, no et va tan malament! Sempre tan eixerida i arregladeta. I aqu\u00ed est\u00e0s!<\/em><\/p>\n<h3><strong>La <em>working class excellence<\/em><\/strong><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_2');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_2');\" ><sup id=\"footnote_plugin_tooltip_35862_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_2\" class=\"footnote_tooltip\">Aqu\u00ed reprenc i replantejo des de la matriu de classe la noci\u00f3 \u201cblack excellence\u201d que es refereix al desproporcionadament alt nivell de fites o habilitats que individual o col\u00b7lectivament han&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_2');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> <strong>o l\u2019altra cara del complex operacional de l\u2019<em>entitlement<\/em> intel\u00b7lectual de classe <\/strong><\/h3>\n<p>Quan vas comen\u00e7ar a presentar-te a convocat\u00f2ries tenies la permanent sensaci\u00f3 que et considerarien una impostora, una intrusa que es creia autoritzada per dur a terme determinades activitats, entrar a determinades zones o enunciar determinats discursos. Avui dia, encara dubtes de la teva pr\u00f2pia veu, fins i tot quan reculls o t\u2019amagues rere les d\u2019autores i te\u00f2riques; encara passes vergonya per no comptar amb les eines que donen un aire elaborat i armat a les persones que han rebut una educaci\u00f3 acad\u00e8mica, mentre que a tu et costa D\u00e9u i ajuda trobar les paraules amb les quals ordenar els teus pensaments. I, quan les trobes, les paraules no semblen ser prou bones. \u201cCom poden les paraules no ser prou bones?\u201d, es preguntava la Maggie Nelson. \u201cLes paraules canvien segons qui les digui, aix\u00f2 no t\u00e9 remei\u201d.<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_3');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_3');\" ><sup id=\"footnote_plugin_tooltip_35862_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_3\" class=\"footnote_tooltip\">Maggie Nelson, <em>Los argonautas<\/em>, 2015.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<h3><strong>Preservant, cuidant, subsumint<\/strong><\/h3>\n<p>Remeis, cures i afectes. <i>I<\/i><i> no t\u2019oblidis de tu mateixa! <\/i>El capitalisme anima <span lang=\"CA\">\u2014<\/span><span lang=\"CA\">si no obliga<\/span><span lang=\"CA\">\u2014<\/span>als seus subjectes a ignorar les seves pr\u00f2pies necessitats. Aix\u00f2 no \u00e9s cap novetat. La producci\u00f3 de coneixement i de tecnologia es desplega en un espai corporatiu privatitzat, desconnectat de les necessitats dels cossos i cervells, que nom\u00e9s respon a les exig\u00e8ncies econ\u00f2miques de la maximitzaci\u00f3 de guanys, al llarg d\u2019una jornada laboral sense principi ni tampoc fi. No \u00e9s casualitat que l\u2019Audre Lorde entengu\u00e9s l\u2019\u201cautopreservaci\u00f3\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_4');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_4');\" ><sup id=\"footnote_plugin_tooltip_35862_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_4\" class=\"footnote_tooltip\">Audre, Lorde, A Burst of Light<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>\u00a0<span lang=\"CA\">com un acte de guerra pol\u00edtica i que gran part del treball discursiu sobre com tenir cura \u00e9s una part cr\u00edtica del comprom\u00eds radical sostingut hagi estat principalment elaborat per persones de comunitats subalternes, que viuen una discriminaci\u00f3 que augmenta dr\u00e0sticament les desigualtats estructurals del capitalisme. Tamb\u00e9 recorres a la teoria marxista sempre que pots. De vegades, caus en conceptes antiquats com el d\u2019\u201calienaci\u00f3\u201d o \u201cfetitxisme\u201d, per\u00f2 al que recorres amb m\u00e9s assidu\u00eftat \u00e9s el de \u201csubsumpci\u00f3\u201d. <i>S\u00ed que t\u2019agrada la parauleta! <\/i>No per aix\u00f2 deixes de comprovar amb estupor com les teories d\u2019Audre Lorde i d\u2019altres autores que t\u2019enllumenen i