{"id":48043,"date":"2023-08-28T07:15:12","date_gmt":"2023-08-28T05:15:12","guid":{"rendered":"https:\/\/a-desk.org\/?p=48043"},"modified":"2023-08-26T18:48:08","modified_gmt":"2023-08-26T16:48:08","slug":"quiero-estar-en-otro-mundo-que-no-sea-el-selenita","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/quiero-estar-en-otro-mundo-que-no-sea-el-selenita\/","title":{"rendered":"Vull estar en un altre m\u00f3n que no sigui el Selenita*"},"content":{"rendered":"<p><em><span lang=\"ES-TRAD\">Doncs\u00a0<\/span><span lang=\"IT\">tindria <\/span><span lang=\"ES-TRAD\">vora tretze anys. Em van donar aquesta primera invitaci\u00f3 i&#8230; pom! Va ser el germ<\/span><span lang=\"FR\">\u00e0 d&#8217;un amic que havia estat <\/span><span lang=\"ES-TRAD\">a\u00a0<\/span><span lang=\"ES-TRAD\">M<\/span><span lang=\"IT\">etro, i <\/span><span lang=\"ES-TRAD\">a\u00a0<\/span><span lang=\"IT\">Central. All\u00f2 <\/span><span lang=\"ES-TRAD\">a nosaltres se&#8217;ns quedava molt lluny i se&#8217;ns posaven els ulls com a plats. Les quatre primeres invitacions les tenia en el moble de l&#8217;escriptori de la meva habitaci\u00f3<\/span><span lang=\"FR\">, posades amb paper cel<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">lo per darrere. Jo estudiant i aquestes quatre invitacions i centenars de cintes de casset que gravava de la r\u00e0<\/span><span lang=\"PT\">dio, decorant aquest rac<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"IT\">de l&#8217;habitaci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"PT\">. Com que no podia sortir<\/span><span lang=\"PT\">de festa, em quedava escoltant el Bikini Club, un programa de r<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"IT\">dio molt fam<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"DA\">s en els <\/span><span lang=\"ES-TRAD\">noranta&#8230; Tu eres a la teva habitaci\u00f3, que te&#8217;n pujaves per les parets, escoltant tota aquella salsa i sense poder sortir<\/span><\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_1');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_1');\" ><sup id=\"footnote_plugin_tooltip_48043_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_1\" class=\"footnote_tooltip\">Vista Oral; Hern\u00e1ndez Rub\u00e9n (2022) <em>La ruta del bakalao. Museo del remember<\/em> (1985-2012). Colpa Press.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<div>\n<p class=\"Body\"><span lang=\"IT\">D&#8217;aquesta manera s&#8217;inicia la col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lecci\u00f3 <\/span><span lang=\"IT\">de Rub<\/span><span lang=\"ES-TRAD\">\u00e9<\/span><span lang=\"IT\">n\u00a0<\/span>Hern<span lang=\"IT\">\u00e1<\/span><span lang=\"ES-TRAD\">ndez sobre la Ruta del Bakalao. Una inclinaci\u00f3 <\/span><span lang=\"IT\">a l&#8217;acumulaci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"IT\">, una pulsi<\/span><span lang=\"ES-TRAD\">\u00f3 basada en un pur imaginari que continua m<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s de trenta anys despr<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s, i que ha anat donant forma al Museu del Remember situat en el garatge de <\/span><span lang=\"IT\">casa\u00a0<\/span><span lang=\"ES-TRAD\">seva<\/span><span lang=\"IT\">, a <\/span><span lang=\"ES-TRAD\">Jacarilla, Alacant. Un espai cobert de <\/span><span lang=\"IT\">merchandising<\/span><span lang=\"IT\">, p\u00f2<\/span><span lang=\"ES-TRAD\">sters, invitacions, vinils, <\/span><span lang=\"IT\">cassets\u00a0<\/span><span lang=\"DA\">i <\/span>compact discs<span lang=\"IT\">, col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">locats en diferents <\/span>displays<span lang=\"PT\">, constru<\/span><span lang=\"NL\">\u00ef<\/span>ts amb materials reutilitzats, abundant entusiasme i imaginaci<span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"IT\">, i la premissa de la qual era la conviv<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"IT\">ncia amb l&#8217;\u00fa<\/span><span lang=\"FR\">s funcional d&#8217;un garatge.<\/span><\/p>\n<\/div>\n<div id=\"attachment_47856\" style=\"width: 910px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-47856\" decoding=\"async\" class=\"wp-image-47856 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/Museo-del-remember-ok-e1692361052132.jpeg\" alt=\"\" width=\"900\" height=\"675\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/Museo-del-remember-ok-e1692361052132.jpeg 900w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/Museo-del-remember-ok-e1692361052132-533x400.jpeg 533w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/Museo-del-remember-ok-e1692361052132-768x576.jpeg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-47856\" class=\"wp-caption-text\">Vista del Museo del Remember. Foto Rub\u00e9n Hern\u00e1ndez<\/p><\/div>\n<div>\n<p class=\"Body\"><span lang=\"ES-TRAD\">La gran majoria de col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"PT\">leccionistes no deixen mai de col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"PT\">leccionar. Sempre