{"id":37330,"date":"2022-07-29T07:29:03","date_gmt":"2022-07-29T05:29:03","guid":{"rendered":"http:\/\/a-desk.org\/?p=37330"},"modified":"2023-07-09T14:33:15","modified_gmt":"2023-07-09T12:33:15","slug":"la-ambicion-de-ser-multiple-dialogos-entre-el-arte-y-la-ficcion","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/la-ambicion-de-ser-multiple-dialogos-entre-el-arte-y-la-ficcion\/","title":{"rendered":"L’ambici\u00f3 de ser m\u00faltiple: di\u00e0legs entre art i ficci\u00f3"},"content":{"rendered":"

Soc, entre moltes altres coses, una escriptora de ficci\u00f3. I en la meva \u00faltima novel\u00b7la, Hemoderivadas<\/a><\/em>\u00a0vaig imaginar la traject\u00f2ria possible de Pandora Ferreira-Bisset, una artista ap\u00f2crifa, inventada, que ha treballat amb els diferents sentits de la sang i del cos. La seva obra i vida imagin\u00e0ries van donar lloc a una s\u00e0tira sobre algunes tend\u00e8ncies de l’art contemporani, per tal d’exposar els absurds i els perills inherents a la misog\u00ednia, l’essencialisme femen\u00ed i la transf\u00f2bia.<\/p>\n

I aix\u00f2 va ser possible gr\u00e0cies a la generosa invitaci\u00f3 de diferents artistes i comiss\u00e0ries, aix\u00ed com a les xerrades i complicitats amb amigues, que em van incitar a habitar algun temps, molt, massa, plaent, en aquesta zona liminal on la imaginaci\u00f3 liter\u00e0ria conviu amb el real, el versemblant i l\u2019hist\u00f2ric. I va ser aquesta mateixa pulsi\u00f3 l\u00fadica la que em va motivar a preguntar-los com es relaciona, transmuta i interpel\u00b7la la ficci\u00f3 com a revers i anvers de l’art a Emilia Casiva, Ana\u00ef<\/em>s Senli, Ver\u00f3nica Lehner i Raisa Maudit.<\/p>\n

Aix\u00ed va ser com em vaig adonar que la par\u00f2dia i l’humor en l’obra de Sofia Torres Kosiba van donar vida a una filiaci\u00f3 patr\u00edcia fict\u00edcia. D’acord amb la mirada d’Emilia Casiva<\/a> en Family Game: entre la imaginaci\u00f3 especulativa i l’al\u00b7lucinaci\u00f3 hist\u00f2rica<\/em><\/strong>, on la dist\u00e0ncia entre la contemplaci\u00f3 del cr\u00edtic i l’obra implosiona. I totes dues esdevenen una sola veu. Una que desencadena “el real”: la fam\u00edlia inventada, la genealogia ap\u00f2crifa, l’aspiracionalitat nua, perqu\u00e8 com assaja Casiva:<\/p>\n

“Les arts perform\u00e0tiques impliquen invents de realitat. Per\u00f2 l’art no \u00e9s mera il\u00b7lusi\u00f3, sin\u00f3 l’elaboraci\u00f3 mat\u00e8rica d’una fantasia posada al m\u00f3n.”<\/p>\n

Qui no voldria reinventar-se una i altra i una altra vegada a trav\u00e9s de l’art i la ficci\u00f3? En aquesta voluntat desencadenada la fam\u00edlia, aquesta instituci\u00f3 at\u00e0vica i primitiva, s’assumeix com a entitat inventada, confeccionada, reapropiada. Un lloc imaginari on assajar formes el\u00e0stiques d’una comunitat de sentit que s’amplia, m\u00e9s enll\u00e0 dels determinismes biol\u00f2gics, gen\u00e8tics o antropoc\u00e8ntrics.<\/p>\n

