{"id":47783,"date":"2023-08-07T07:09:39","date_gmt":"2023-08-07T05:09:39","guid":{"rendered":"https:\/\/a-desk.org\/?p=47783"},"modified":"2023-08-08T17:25:37","modified_gmt":"2023-08-08T15:25:37","slug":"el-retorno-de-lo-politico","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/el-retorno-de-lo-politico\/","title":{"rendered":"El retorn d&#8217;all\u00f2 pol\u00edtic"},"content":{"rendered":"<p>Per Hannah Arendt preguntar-se pel concepte de comunitat era indissociable d&#8217;una reflexi\u00f3 sobre all\u00f2 pol\u00edtic i sembla m\u00e9s que adequat que a l&#8217;hora d&#8217;inaugurar un monogr\u00e0fic sobre comunitats, recapitulem algunes idees clau d&#8217;aquest pensament. Encara m\u00e9s si la conjuntura pol\u00edtica actual apressa a emetre alguna mena d&#8217;interpretacions, fins i tot amb la ressaca de la cita electoral espanyola i a les portes d&#8217;altres comicis no menys importants com s\u00f3n els argentins. Argentina tot \u00a0just acaba d&#8217;inaugurar durant aquests dies la quarta edici\u00f3 de la Biennal Sud en qu\u00e8 participa, entre d&#8217;altres, l&#8217;artista Jordi Colomer amb un <a href=\"http:\/\/bienalsur.org\/bienalsurweb\/public\/es\/single_agenda\/425\" target=\"_blank\" rel=\"noopener\">projecte<\/a> on reflexiona sobre aquestes mateixes q\u00fcestions.<\/p>\n<p>No caldria oblidar que el comunisme va ser, de fet, un laboratori per imaginar el concepte de comunitat \u2013fins i tot va arribar a ser anomenat en alguna ocasi\u00f3 \u201cl&#8217;aut\u00e8ntica comunitat de les dones\u201d\u2013 i potser no sigui gaire desgavellat dir que el que hem acabat anomenant m\u00e9s recentment pr\u00e0ctiques del pro-com\u00fa no sigui sin\u00f3 alguna forma d&#8217;eufemisme. Ara b\u00e9, una comunitat pol\u00edtica, seguint Hannah Arendt, es constitueix fonamentalment gr\u00e0cies a un acte d&#8217;aparici\u00f3 que exerceix la ciutadania, cosa que revela el paper decisiu de la cultura i l&#8217;art en fer-se visible.<\/p>\n<p>M\u00e9s enll\u00e0 d&#8217;apostar per unes pol\u00edtiques de representaci\u00f3, en els darrers anys hem estat testimonis d&#8217;una inq\u00fcestionable tend\u00e8ncia a agrupar forces i din\u00e0miques de treball a l&#8217;art a trav\u00e9s de diverses modalitats de comunitats art\u00edstiques, en la l\u00ednia del que Massimiliano Mollona ha anomenat <a href=\"https:\/\/www.bloomsbury.com\/us\/artcommons-9781786997005\/\" target=\"_blank\" rel=\"noopener\"><em>Art\/Commons<\/em><\/a> \u2013co-producci\u00f3, participaci\u00f3, mutualisme i valoritzaci\u00f3 del treball reproductiu\u2013 sent potser la <a href=\"https:\/\/a-desk.org\/ca\/spotlight\/curators-go-home\/\" target=\"_blank\" rel=\"noopener\">documenta fifteen<\/a> el punt culminant de tot un cicle que a l&#8217;estat espanyol va comptar, entre molts altres, amb el suport fonamental del Museo Nacional Centro de Arte Reina Sof\u00eda.<\/p>\n<p>No se&#8217;ns escapa, per\u00f2, que alguns polit\u00f2legs com Michael Hardt o Loretta Napoleoni han advertit que certes formes d&#8217;organitzaci\u00f3 descentralitzades i articulades en xarxes col\u00b7laboratives han esdevingut la forma dominant de l&#8217;organitzaci\u00f3 del treball, cosa que ens hauria de fer reflexionar sobre la proximitat entre comunitat creativa i emprenedoria. \u00c9s m\u00e9s, ja hem constatat altres vegades que la <a href=\"https:\/\/a-desk.org\/ca\/spotlight\/primavera-sound\/\" target=\"_blank\" rel=\"noopener\">ind\u00fastria cultural<\/a> es troba instal\u00b7lada al centre de la nova economia.