abracen s\u2019han redu\u00eft a consells d\u2019estil de vida per a una era d\u2019expectatives disminu\u00efdes on el tenir cura i l\u2019autocura es despleguen per tot arreu i s\u2019utilitzen per injectar una aparen\u00e7a de \u201cradicalitat\u201d a qualsevol activitat, per vendre productes i per justificar el desmantellament d\u2019infraestructures p\u00fabliques d\u2019atenci\u00f3 m\u00e8dica o social. Un ep\u00edtom possible: Isabel D\u00edaz Ayuso apel\u00b7lant\u00a0<\/span><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_5');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_5');\" ><sup id=\"footnote_plugin_tooltip_35862_1_5\" class=\"footnote_plugin_tooltip_text\">[5]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_5\" class=\"footnote_tooltip\"><a href=\"https:\/\/twitter.com\/idiazayuso\/status\/1473656496965697542\"><span class=\"footnote_url_wrap\">https:\/\/twitter.com\/idiazayuso\/status\/1473656496965697542<\/span><\/a><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_5').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_5', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> a la cultura de l\u2019autocura com a resposta institucional per tal de minorar els efectes de la crisi sanit\u00e0ria produ\u00efts per la Covid.<\/p>\n<h3><strong>\u201cRealisme art\u00edstic\u201d i altres fantasmes<\/strong><\/h3>\n<p>Si per a les cures de les cures no hi ha cura, encara menys l\u2019entreveus pel que fa al \u201crealisme art\u00edstic\u201d. \u00d2bviament, parafraseges a Mark Fisher i el seu realisme capitalista per referir-te a la fustigaci\u00f3 o obstinaci\u00f3 dels imaginaris culturals, malgrat \u2014o precisament per\u2014 les revisions i actualitzacions sociot\u00e8cniques del treball cultural. El realisme art\u00edstic serveix per anomenar el fenomen pel qual el treball a\u00efllat, individualitzat i precaritzat \u2014i el concomitant proc\u00e9s de privatitzaci\u00f3 i precaritzaci\u00f3\u2014 passa a estar tan acceptat i ser tan com\u00fa que \u00e9s gaireb\u00e9 impossible imaginar el treball cultural d\u2019una altra manera. I que aix\u00f2 succeeixi malgrat les experi\u00e8ncies, pressions i dificultats compartides que acompanyen el treball cultural tal com est\u00e0 organitzat a l\u2019actualitat nom\u00e9s serveix per endinsar-se en el tema de manera m\u00e9s profunda, lacerant, malaltissa i dolorosa. A sota d\u2019aquesta \u201catmosfera generalitzada\u201d, la separaci\u00f3 estructural de l\u2019economia p\u00fablica i de l\u2019economia privada de l\u2019art es reafirma i s\u2019eixampla coincident i constantment.<\/p>\n<h3><strong>H\u00e0bitats i\u00a0<em>habitus<\/em><\/strong><\/h3>\n<p>Tornes despr\u00e9s de passar uns dies de vacances a la Costa Brava a casa de les amigues d\u2019una amiga. Les amigues de la teva amiga s\u00f3n directora i productora de cinema, respectivament. Tenen pensat fer una pel\u00b7l\u00edcula juntes localitzada a l&#8217;Empord\u00e0. Els interessa explicar la hist\u00f2ria d\u2019una dona que treballa en un pomerar. La mare de l\u2019altra amiga que tamb\u00e9 \u00e9s amiga d\u2019aquestes amigues es dedica a collir pomes a l&#8217;Empord\u00e0 per a una cooperativa de sucs. No saps com, per\u00f2 tot all\u00f2 et fa recordar aquell llibre de Tom Wolfe sobre l\u2019\u201cesquerra exquisida\u201d, on es retrata la classe alta novaiorquesa que convocava les Black Panthers a una mansi\u00f3 de la Cinquena Avinguda. De Nova York, creues de tornada a Barcelona i viquipeges a la recerca de les costures de la \u201cgauche divine\u201d catalana i la seva fascinaci\u00f3 per l\u2019imaginari obrer dels anys setanta. \u201cL\u2019actitud de la civilitzaci\u00f3 europeo-occidental cap a les formes culturals del m\u00f3n popular subaltern, \u00e9s a dir, dels pobles colonials i del proletariat obrer i pag\u00e8s de les nacions hegem\u00f2niques, reflexa de la manera m\u00e9s crua les necessitats, els interessos i la completa limitaci\u00f3 humanista de la classe dominant: la burgesia\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_6');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_6');\" ><sup id=\"footnote_plugin_tooltip_35862_1_6\" class=\"footnote_plugin_tooltip_text\">[6]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_6\" class=\"footnote_tooltip\">Ernesto de Martino, <em>En torno a una historia del mundo popular subalterno<\/em>, 1949.