apareixen objectes que ells no posseeixen i que passen a ser peces claus per a les seves col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"PT\">leccions, o que s<\/span><span lang=\"ES-TRAD\">\u00f3n el motiu per a comen<\/span><span lang=\"PT\">\u00e7<\/span><span lang=\"IT\">ar una nova. Col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">leccionar <\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s una forma de coneixement capa<\/span><span lang=\"IT\">\u00e7 <\/span><span lang=\"ES-TRAD\">de mobilitzar i d&#8217;afavorir associacions sobtades. Cap col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lecci\u00f3<\/span><span lang=\"PT\">, encara que individual, pot completar-se en absoluta solitud. L&#8217;intercanvi, i no les transaccions econ<\/span><span lang=\"IT\">\u00f2<\/span><span lang=\"ES-TRAD\">miques basades en el valor mercantil, <\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s el que permet el proc<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"IT\">s <\/span><span lang=\"ES-TRAD\">continu\u00a0<\/span><span lang=\"PT\">de col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"PT\">leccionar. El valor dels objectes, que <\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s sempre un acord entre comunitats, pateix una peculiaritat en el cas de la col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lecci\u00f3, ja que existeix una comprensi\u00f3 <\/span><span lang=\"IT\">m\u00fatua del que pot ser valorable per als altres, i l&#8217;intercanvi es dona a partir de sistemes de comunicaci<\/span><span lang=\"ES-TRAD\">\u00f3 que responen a una l<\/span><span lang=\"IT\">\u00f2<\/span><span lang=\"ES-TRAD\">gica interna de funcionament. Les col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">leccions, igual que les comunitats, s\u00f3<\/span><span lang=\"IT\">n sempre ut\u00f2<\/span><span lang=\"FR\">piques i imperfectes, i impliquen explorar l&#8217;equilibri existent entre la combinaci<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"IT\">del temps personal i la viv<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"IT\">ncia col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">lectiva, sustentat en la base d&#8217;un sentiment de pertinen<\/span><span lang=\"PT\">\u00e7<\/span><span lang=\"IT\">a.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Body\"><em><span lang=\"ES-TRAD\">Ens trobem units en el nostre moviment excessiu, en el nostre <\/span><span lang=\"IT\">allunyament\u00a0<\/span><span lang=\"PT\">de nosaltres mateixos; i va <\/span><span lang=\"ES-TRAD\">ser en aquest <\/span><span lang=\"IT\">allunyament<\/span><span lang=\"FR\">, en l&#8217;exc\u00e9s de les nostres experi\u00e8<\/span><\/em><span lang=\"IT\"><em>ncies individuals que la nostra comunitat va estar, almenys per un curt temps, situada<\/em><\/span><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_2');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_2');\" ><sup id=\"footnote_plugin_tooltip_48043_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_2\" class=\"footnote_tooltip\">Colquhoun, Matt. Egreso (2021). Caja Negra Editora.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><em>.<\/em><\/p>\n<\/div>\n<div>\n<p class=\"Body\"><span lang=\"FR\">Els objectes de la col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lecci\u00f3 <\/span><span lang=\"IT\">de Rub<\/span><span lang=\"ES-TRAD\">\u00e9<\/span><span lang=\"IT\">n<\/span><span lang=\"FR\">, la m<\/span><span lang=\"IT\">\u00fasica d&#8217;aquella <\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"PT\">poca, la manera de vestir dels seus <\/span><span lang=\"IT\">ac\u00f2lits<\/span><span lang=\"ES-TRAD\">, les escenografies que inundaven les pistes de ball, els edificis que les acollien i donaven forma (i que ara s\u00f3<\/span><span lang=\"IT\">n en <\/span><span lang=\"ES-TRAD\">la seva\u00a0<\/span>majoria part<span lang=\"IT\">ru<\/span><span lang=\"NL\">\u00ef<\/span><span lang=\"IT\">nes), ajuden a construir l&#8217;imaginari de la Ruta. Es tracta d&#8217;un moviment cultural del qual a penes\u00a0<\/span><span lang=\"PT\">existeixen aproximacions te<\/span><span lang=\"IT\">\u00f2<\/span><span lang=\"FR\">riques, ni sobre el qual s&#8217;ha teixit cap base intel<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">lectual, ple d&#8217;omissions, d&#8217;hist<\/span><span lang=\"IT\">\u00f2<\/span><span lang=\"FR\">ries paral<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"IT\">leles i fins i tot contradict\u00f2<\/span><span lang=\"IT\">ries, <\/span><span lang=\"IT\">col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">lectiu<\/span><span lang=\"IT\">i dissident, allunyat de qualsevol narrativa oficialista. No obstant aix\u00f2<\/span><span lang=\"ES-TRAD\">, la Ruta, va ser una <\/span><span lang=\"IT\">mica m<\/span><span lang=\"FR\">\u00e9s que l&#8217;acte irrellevant i banal mostrat pels mitjans de comunicaci<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"FR\">de