Aquest \u00e9s el cam\u00ed que va prendre Ana\u00efs Senli<\/a>\u00a0per indagar en la liquiditat que ens configura i ens uneix en una massa indivisible. Un continuum de fluids, la comunitat prim\u00e0ria en l’origen de la vida sobre la pols d’aquest planeta.\u00a0 Som aigua i som vida, som la mat\u00e8ria indivisible, assenyalada per la L\u00ednea Fusca<\/em><\/strong>. Com una l\u00ednia equatorial, aquesta ratlla vertical i fosca que emergeix a l’abdomen al voltant del segon trimestre d’embar\u00e0s esdev\u00e9 la l\u00ednia de l’horitz\u00f3, la refer\u00e8ncia geogr\u00e0fica enmig de la confusi\u00f3 hormonal. En aquest moviment ondulant, calm, per\u00f2 incisiu, esperonat pels dubtes i els q\u00fcestionaments que transcendeixen l’excepcionalisme fugit, Senli articula el seu testimoni personal sobre la maternitat:<\/p>\n

“Tota l’aigua de la Terra \u00e9s extraterrestre, \u00e9s la segona mol\u00e8cula m\u00e9s comuna de l’Univers. El nostre sistema solar s’ofega en aig\u00fces amni\u00f2tiques. No e\u00e9 sin\u00f3 la Via L\u00e0ctia un \u00fater estel\u00b7lar que gesta nous tipus de vida plural? La teva exist\u00e8ncia fa vacil\u00b7lar la meva visi\u00f3 de la paraula “jo”. Per\u00f2, sabia a qu\u00e8 em referia en dir “jo” abans de tu? Socrealmentun \u00e9sser independent i aut\u00f2nom com m’havien dit? O soc m\u00e9s aviat un ecosistema que dep\u00e8n de manera radical de tots i tot el que m’envolta?”.<\/p>\n

De les arts perform\u00e0tiques com a “invents de realitat” a Sof\u00eda Torres Kosiba, en la veu del seu doble, comprimida i paronom\u00e0sica, Emilia Casiva, a l’autoci\u00e8ncia per donar sentit a la maternitat a Ana\u00ef<\/em>s Senli, altres g\u00e8neres, altres recursos, altres dispositius i artefactes auspicien aquest lloc l\u00fadic on l’art i la ficci\u00f3 muten,\u00a0 s’imiten i es transformen.<\/p>\n

Un espai de jocs on tamb\u00e9 conviuen l’aigua, la pedra, l’acr\u00edlic, la cer\u00e0mica i la lava, la sang, la mat\u00e8ria “vibrant” en les obres de les artistes Ver\u00f3nica Lehner i Raisa Maudit.<\/p>\n

En aquests elements bi\u00f2tics i abi\u00f2tics ocorre un estat de moviment o transformaci\u00f3 segons Ver\u00f3nica Lehner<\/a> i els seus Exercicis de\u00a0complicidad\u00a0o la obstinaci\u00f3 del que \u00e9s mutable<\/i><\/strong>. Aix\u00ed \u00e9s com assistim a una exploraci\u00f3 fragment\u00e0ria que provoca un estranyament, una desestabilitzaci\u00f3, en les encertades paraules de Jane Bennett (2022):<\/p>\n

“Tornar\u00e9 una vegada darrere l\u2019altra\u00a0 sobre les figures de la “vida” i la “mat\u00e8ria”, desestabilitzant-les fins que comencin a semblar estranyes, m\u00e9s o menys com la manera en qu\u00e8 una paraula habitual pot, en ser repetida, convertir-se en un so estrany i sense sentit. A l’espai obert per aquest estranyament pot comen\u00e7ar a prendre forma una materialitat vital.”<\/p>\n

D’aquesta manera, un misteri es desenvolupa davant una complicitat infantil, ing\u00e8nua, i per aix\u00f2 les coses animades deixen de ser nom\u00e9s objectes passius. M\u00e9s enll\u00e0 de l’animisme, el panteisme i els l\u00edmits de les categories antropol\u00f2giques, i m\u00e9s aqu\u00ed d’especulaci\u00f3 pr\u00f2pia de l’exobiologia, Ver\u00f3nica Lehner comparteix la seva sorpresa i admiraci\u00f3 davant d’aquests fen\u00f2mens:<\/p>\n

“La mat\u00e8ria es mostra com una cosa no acabada, una cosa que roman en continu proc\u00e9s sense dirigir-se cap a una forma final, una cosa que es mant\u00e9 en un perpetu estat de tornar-se alguna cosa”.<\/p>\n