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_6').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_6', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. No pots parar de teclejar tota aquesta frase de De Martino. Rellegeixes en diagonal algunes <em>Cartes luteranes<\/em>del teu venerat Pasolini i baixes de l\u2019estanteria l\u2019antologia de Gramsci. <em>A aquestes al\u00e7ades! Ai noia, ets realment pesada!<\/em><\/p>\n<h3><strong>La unidimensionalitat del mem d&#8217;Agn\u00e8s Varda <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_7');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_7');\" ><sup id=\"footnote_plugin_tooltip_35862_1_7\" class=\"footnote_plugin_tooltip_text\">[7]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_7\" class=\"footnote_tooltip\">Agafat en pr\u00e8stec de Choyarchischa \u2013 memesdelartisteo. Artistas precarixs haciendo memes<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_7').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_7', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/strong><\/h3>\n<p>L\u2019assumida precarietat laboral. La coneguda feminitzaci\u00f3 de la pobresa. L\u2019insistent divisi\u00f3 entre el treball productiu i el reproductiu. O \u2013en triple pirueta\u2013 el treball reproductiu sotm\u00e8s a generar capital simb\u00f2lic. La segregaci\u00f3 vertical i horitzontal del mercat laboral. L\u2019edatisme adanista. Les desigualtats salarials i els precipicis infraestructurals. Conjugues les antigues i les noves formes del r\u00e8gim capitalista heteropatriarcal. Formes generals i espec\u00edfiques de desigualtat, connectades per unes condicions de vulnerabilitat que s\u2019amaguen i t\u2019a\u00efllen rere la pantalla. La depressi\u00f3 i l\u2019estr\u00e8s s\u00f3n l\u2019altra cara de les \u201cdones unidimensionals\u201d sobre les quals va escriure Nina Power, a l\u2019estela marcusiana<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_8');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_8');\" ><sup id=\"footnote_plugin_tooltip_35862_1_8\" class=\"footnote_plugin_tooltip_text\">[8]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_8\" class=\"footnote_tooltip\">Herbert Marcuse, l\u2019any 1964, va publicar L\u2019home unidimensional, on posava la lupa en la funci\u00f3 crucial del treball intel\u00b7lectual, no nom\u00e9s com a for\u00e7a emancipadora, sin\u00f3 com a eina de&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_8');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_8').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_8', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> d\u2019un text ja quasi hist\u00f2ric en el qual revistava les aportacions de la Cristina Morini i en Paolo Virno en relaci\u00f3 amb la feminitzaci\u00f3 del treball al capitalisme cognitiu. Tamb\u00e9 penses en la descorporitzada Sibila de Remedios Zafra<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_9');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_9');\" ><sup id=\"footnote_plugin_tooltip_35862_1_9\" class=\"footnote_plugin_tooltip_text\">[9]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_9\" class=\"footnote_tooltip\">Remedios Zafra, <em>El entusiasmo<\/em>, 2017<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_9').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_9', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. Imatges conceptuals per a cossos materials. Persones explotades i autoexplotades, de les quals s\u2019espera que no decebin al context, sense decebre\u2019s a elles mateixes, ni mostrant prou dedicaci\u00f3, disponibilitat o complaen\u00e7a. <i>No et queixis tant, treballes al m\u00f3n de l\u2019art!