l&#8217;\u00e8<\/span><span lang=\"IT\">poca, una imatge de la qual t\u00ed<\/span><span lang=\"FR\">midament s&#8217;intenta fugir en l&#8217;actualitat. El <\/span><span lang=\"IT\">bakalao<\/span><span lang=\"PT\">o <\/span><span lang=\"ES-TRAD\">bacalao<\/span><span lang=\"ES-TRAD\">, va suposar una pertinen<\/span><span lang=\"PT\">\u00e7<\/span><span lang=\"IT\">a a una viv<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"IT\">ncia col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"IT\">lectiva, un acte d<\/span><span lang=\"ES-TRAD\">\u2019<\/span><span lang=\"IT\">escapism<\/span><span lang=\"ES-TRAD\">e<\/span><span lang=\"PT\">que va permetre als seus protagonistes evadir-se de barreres socials, i en els antecedents de les quals es troba la nostra hist<\/span><span lang=\"IT\">\u00f2ria m<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"IT\">s recent i la necess<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"IT\">ria revisi<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"FR\">de l&#8217;actitud <\/span><span lang=\"ES-TRAD\">celebradora de la Transici\u00f3. Aquesta sort de miratge social en el qual semblava que totes les articulacions constru<\/span><span lang=\"NL\">\u00ef<\/span><span lang=\"ES-TRAD\">des durant el franquisme <\/span><span lang=\"IT\">des<\/span><span lang=\"ES-TRAD\">a<\/span>pare<span lang=\"ES-TRAD\">ixie<\/span><span lang=\"IT\">n\u00a0<\/span><span lang=\"ES-TRAD\">amb la redacci\u00f3 de la Constituci\u00f3<\/span><span lang=\"IT\">, <\/span><span lang=\"PT\">a pesar que<\/span>, molts dels constructes <span lang=\"IT\">biopol\u00edt<\/span><span lang=\"ES-TRAD\">i<\/span><span lang=\"IT\">cs\u00a0<\/span><span lang=\"ES-TRAD\">de la Dictadura <\/span><span lang=\"PT\">continuaven\u00a0<\/span>presents en els anys vuitanta (i continuen <span lang=\"ES-TRAD\">cuejant en l&#8217;actualitat), tal com era el cas de la regulaci\u00f3 <\/span><span lang=\"FR\">de l&#8217;\u00e0<\/span><span lang=\"IT\">mbit dom<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"ES-TRAD\">stic. Aquestes normatives socials es desafien a trav<\/span><span lang=\"FR\">\u00e9s d&#8217;una\u00a0<\/span><span lang=\"ES-TRAD\">mena\u00a0<\/span><span lang=\"FR\">d&#8217;oci nocturn extrem, que suposa un clar exemple de finalitat sense fi, d&#8217;<\/span><span lang=\"IT\">\u00fa<\/span><span lang=\"FR\">s de l&#8217;espai compartit com un lloc d&#8217;excepci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"PT\">, de ruptura amb les convencions, incloent-hi les seves baixades i mals viatges.<\/span><\/p>\n<\/div>\n<div id=\"attachment_47828\" style=\"width: 910px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-47828\" decoding=\"async\" class=\"wp-image-47828 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-1-e1692361071832.jpg\" alt=\"\" width=\"900\" height=\"626\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-1-e1692361071832.jpg 900w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-1-e1692361071832-575x400.jpg 575w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-1-e1692361071832-768x534.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-47828\" class=\"wp-caption-text\">Parking Arsenal 1989. Archiu Susana Oliva<\/p><\/div>\n<div>\n<p class=\"Body\"><em><span lang=\"IT\">M<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s que un moment de llibertat, viv<\/span><span lang=\"IT\">\u00edem un moment d<\/span><span lang=\"ES-TRAD\">\u2019<\/span><span lang=\"IT\">anomia: anomia\u00a0<\/span><span lang=\"FR\">\u00e9s l&#8217;abs\u00e8<\/span><span lang=\"ES-TRAD\">ncia de lleis. S&#8217;havien transferit compet<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"ES-TRAD\">ncies, les comunitats encara no havien legislat, no hi havia lleis d&#8217;espectacles, no hi havia horaris. Res, no hi havia res. Crec que aquesta <\/span><span lang=\"FR\">\u00e9s la part m\u00e9<\/span><\/em><span lang=\"IT\"><em>s interessant del relat<\/em><\/span><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_3');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_3');\" ><sup id=\"footnote_plugin_tooltip_48043_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_3\" class=\"footnote_tooltip\">Vicente Pizcueta en <em>Bacalao. Historia oral de la m\u00fasica de baile en Valencia, 1980-1995<\/em>. Costa, L. (2016) Contra<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<\/div>\n<div>\n<p class=\"Body\"><span lang=\"ES-TRAD\">Les <\/span><span lang=\"PT\">raves<\/span><span lang=\"IT\">il<\/span><span lang=\"DE\">\u00b7<\/span>legals en naus industrials i descampats, afavorides per un esperit ut<span lang=\"IT\">\u00f2<\/span><span lang=\"ES-TRAD\">pic pirata i tan populars a <\/span><span lang=\"ES-TRAD\">finals\u00a0<\/span><span lang=\"IT\">dels vuitanta i principis dels noranta en altres pa<\/span><span lang=\"NL\">\u00ef<\/span><span lang=\"PT\">sos europeus, no van ser necess<\/span><span lang=\"FR\">\u00e0<\/span>ries a Val<span lang=\"FR\">\u00e8<\/span><span