{"id":46814,"date":"2023-07-10T07:30:12","date_gmt":"2023-07-10T05:30:12","guid":{"rendered":"https:\/\/a-desk.org\/?p=46814"},"modified":"2023-07-17T17:42:28","modified_gmt":"2023-07-17T15:42:28","slug":"en-suspensio","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/en-suspensio\/","title":{"rendered":"En suspensi\u00f3*"},"content":{"rendered":"
\"\"<\/a>

#1 Fotograma blanc.<\/p><\/div>\n

Imagina una escultura.
\nUna escultura de marbre blanc.
\nUna escultura de marbre de Carrara.<\/p>\n

Un cop de martell la desballesta,
\nla descompon.<\/p>\n

\"\"<\/a>

#2 Detall de la m\u00e0 dreta trencada de la ‘Piet\u00e0’ de Michelangelo despr\u00e9s de la vandalitzaci\u00f3 de Laszlo Toth el 21.5.1972. Foto sense data publicada pels Museus Vaticans, 21.5.2013.<\/p><\/div>\n

Els fragments per tot arreu.
\nDispersats.
\nEsbombats.<\/p>\n

S\u2019han pescat totes les peces.
\nNo n\u2019ha quedat ni una engruna,
\ncap boc\u00ed.<\/p>\n

\"\"<\/a>

#3 Operador escombrant el terra del Laboratorio Michelangelo. Carrara, 20.7.18.<\/p><\/div>\n

Tamb\u00e9 s\u2019hi ha passat l\u2019escombra.
\nFins el polset m\u00e9s prim,
\ns\u2019ha collit.<\/p>\n

No obstant, hi manca mat\u00e8ria…<\/p>\n

\"\"<\/a>

#4 Detall d’una granulometria de terra de la pedrera Fantiscritti, Carrara, 19.7.2018. Prova feta al laboratori de sedimentologia. Facultat de Geologia, Universitat Aut\u00f2noma de Bellaterra, 21.11.2018.<\/p><\/div>\n

Fins quant pot esmicolar-se la pedra?
\nI la pols, un gra de pols,
\ncom de menut pot arribar a ser?<\/p>\n

\"\"<\/a>

#5 Fotografia dels sedassos amb la classificaci\u00f3 granulom\u00e8trica. Al laboratori de sedimentologia. Facultat de Geologia, Universitat Aut\u00f2noma de Bellaterra, 21.11.2018.<\/p><\/div>\n

\u00c9s quan traspassa el sed\u00e0s m\u00e9s prim,
\nque la pols deixa de ser pols?<\/p>\n

\"\"<\/a>

#6 Detall d\u2019una cambra de Wilson per a observar el pas de part\u00edcules a ull nu. Facultat de F\u00edsica, Universitat de H\u00e8lsinki, 28.11.2018.<\/p><\/div>\n

La part\u00edcula, inapreciable,
\nest\u00e0 en suspensi\u00f3 hores, dies.
\nIncl\u00fas anys, depenent del seu tamany.<\/p>\n

En coneixem les antropog\u00e8niques,
\nles de ciutat.
\nPer\u00f2 tamb\u00e9 n\u2019hi ha
\nque s\u00f3n miques org\u00e0niques o minerals.<\/p>\n

\"\"<\/a>

#7 Escanejant una pedra en 3D, captura de pantalla. Acad\u00e8mia de Belles Arts, Uniarts H\u00e8lsinki, 24.4.2018.<\/p><\/div>\n

Temps en\u00e7\u00e0 que somio
\nen escultures quasi imperceptibles.
\nEn n\u00favols de pols de marbre,
\nc\u00famuls de polsim blanc.<\/p>\n

\"\"<\/a>

#8 Prototip per a una m\u00e0quina de n\u00favols de pols de marbre, 30.11.2018.<\/p><\/div>\n

Les espurnes m\u00e9s petites de mat\u00e8ria.
\nLes mem\u00f2ries en forma de guspires.<\/p>\n

\"\"<\/a>

#9 Visualitzant un gra de marbre a trav\u00e9s d’un microscopi electr\u00f2nic de rastreig. Departament de Geoci\u00e8ncies i Geografia, Universitat de H\u00e8lsinki, 6.9.2019.<\/p><\/div>\n

A la pols se l\u2019odia per la seva volatilitat.
\nI perqu\u00e8 tot ho emplena i cobreix.
\nA les part\u00edcules, ni tan sols les veiem.<\/p>\n

Jo vull que el vent em porti una part\u00edcula,
\no un gra de pols d\u2019aquella escultura esmicolada.
\nQue em toqui, que aterri sobre mi.
\nI m\u2019expliqui la seva hist\u00f2ria a cau d\u2019orella.<\/p>\n

\"\"<\/a>

#10 Prova in situ per a formar un n\u00favol amb sorra de marbre a la Cava Michelangelo. Pedreres de Carrara, 20.7.2018.<\/p><\/div>\n

 <\/p>\n

* En suspensi\u00f3<\/em> \u00e9s un assaig visual basat en el v\u00eddeo<\/a> hom\u00f2nim.<\/p>\n","protected":false},"excerpt":{"rendered":"

Imagina una escultura. Una escultura de marbre blanc. Una escultura de marbre de Carrara. Un cop de martell la desballesta, la descompon. Els fragments per tot arreu. Dispersats. Esbombats. S\u2019han…<\/p>\n","protected":false},"author":2828,"featured_media":46788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6353],"tags":[],"coauthors":[6373],"acf":[],"yoast_head":"\nEn suspensi\u00f3* – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/en-suspensio\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En suspensi\u00f3* – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Imagina una escultura. 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