<\/i> Un sistema alimentat per l\u2019entusiasme i el sou immaterial, que promou la resignaci\u00f3 i es sustenta en la idealitzaci\u00f3 de las pr\u00e0ctiques vocacionals, afectives, de cures i de generositat. Crees, programes, prosums, tecleges\u00a0<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_10');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_10');\" ><sup id=\"footnote_plugin_tooltip_35862_1_10\" class=\"footnote_plugin_tooltip_text\">[10]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_10\" class=\"footnote_tooltip\">Remedios Zafra, <em>(h)adas: Mujeres que crean, programan, prosumen, teclean<\/em>, 2013<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_10').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_10', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.\u00a0El prosum combinaci\u00f3 de producci\u00f3 i consum funciona com un eufemisme digital que emmascara el treball no remunerat imprescindible per al funcionament de la maquin\u00e0ria cultural. Ets objecte i subjecte de consumo en una nova economia libidinal d\u2019artistes-robots\/robots-artistes, sempre visibles, monotoritzables i fotografiables. No tens clar si has d\u2019envejar-les, admirar-les o compadir-les. Aquesta pulsi\u00f3 \u00e9s una manera molt rendible de produir una angoixa que, alhora, generar\u00e0 un frenes\u00ed que et portar\u00e0 a satisfer les demandes incoherents que t\u2019apropin a la promesa de la teva \u201ccarrera\u201d. La carrera, el camp sem\u00e0ntic aspiracional que fa d\u2019\u201canest\u00e8sic sufocant\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_11');\" onkeypress=\"footnote_moveToReference_35862_1('footnote_plugin_reference_35862_1_11');\" ><sup id=\"footnote_plugin_tooltip_35862_1_11\" class=\"footnote_plugin_tooltip_text\">[11]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_35862_1_11\" class=\"footnote_tooltip\">Sara Ahmed, <em>La promesa de la felicidad<\/em>, 2019<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_35862_1_11').tooltip({ tip: '#footnote_plugin_tooltip_text_35862_1_11', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. I ja saps: la felicitat i l\u2019alegria \u2014o l\u2019ambici\u00f3 condescendent\u2014 puntuen doble en les economies materials i simb\u00f2liques de l\u2019art. Per\u00f2 tu, que venies tan vigorosa i turgent mentre intentaves ser \u201cuna treballadora cultural alegra\u201d, t\u2019has acabat convertint en un mem.<\/p>\n<p>****<\/p>\n<p>Aquest text s\u2019havia d\u2019acabar aix\u00ed; per\u00f2 abans de la seva cloenda van apar\u00e8ixer dos gestos.<\/p>\n<p>El primer, en Marc Vives nedant cada dia a la platja. Vas tornar a ell a trav\u00e9s d\u2019un podcast recent a R\u00e0dio Web MACBA. Si partim de la certesa que viure de l\u2019art \u00e9s impossible, en Marc parla de diners, de mis\u00e8ria material i emocional, d\u2019estar perdut, de la visibilitat i la invisibilitat, d\u2019escloscar la pintura del terra d\u2019una galeria, de nervis, de maneres de no enfonsar-te quan no hi toques.<\/p>\n<p>El segon, el c\u00f3rrer i desc\u00f3rrer d\u2019una cortina, en coreografia solit\u00e0ria sense fi, en<em> Una pel\u00b7l\u00edcula sense cap intenci\u00f3. Despr\u00e9s de Chantal Akerman<\/em>, de Cabello\/Carceller a la galeria d\u2019Elba Ben\u00edtez de Madrid. En el full de sala, recuperen aquesta frase de Hannah Arendt: \u201cLa vida \u00e9s un proc\u00e9s que per totes les parts consum all\u00f2 durable, ho desgasta, ho fa desapar\u00e8ixer, fins que finalment la mat\u00e8ria morta, resultat de petits, singulars i c\u00edclics processos de la vida, retorna al total i gegant\u00ed cercle de la pr\u00f2pia natura, en el qual no existeix principi ni fi i on totes les coses naturals giren en immutable i immortal repetici\u00f3\u201d.