lang=\"ES-TRAD\">ncia, on el moviment va aprofitar les fissures legals per a desenvolupar les seves estrat<\/span><span lang=\"FR\">\u00e8gies d&#8217;evasi<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"IT\">prolet<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"PT\">ria amb els seus aspectes <\/span><span lang=\"IT\">rituals\u00a0<\/span><span lang=\"ES-TRAD\">propis. La falta de regulaci\u00f3 <\/span><span lang=\"FR\">dels temps d&#8217;obertura de les discoteques i la visi<\/span><span lang=\"ES-TRAD\">\u00f3 dels empresaris de la nit van afavorir la gestaci\u00f3 <\/span><span lang=\"FR\">d&#8217;un sofisticat sistema d&#8217;horaris de <\/span><span lang=\"ES-TRAD\">locals\u00a0<\/span><span lang=\"FR\">que s&#8217;alternaven per a fer ballar a milers de joves que es movien <\/span><span lang=\"IT\">coreogr<\/span><span lang=\"ES-TRAD\">\u00e0<\/span><span lang=\"PT\">ficament\u00a0<\/span><span lang=\"ES-TRAD\">en peregrinaci\u00f3 dels uns als altres utilitzant el cotxe durant caps de setmana infinits. El cotxe era l&#8217;<\/span><span lang=\"IT\">\u00fa<\/span>nic <span lang=\"ES-TRAD\">mitj\u00e0\u00a0<\/span><span lang=\"FR\">possible de transport entre aquestes <\/span><span lang=\"IT\">\u201c<\/span><span lang=\"FR\">illes en xarxa<\/span><span lang=\"IT\">\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_4');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_4');\" ><sup id=\"footnote_plugin_tooltip_48043_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_4\" class=\"footnote_tooltip\">Concepte\u00a0d\u2019\u201cilles\u00a0en xarxa\u201d propi de les \u201czones temporalment aut\u00f2nomes\u201d del te\u00f2ric anarquista Hakim Bey que Simon Reynolds aplica a la cultura rave en el seu\u00a0llibre\u00a0Energy Flash. Un&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_4');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>,\u00a0<\/span><span lang=\"DA\">els p<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"ES-TRAD\">rquings plens de vehicles a la porta de les discoteques es van convertir en extensions <\/span><span lang=\"FR\">d&#8217;aquestes<\/span><span lang=\"ES-TRAD\">. La gent invertia en descomunals equips de m<\/span><span lang=\"IT\">\u00fa<\/span><span lang=\"FR\">sica amb els quals dotar de so als petits cotxes que <\/span><span lang=\"PT\">condueixen\u00a0<\/span><span lang=\"IT\">(Ford Festa, Renault 5, Golf GTI\u2026<\/span><span lang=\"PT\">), carregavan begudes en els seus maleters, i fins i tot alguns mec<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"ES-TRAD\">nics de la zona es van especialitzar en aquest particular <\/span><span lang=\"ES-TRAD\">tuneig<\/span><span lang=\"IT\">. L&#8217;espai habitualment inert de l&#8217;aparcament es va convertir en una festa, en la qual el ball i la m\u00fa<\/span><span lang=\"FR\">sica exercien de <\/span><span lang=\"IT\">v<\/span><span lang=\"ES-TRAD\">\u00f2<\/span><span lang=\"IT\">rtex<\/span><span lang=\"IT\">.<\/span><\/p>\n<\/div>\n<div id=\"attachment_48033\" style=\"width: 910px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-48033\" decoding=\"async\" class=\"wp-image-48033 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/saliendo-parking-de-chocolate-1.jpg\" alt=\"\" width=\"900\" height=\"712\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/saliendo-parking-de-chocolate-1.jpg 900w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/saliendo-parking-de-chocolate-1-506x400.jpg 506w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/saliendo-parking-de-chocolate-1-768x608.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><p id=\"caption-attachment-48033\" class=\"wp-caption-text\">Sortint del p\u00e0rquing de Chocolate per anar a Spook. Febrer 1988. Archiu Susana Oliva<\/p><\/div>\n<div>\n<p class=\"Body\"><span lang=\"IT\">La m\u00fa<\/span><span lang=\"ES-TRAD\">sica en aquesta escena <\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s el desencadenant\u00a0<\/span><span lang=\"FR\">d&#8217;un esperit <\/span><span lang=\"IT\">dionis\u00edac\u00a0<\/span><span lang=\"ES-TRAD\">que fa que es combregui\u00a0<\/span><span lang=\"IT\">amb ella d&#8217;una manera carnal i total. L&#8217;autor es dilueix en la figura del productor o de l&#8217;enginyer; el tema o <\/span>track\u00a0<span lang=\"IT\">se situa per sobre de l&#8217;<\/span><span lang=\"FR\">\u00e0<\/span><span lang=\"DA\">lbum i els <\/span><span lang=\"PT\">mixtapes\u00a0<\/span><span lang=\"DE\">es popularitzen. El <\/span><span lang=\"ES-TRAD\">bacalao no estava fet per a ser escoltat en els <\/span><span lang=\"IT\">walkmans<\/span><span lang=\"ES-TRAD\">, no era m<\/span><span lang=\"IT\">\u00fa<\/span><span lang=\"PT\">sica per a audi<\/span><span lang=\"FR\">\u00e8ncies individuals ni espais privats. Fins i tot els cassets amb sessions que circulen de m\u00e0 <\/span><span lang=\"IT\">en m<\/span><span lang=\"FR\">\u00e0 <\/span><span lang=\"PT\">s&#8217;escolten a tot volum en cotxes amb finestretes baixades i maleters