<\/p>\n<p>Aquest gir cultural ha estat pres com a excusa per justificar el sorgiment de determinats posicionaments conservadors des de l&#8217;interior de la pr\u00f2pia esquerra \u2013<a href=\"https:\/\/www.eldiario.es\/castilla-y-leon\/politica\/garcia-gallardo-incorpora-asesor-alumno-think-tank-vox-le-pen_1_10357231.html\" target=\"_blank\" rel=\"noopener\">com \u00e9s la renovaci\u00f3 de cert &#8220;rojipardisme&#8221;<\/a>\u2013 que denuncien la separaci\u00f3 d&#8217;aquesta esfera creativa de la realitat de les classes treballadores, que enarboren discursos populistes conservadors que han acabat alimentant el relat de l&#8217;extrema dreta.<\/p>\n<p>Si tenim en compte altres contextos, com l&#8217;itali\u00e0, on l&#8217;esfera cultural i intel\u00b7lectual ha acabat majorit\u00e0riament dimitint del seu comprom\u00eds pol\u00edtic amb l&#8217;esfera p\u00fablica i abandonant la ciutadania en mans de l&#8217;extrema dreta, resulta m\u00e9s que necessari que des de l&#8217;interior de la classe creativa s&#8217;obri una reflexi\u00f3 autocr\u00edtica que tingui en compte la necessitat de pensar en formes de comunitats diverses que incorporin m\u00e9s sectors de la ciutadania i trenquin de manera decidida amb un<strong> esnobisme exclusiu<\/strong>. M\u00e9s encara, quan una mena de nihilisme exacerbat i un esgotament radical ha portat moltes de nosaltres \u2013artistes, curadores, dissenyadores, acad\u00e8miques&#8230;\u2013 a pensar err\u00f2niament que aturar l&#8217;aven\u00e7 de l&#8217;extrema dreta era un projecte impossible. Per\u00f2, aix\u00f2 s\u00ed, aquesta reflexi\u00f3 no es pot sotmetre a aquest nou conservadorisme d&#8217;esquerres, sin\u00f3 que ha de ser articulada des del seu complet antagonisme.<\/p>\n<p><strong>Fa exactament 30 anys que la polit\u00f2loga Chantal Mouffe publicava <a href=\"https:\/\/www.planetadelibros.com\/libro-el-retorno-de-lo-politico\/315120\" target=\"_blank\" rel=\"noopener\"><em>El retorn del pol\u00edtic<\/em><\/a>, inspirant les\u00a0primeras\u00a0batalles i fixant les bases despr\u00e9s per a un projecte pol\u00edtic amb qu\u00e8 moltes vam cr\u00e9ixer. Vam aprendre llavors que el que \u00e9s pol\u00edtic \u00e9s <\/strong><strong>una dimensi\u00f3 inextirpable de l&#8217;antagonisme, a difer\u00e8ncia de la pol\u00edtica, que remet a les diferents activitats encaminades a organitzar la coexist\u00e8ncia humana, all\u00f2 que el canceller Otto von Bismarck va anomenar \u201cl&#8217;art del possible\u201d. Ara, a l&#8217;hora de tornar a pensar formes de comunitat, potser \u00e9s el moment de tornar a creure en l&#8217;art del que \u00e9s impossible.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>(Foto de portada: Frame del video\u00a0<em>X-Ville<\/em>\u00a0de Jordi Colomer, 2015 (Prod Xarxa, Loop, ESAAA), projecte del qual ha partit per a\u00a0<em>Casas vac\u00edas no hacen ciudad<\/em> que participa actualment a\u00a0la Bienal Sur (Buenos Aires))<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Per Hannah Arendt preguntar-se pel concepte de comunitat era indissociable d&#8217;una reflexi\u00f3 sobre all\u00f2 pol\u00edtic i sembla m\u00e9s que adequat que a l&#8217;hora d&#8217;inaugurar un monogr\u00e0fic sobre comunitats, recapitulem algunes&#8230;<\/p>\n","protected":false},"author":1298,"featured_media":47779,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6792],"tags":[],"coauthors":[6459],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>El retorno de lo pol\u00edtico de Diana Padr\u00f3n<\/title>\n<meta name=\"description\" content=\"El retorno de lo pol\u00edtico de Diana Padron primer articulo de &quot;Comunidades Disidentes&quot; tema del mes de 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