<\/p>\n<p>Es tracta de dos gestos, dos impassos, que venen-<em>amb<\/em> altres \u2014uns i altres, els uns amb els altres\u2014 que apareixen i et permeten apar\u00e8ixer. Aconsegueixes agafar aire i seguir endavant. Ambdues negociacions errants i en tr\u00e0nsit permanent, tan profuses de ferides com d\u2019implacables assalts de plaer. Gestos d\u2019aparent senzillesa, carregats d\u2019intimitat i hospitalitat que et toquen i posen tensa, a base de batzegades o esquivades. I recordes que despr\u00e9s de tot, i abans que res, l\u2019art es constitueix a base d\u2019assajar aquests altres gestos; maniobres i espais d\u2019intervenci\u00f3 i experimentaci\u00f3 a les \u00e0rees menys denses de la seva inscripci\u00f3. En les maneres de fer fetes a for\u00e7a de l&#8217;obstinaci\u00f3, de l&#8217;aguait i una ferotge pulsi\u00f3 per l&#8217;esfondrament, per la decepci\u00f3, que no s\u00f3n m\u00e9s que una esgarrinxada, un frec, una mossegada. Pr\u00e0ctiques que posen el cos al cor de la pregunta pel mateix fer. Es tracta d\u2019un treball basat en les dist\u00e0ncies, en un estar al present, el gest a la m\u00e0, l\u2019habilitat d\u2019habitar un temps discontinu, de desencadenar processos de desidentificaci\u00f3 per treballar sobre, amb i en contra d\u2019una forma\/norma cultural. Interrupcions obertes on se\u2019t descobreix una altra relaci\u00f3 amb el m\u00f3n: una altra vulnerabilitat i una altra implicaci\u00f3. La possibilitat de tocar i ser tocats pel m\u00f3n. La condici\u00f3 de tota possibilitat d\u2019intervenci\u00f3 per disputar les relacions de poder que es troben al cor de la producci\u00f3 de subjectes i objectes d\u2019aquest m\u00f3n en constant reconfiguraci\u00f3. T\u2019aferres a aquests gestos que et fan sentir que podr\u00edem fer-ho d\u2019una altra manera i que \u2013de fet\u2013 podem fer-ho.<\/p>\n<p>*Aquestes notes segueixen i seguiran d\u2019altres. Notes que es van escriure en veu alta, de dins cap a fora i de fora cap a dins, les precedeixen. Notes que fan de resson\u00e0ncies que s\u2019escriuen entre el text i la seva veu, entre un text i les seves diverses veus. Veus que s\u2019escapen entre diferents tons per tal de fimbrar els significats de les paraules. Veus que es recomposen als seus silencis, les el\u00b7lipsis i les paraules que no diuen.<\/p>\n<p><a href=\"applewebdata:\/\/63F24644-F1F0-45EF-B037-89AB612366C3#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_35862_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_35862_1();\">[<a id=\"footnote_reference_container_collapse_button_35862_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_35862_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_1');\"><a id=\"footnote_plugin_reference_35862_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\"> Aquesta i altres ocurr\u00e8ncies \u2013<em>sopo<\/em> les manllevo a la Sonia Fern\u00e1ndez Pan.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_2');\"><a id=\"footnote_plugin_reference_35862_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">Aqu\u00ed reprenc i replantejo des de la matriu de classe la noci\u00f3 \u201c<em>black excellence<\/em>\u201d que es refereix al desproporcionadament alt nivell de fites o habilitats que individual o col\u00b7lectivament han d\u2019aconseguir les persones negres per tal d\u2019ocupar espais de visibilitat.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_3');\"><a id=\"footnote_plugin_reference_35862_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">Maggie Nelson, <em>Los argonautas<\/em>, 2015.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_4');\"><a id=\"footnote_plugin_reference_35862_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">Audre, Lorde, A Burst of Light<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_5');\"><a id=\"footnote_plugin_reference_35862_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\"><a href=\"https:\/\/twitter.com\/idiazayuso\/status\/1473656496965697542\"><span class=\"footnote_url_wrap\">https:\/\/twitter.com\/idiazayuso\/status\/1473656496965697542<\/span><\/a><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_6');\"><a id=\"footnote_plugin_reference_35862_1_6\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>6<\/a><\/th> <td class=\"footnote_plugin_text\">Ernesto de Martino, <em>En torno a una historia del mundo popular subalterno<\/em>, 1949.