oberts. En aquest context, la m<\/span><span lang=\"IT\">\u00fasica passa de ser una narraci<\/span><span lang=\"ES-TRAD\">\u00f3 unidireccional a una construcci\u00f3 <\/span><span lang=\"IT\">col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lectiva que es completa en una pista de ball i que s&#8217;escolta a trav<\/span><span lang=\"FR\">\u00e9s d&#8217;un <\/span><em>sound-system<\/em><span lang=\"ES-TRAD\">. Es q<\/span><span lang=\"IT\">\u00fc<\/span><span lang=\"ES-TRAD\">estionen aix<\/span><span lang=\"IT\">\u00ed <\/span><span lang=\"ES-TRAD\">les diferents formes i manifestacions de trobades entorn de la m<\/span><span lang=\"IT\">\u00fa<\/span><span lang=\"FR\">sica, i amb elles les dist\u00e0ncies entre els qui produeixen i els qui reben. La pista de ball es converteix en un espai d&#8217;immersi<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"IT\">sensorial col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"IT\">lectiva i de comuni<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"IT\">, per\u00f2 <\/span><span lang=\"ES-TRAD\">tamb<\/span><span lang=\"FR\">\u00e9 <\/span><span lang=\"IT\">en un espai pol\u00edtic de resist<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"ES-TRAD\">ncia, amb una democratitzaci\u00f3 <\/span><span lang=\"IT\">de l&#8217;oci sense precedents. No sembla casual que la peculiar assimilaci<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"PT\">i posterior eclosi<\/span><span lang=\"ES-TRAD\">\u00f3 <\/span><span lang=\"IT\">del tecno\u00a0<\/span><span lang=\"FR\">de Detroit, que es va produir a Berl<\/span><span lang=\"IT\">\u00edn tingu<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s lloc despr<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s de la caiguda del Mur que separava les dues Alemanyes. Tampoc que l&#8217;aparici\u00f3 de la Ruta tingu<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s lloc a l&#8217;Espanya de la Transici\u00f3 <\/span><span lang=\"IT\">despr<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"IT\">s de la mort del dictador i la fi del r<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"IT\">gim franquista. La necessitat col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"FR\">lectiva de llibertat d&#8217;una societat sotmesa a d\u00e8cades de repressi<\/span><span lang=\"ES-TRAD\">\u00f3 es va manifestar en tots dos casos amb una frescor i virul<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"IT\">ncia inusitats; una mescla entre\u00a0<\/span><span lang=\"ES-TRAD\">l\u2019<\/span><span lang=\"IT\">escapism<\/span><span lang=\"ES-TRAD\">e\u00a0<\/span><span lang=\"IT\">i la fugida cap a un espai exterior desconegut.<\/span><\/p>\n<div>\n<p class=\"Body\"><span lang=\"ES-TRAD\">Les drogues van afavorir la desinhibici\u00f3 i el <\/span><span lang=\"IT\">t<\/span><span lang=\"ES-TRAD\">r\u00e0nsit\u00a0<\/span><span lang=\"IT\">m\u00ed<\/span><span lang=\"PT\">stic marcats per uns baixos caracter<\/span><span lang=\"IT\">\u00ed<\/span>stics tant del postpunk com del <span lang=\"IT\">bakalao. <\/span><span lang=\"FR\">Rifs\u00a0<\/span><span lang=\"PT\">que oscil<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"IT\">laven a ritme de <\/span><span lang=\"PT\">mescalina\u00a0<\/span><span lang=\"IT\">primer, i d&#8217;<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"PT\">xtasi<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_5');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_5');\" ><sup id=\"footnote_plugin_tooltip_48043_1_5\" class=\"footnote_plugin_tooltip_text\">[5]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_5\" class=\"footnote_tooltip\">\u201cEstar en \u00e8xtasi\u00a0\u00e9s\u00a0literalment, sortir\u00a0de si,\u00a0dislocar, portar\u00a0cap afora, modificar alguna cosa o estat de coses. Tamb\u00e9\u00a0t\u00e9 el sentitde retirar&#8211;se, apartar-se, abandonar, deixar,&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_5');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_5').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_5', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>\u00a0<\/span><span lang=\"IT\">despr<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"PT\">s, i que afavorien en si mateixos <\/span><span lang=\"ES-TRAD\">un estat <\/span><span lang=\"FR\">d&#8217;euf<\/span><span lang=\"IT\">\u00f2ria<\/span><span lang=\"ES-TRAD\">. Es pot <\/span><span lang=\"IT\">albirar pot<\/span><span lang=\"FR\">\u00e8<\/span><span lang=\"ES-TRAD\">ncia dissident, probablement inconscient, en aquests joves que ballaven fins que el cos aguant<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"PT\">s en el seu espai d&#8217;excepci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"FR\">, de <\/span><span lang=\"ES-TRAD\">camaraderia<\/span><span lang=\"IT\">, hedonisme i exc<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"PT\">s; en el seu particular viatge c<\/span><span lang=\"IT\">\u00f2<\/span><span lang=\"ES-TRAD\">smic d&#8217;escapada de la Terra<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_6');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_6');\" ><sup id=\"footnote_plugin_tooltip_48043_1_6\" class=\"footnote_plugin_tooltip_text\">[6]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_6\" class=\"footnote_tooltip\"><span lang=\"IT\">\u201c<\/span>maledicci\u00f3<span lang=\"IT\">, <\/span>ja \u00e9<span lang=\"IT\">s <\/span>diumenge i aix\u00f2 tanca<span lang=\"IT\">, <\/span>tot el m\u00f3n a la nau<span lang=\"IT\">, <\/span>tornem a la Terra<span lang=\"IT\">\u201d<\/span>. Extracte\u00a0<span lang=\"IT\">l<\/span>l<span lang=\"IT\">etra can<\/span>\u00e7\u00f3\u00a0<em>Viva la fiesta<\/em><span lang=\"IT\">, Paco Pil, 1993.