Ecfrasi<\/em>, en el seu sentit etimol\u00f2gic original significava “donar vida a un objecte inanimat” i en l’actualitat, expressa la representaci\u00f3 verbal o escrita d’una imatge visual. No obstant aix\u00f2, a Del Transformisme a la Transformaci\u00f3: la F\u00faria, la Sang i la Lava\u00a0<\/em><\/strong>de Raisa Maudit<\/a>, aquesta figura ret\u00f2rica encarna un fosc origen mitol\u00f2gic. Perdut entre taxonomies ling\u00fc\u00edstiques zombis que renaixen i muten entre les paraules i les coses, aix\u00ed \u00e9s com aquest recurs adquireix una vitalitat nova, donant veu a la f\u00faria, la lava i la sang que ens interpel\u00b7len i ens intimiden amb la seva omnipres\u00e8ncia i la seva cont\u00ednua mutaci\u00f3:<\/p>\n

“A tu que llegeixes aix\u00f2 sense saber qu\u00e8 estaves llegint, ja t’advertim: aqu\u00ed es cont\u00e9 el sentit de tot el que hem estat i serem, de tot el que fem en tots els plans. En aquestes l\u00ednies s’amaguen molts processos i referents no citats \u2014perqu\u00e8 aqu\u00ed hi ha saviesa i intel\u00b7lig\u00e8ncia a perdici\u00f3\u2013 des de la filosofia, la ci\u00e8ncia, la teologia, la m\u00fasica, la literatura, l’art, i sobretot un Transformisme que s’ha convertit en Transformaci\u00f3. Est\u00e0 a les teves mans descodificar-lo. Si abans ens temien, ara temeu-nos de veritat.”<\/p>\n

De la genealogia inventada a la ci\u00e8ncia-ficci\u00f3 i l’especulaci\u00f3 autobiogr\u00e0fica, passant pels nous materialismes i les noves ontologies, en totes aquestes autores i artistes, aflora una voluntat de multiplicitat. Una capacitat medi\u00famica per encarnar preguntes m\u00e9s enll\u00e0 del jo o com una negaci\u00f3 de si mateix. Perqu\u00e8 com asseveral’escriptora Betina Gonzalez (2021) sobre el cor secret de l’escriptura i la for\u00e7a alliberadora de la imaginaci\u00f3 (i, agregaria jo, de l’art):<\/p>\n

“En tota escriptura de ficci\u00f3 hi ha una negaci\u00f3 del jo o almenys un retirament\u00ad. Escriure \u00e9s sortir-se de si, desubicar-se. Excloure’s. La pulsi\u00f3 a inventar \u00e9s la de ser uns altres, l’ambici\u00f3 de ser m\u00faltiple.”<\/p>\n

En aquesta “desubicaci\u00f3” per crear l’altre, tot i que no necess\u00e0riament hum\u00e0 o familiar, consisteix la pulsi\u00f3 l\u00fadica per la multiplicitat en qu\u00e8 es basen les regles del joc d’aquestes quatre veus. \u00c9s aquesta ambici\u00f3 de ser m\u00faltiple que llan\u00e7a en els textos d’Emilia Casiva, Ana\u00ef<\/em>s Senli, Ver\u00f3nica Lehner i Raisa Maudit, la que bressola els di\u00e0legs infinits, mutables, en constant transici\u00f3, entre l’art i la ficci\u00f3.<\/p>\n

 <\/p>\n

\n

Bibliografia esmentada:<\/p>\n

Bennett, Jane (2022). Materia vibrante. Una ecolog\u00eda pol\u00edtica de las cosas<\/em>. Traducci\u00f3n de Maximiliano Gonnet. Editorial Caja Negra, Buenos Aires, Argentina.<\/p>\n

Gonz\u00e1lez, Betina (2021).\u00a0La obligaci\u00f3n de ser genial<\/em>. Editorial Gog y Magog. Buenos Aires, Argentina.<\/p>\n","protected":false},"excerpt":{"rendered":"

Soc, entre moltes altres coses, una escriptora de ficci\u00f3. I en la meva \u00faltima novel\u00b7la, Hemoderivadas\u00a0vaig imaginar la traject\u00f2ria possible de Pandora Ferreira-Bisset, una artista ap\u00f2crifa, inventada, que ha treballat…<\/p>\n","protected":false},"author":1322,"featured_media":37337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6169],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nL'ambici\u00f3 de ser m\u00faltiple: di\u00e0legs entre art i ficci\u00f3<\/title>\n<meta name=\"description\" content=\"L'ambici\u00f3 de ser m\u00faltiple: di\u00e0legs 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