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_7');\"><a id=\"footnote_plugin_reference_35862_1_7\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>7<\/a><\/th> <td class=\"footnote_plugin_text\">Agafat en pr\u00e8stec de Choyarchischa \u2013 memesdelartisteo. Artistas precarixs haciendo memes<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_8');\"><a id=\"footnote_plugin_reference_35862_1_8\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>8<\/a><\/th> <td class=\"footnote_plugin_text\">Herbert Marcuse, l\u2019any 1964, va publicar L\u2019<em>home unidimensional<\/em>, on posava la lupa en la funci\u00f3 crucial del treball intel\u00b7lectual, no nom\u00e9s com a for\u00e7a emancipadora, sin\u00f3 com a eina de control i dominaci\u00f3. La tecnologia passa a ocupar el lloc del terror dins l\u2019organitzaci\u00f3 del control social i l\u2019home esdev\u00e9 unidimensional.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_9');\"><a id=\"footnote_plugin_reference_35862_1_9\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>9<\/a><\/th> <td class=\"footnote_plugin_text\">Remedios Zafra, <em>El entusiasmo<\/em>, 2017<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_10');\"><a id=\"footnote_plugin_reference_35862_1_10\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>10<\/a><\/th> <td class=\"footnote_plugin_text\">Remedios Zafra, <em>(h)adas: Mujeres que crean, programan, prosumen, teclean<\/em>, 2013<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_35862_1('footnote_plugin_tooltip_35862_1_11');\"><a id=\"footnote_plugin_reference_35862_1_11\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>11<\/a><\/th> <td class=\"footnote_plugin_text\">Sara Ahmed, <em>La promesa de la felicidad<\/em>, 2019<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_35862_1() { jQuery('#footnote_references_container_35862_1').show(); jQuery('#footnote_reference_container_collapse_button_35862_1').text('\u2212'); } function footnote_collapse_reference_container_35862_1() { jQuery('#footnote_references_container_35862_1').hide(); jQuery('#footnote_reference_container_collapse_button_35862_1').text('+'); } function footnote_expand_collapse_reference_container_35862_1() { if (jQuery('#footnote_references_container_35862_1').is(':hidden')) { footnote_expand_reference_container_35862_1(); } else { footnote_collapse_reference_container_35862_1(); } } function footnote_moveToReference_35862_1(p_str_TargetID) { footnote_expand_reference_container_35862_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_35862_1(p_str_TargetID) { footnote_expand_reference_container_35862_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Venies molt vigorosa i turgent a fotre el teu discurset habitual. Habitual entre amigues que et suporten, amigues d\u2019amigues, col\u00b7legues, conegudes o advingudes a trobades casuals, cerveses pre o post&#8230;<\/p>\n","protected":false},"author":2575,"featured_media":35799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6158,6156],"tags":[],"coauthors":[6541],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cinc notes* inacabades sobre la classe social a l\u2019\u00e0mbit art\u00edstic i dos gestos als quals aferrar-te &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/cinco-notas-inacabadas-sobre-la-clase-social-en-el-ambito-artistico-y-dos-gestos-a-los-que-agarrarte\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinc notes* inacabades sobre la classe social a l\u2019\u00e0mbit art\u00edstic i dos gestos als quals aferrar-te &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Venies molt vigorosa i turgent a fotre el teu discurset habitual. 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