<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_6').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_6', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/span><span lang=\"IT\">, units per l&#8217;euf\u00f2ria col<\/span><span lang=\"DE\">\u00b7<\/span><span lang=\"ES-TRAD\">lectiva i desafiant, sense teories pel mig, sin\u00f3 <\/span><span lang=\"FR\">a trav\u00e9<\/span><span lang=\"IT\">s del fer, al sistema establert.<\/span><\/p>\n<div>\n<p class=\"Body\"><em><span lang=\"PT\">Per a alguns (&#8230;) la idea de cultura <\/span><span lang=\"IT\">rave\u00a0<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"ES-TRAD\">s una contradicci\u00f3 en els seus termes. La cultura es pot definir com alguna cosa que et diu d&#8217;on vens i a on vas, alguna cosa que alimenta l&#8217;esperit, transmet saviesa de la vida i, en general, fa que la vida sigui habitable. La\u00a0<\/span><span lang=\"IT\">rave\u00a0<\/span><span lang=\"ES-TRAD\">suscita una pregunta: una cultura pot basar-se en sensacions en lloc de veritats, en una fascinaci\u00f3 <\/span><span lang=\"FR\">en lloc d&#8217;un sentit?<\/span><\/em><span lang=\"FR\"><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_7');\" onkeypress=\"footnote_moveToReference_48043_1('footnote_plugin_reference_48043_1_7');\" ><sup id=\"footnote_plugin_tooltip_48043_1_7\" class=\"footnote_plugin_tooltip_text\">[7]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_48043_1_7\" class=\"footnote_tooltip\">Reynolds, Simon. <\/span><span lang=\"FR\"><em>Energy Flash. Un viaje a trav\u00e9s de la m\u00fasica rave y la cultura de baile<\/em> (2014) Contra<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_48043_1_7').tooltip({ tip: '#footnote_plugin_tooltip_text_48043_1_7', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/span><\/p>\n<\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<p>(*) Tomates El\u00e9ctricos (1981, reeditat el 2009),\u00a0<em>La org\u00eda de los Selenitas<\/em> incl\u00f2s a l&#8217;\u00e0lbum <em>Tel\u00e9fono Rojo<\/em>. Synth pop<\/p>\n<p>(Foto de portada: Parking Arsenal 1989. Archivo Susana Oliva)<\/p>\n<p><a href=\"applewebdata:\/\/B6942582-AA94-4800-A21F-8FF462C9146E#_ftnref2\" name=\"_ftn2\"><\/a><a href=\"applewebdata:\/\/B6942582-AA94-4800-A21F-8FF462C9146E#_ftnref8\" name=\"_ftn8\"><\/a><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_48043_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_48043_1();\">[<a id=\"footnote_reference_container_collapse_button_48043_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_48043_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_1');\"><a id=\"footnote_plugin_reference_48043_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">Vista Oral; Hern\u00e1ndez Rub\u00e9n (2022) <em>La ruta del bakalao. Museo del remember<\/em> (1985-2012). Colpa Press.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_2');\"><a id=\"footnote_plugin_reference_48043_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">Colquhoun, Matt. Egreso (2021). Caja Negra Editora.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_3');\"><a id=\"footnote_plugin_reference_48043_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">Vicente Pizcueta en <em>Bacalao. Historia oral de la m\u00fasica de baile en Valencia, 1980-1995<\/em>. Costa, L. (2016) Contra<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_4');\"><a id=\"footnote_plugin_reference_48043_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">Concept<span lang=\"ES-TRAD\">e\u00a0<\/span>d<span lang=\"ES-TRAD\">\u2019<\/span>\u201ci<span lang=\"ES-TRAD\">lles\u00a0<\/span><span lang=\"FR\">en <\/span><span lang=\"ES-TRAD\">xarxa<\/span>\u201d propi de l<span lang=\"ES-TRAD\">e<\/span>s \u201czon<span lang=\"ES-TRAD\">e<\/span><span lang=\"FR\">s temporalment aut<\/span><span lang=\"ES-TRAD\">\u00f2<\/span>nom<span lang=\"ES-TRAD\">e<\/span>s\u201d del te<span lang=\"ES-TRAD\">\u00f2ric anarquista Hakim Bey que Simon Reynolds aplica a la cultura rave en el seu\u00a0<\/span><span lang=\"ES-TRAD\">llibre\u00a0<\/span><em><span lang=\"ES-TRAD\">Energy Flash. Un viaje a trav<\/span><span lang=\"FR\">\u00e9s de la m<\/span>\u00fa<span lang=\"ES-TRAD\">sica rave y la cultura de baile <\/span><\/em>(2014). Contra<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_5');\"><a id=\"footnote_plugin_reference_48043_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\"><span lang=\"IT\">\u201c<\/span><span lang=\"ES-TRAD\">Estar en \u00e8xtasi\u00a0<\/span><span lang=\"ES-TRAD\">\u00e9s\u00a0<\/span><span lang=\"IT\">literalment, <\/span><span lang=\"ES-TRAD\">sortir\u00a0<\/span><span lang=\"FR\">de s<\/span><span lang=\"ES-TRAD\">i,\u00a0<\/span><span lang=\"IT\">dislocar, <\/span><span lang=\"ES-TRAD\">portar\u00a0<\/span><span lang=\"ES-TRAD\">cap a<\/span><span lang=\"ES-TRAD\">fora, modificar alguna cosa o estat de cose<\/span>s. Tamb<span lang=\"ES-TRAD\">\u00e9\u00a0<\/span><span lang=\"ES-TRAD\">t\u00e9 el sentit<\/span>de retirar<span lang=\"ES-TRAD\">&#8211;<\/span>se, apartar<span lang=\"ES-TRAD\">-se, abandonar, deixar<\/span><span lang=\"IT\">, <\/span><span lang=\"ES-TRAD\">cedir<\/span>, renunciar, separar. La <span lang=\"ES-TRAD\">paraula\u00a0<\/span><span lang=\"ES-TRAD\">\u00e8xtasi\u00a0<\/span>indica <span lang=\"ES-TRAD\">despla\u00e7ament<\/span><span lang=\"IT\">, <\/span><span lang=\"ES-TRAD\">canvi<\/span><span lang=\"IT\">, desviaci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"IT\">, alienaci<\/span><span lang=\"ES-TRAD\">\u00f3<\/span><span lang=\"IT\">,<\/span><span lang=\"ES-TRAD\">torbaci\u00f3, deliri, estupor, excitaci<\/span><span lang=\"IT\">\u00f3\u201d<\/span><span lang=\"IT\">. <\/span><span lang=\"IT\">Perlongher, N<\/span><span lang=\"FR\">\u00e9<\/span><span lang=\"IT\">stor (2004) <\/span><em><span lang=\"IT\">Antropolog\u00eda del <\/span><span lang=\"FR\">\u00e9<\/span><\/em><em>xtasis<\/em>. <span lang=\"IT\">Urania<\/span><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_6');\"><a id=\"footnote_plugin_reference_48043_1_6\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>6<\/a><\/th> <td class=\"footnote_plugin_text\"><span lang=\"IT\">\u201c<\/span>maledicci\u00f3<span lang=\"IT\">, <\/span>ja \u00e9<span lang=\"IT\">s <\/span>diumenge i aix\u00f2 tanca<span lang=\"IT\">, <\/span>tot el m\u00f3n a la nau<span lang=\"IT\">, <\/span>tornem a la Terra<span lang=\"IT\">\u201d<\/span>. Extracte\u00a0<span lang=\"IT\">l<\/span>l<span lang=\"IT\">etra can<\/span>\u00e7\u00f3\u00a0<em>Viva la fiesta<\/em><span lang=\"IT\">, Paco Pil, 1993.<\/span><\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_48043_1('footnote_plugin_tooltip_48043_1_7');\"><a id=\"footnote_plugin_reference_48043_1_7\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>7<\/a><\/th> <td class=\"footnote_plugin_text\">Reynolds, Simon. <\/span><span lang=\"FR\"><em>Energy Flash. Un viaje a trav\u00e9s de la m\u00fasica rave y la cultura de baile<\/em> (2014) Contra<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_48043_1() { jQuery('#footnote_references_container_48043_1').show(); jQuery('#footnote_reference_container_collapse_button_48043_1').text('\u2212'); } function footnote_collapse_reference_container_48043_1() { jQuery('#footnote_references_container_48043_1').hide(); jQuery('#footnote_reference_container_collapse_button_48043_1').text('+'); } function footnote_expand_collapse_reference_container_48043_1() { if (jQuery('#footnote_references_container_48043_1').is(':hidden')) { footnote_expand_reference_container_48043_1(); } else { footnote_collapse_reference_container_48043_1(); } } function footnote_moveToReference_48043_1(p_str_TargetID) { footnote_expand_reference_container_48043_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_48043_1(p_str_TargetID) { footnote_expand_reference_container_48043_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Doncs\u00a0tindria vora tretze anys. Em van donar aquesta primera invitaci\u00f3 i&#8230; pom! Va ser el germ\u00e0 d&#8217;un amic que havia estat a\u00a0Metro, i a\u00a0Central. All\u00f2 a nosaltres se&#8217;ns quedava molt&#8230;<\/p>\n","protected":false},"author":2585,"featured_media":47832,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6792],"tags":[],"coauthors":[6543],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Quiero estar en otro mundo que no sea el Selenita de Vista Oral<\/title>\n<meta name=\"description\" content=\"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes &quot;Comunidades disidentes&quot; bajo la edici\u00f3n de Pilar Cruz\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/?p=47819\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quiero estar en otro mundo que no sea el Selenita de Vista Oral\" \/>\n<meta property=\"og:description\" content=\"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes &quot;Comunidades disidentes&quot; bajo la edici\u00f3n de Pilar Cruz\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/?p=47819\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-28T05:15:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-26T16:48:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1733\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Vista Oral\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Vista Oral\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Vista Oral\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/?p=47819\",\"url\":\"https:\/\/a-desk.org\/?p=47819\",\"name\":\"Quiero estar en otro mundo que no sea el Selenita de Vista Oral\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/?p=47819#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/?p=47819#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg\",\"datePublished\":\"2023-08-28T05:15:12+00:00\",\"dateModified\":\"2023-08-26T16:48:08+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/0dce9a63a5fff118e6ffa67fadbb96c7\"},\"description\":\"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes \\\"Comunidades disidentes\\\" bajo la edici\u00f3n de Pilar Cruz\",\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/?p=47819#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/?p=47819\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/?p=47819#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg\",\"width\":2560,\"height\":1733},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/?p=47819#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vull estar en un altre m\u00f3n que no sigui el Selenita*\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/0dce9a63a5fff118e6ffa67fadbb96c7\",\"name\":\"Vista Oral\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/3c590bd042546164614c652e16375fe1\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fa8646f024402d00c6ab380f0a968d66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fa8646f024402d00c6ab380f0a968d66?s=96&d=mm&r=g\",\"caption\":\"Vista Oral\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/vistaa-oral\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Quiero estar en otro mundo que no sea el Selenita de Vista Oral","description":"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes \"Comunidades disidentes\" bajo la edici\u00f3n de Pilar Cruz","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/?p=47819","og_locale":"ca_ES","og_type":"article","og_title":"Quiero estar en otro mundo que no sea el Selenita de Vista Oral","og_description":"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes \"Comunidades disidentes\" bajo la edici\u00f3n de Pilar Cruz","og_url":"https:\/\/a-desk.org\/?p=47819","og_site_name":"A*Desk","article_published_time":"2023-08-28T05:15:12+00:00","article_modified_time":"2023-08-26T16:48:08+00:00","og_image":[{"width":2560,"height":1733,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg","type":"image\/jpeg"}],"author":"Vista Oral","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"Vista Oral","Temps estimat de lectura":"10 minuts","Written by":"Vista Oral"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/?p=47819","url":"https:\/\/a-desk.org\/?p=47819","name":"Quiero estar en otro mundo que no sea el Selenita de Vista Oral","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/?p=47819#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/?p=47819#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg","datePublished":"2023-08-28T05:15:12+00:00","dateModified":"2023-08-26T16:48:08+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/0dce9a63a5fff118e6ffa67fadbb96c7"},"description":"Quiero estar en otro mundo que no sea el Selenita por Vista Oral. Tema del mes \"Comunidades disidentes\" bajo la edici\u00f3n de Pilar Cruz","breadcrumb":{"@id":"https:\/\/a-desk.org\/?p=47819#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/?p=47819"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/?p=47819#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/08\/parking-arsenal-jun-89-2-scaled.jpg","width":2560,"height":1733},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/?p=47819#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"Vull estar en un altre m\u00f3n que no sigui el Selenita*"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/0dce9a63a5fff118e6ffa67fadbb96c7","name":"Vista Oral","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/3c590bd042546164614c652e16375fe1","url":"https:\/\/secure.gravatar.com\/avatar\/fa8646f024402d00c6ab380f0a968d66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fa8646f024402d00c6ab380f0a968d66?s=96&d=mm&r=g","caption":"Vista Oral"},"url":"https:\/\/a-desk.org\/ca\/autor\/vistaa-oral\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/48043"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/2585"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=48043"}],"version-history":[{"count":15,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/48043\/revisions"}],"predecessor-version":[{"id":48045,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/48043\/revisions\/48045"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/47832"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=48043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=48043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=48043"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=48043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}