{"id":53639,"date":"2024-01-31T07:10:34","date_gmt":"2024-01-31T06:10:34","guid":{"rendered":"https:\/\/a-desk.org\/magazine\/periferias\/"},"modified":"2024-01-31T12:51:48","modified_gmt":"2024-01-31T11:51:48","slug":"periferias","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/periferias\/","title":{"rendered":"PERIF\u00c8RIES"},"content":{"rendered":"

Fa poc em van dir que no es pot comen\u00e7ar un text amb la definici\u00f3 d’un terme d’un diccionari i \u00e9s una pena perqu\u00e8 a mi m’agraden molt els diccionaris. I un principi \u00e9s un moment molt delicat, com va dir o dir\u00e0 la princesa Irulan.<\/p>\n

La perif\u00e8ria es defineix no pel que \u00e9s sin\u00f3 pel que fa a l’altre. La perif\u00e8ria existeix respecte a un centre. La perif\u00e8ria no \u00e9s per se sin\u00f3 per accidens. Per tant, pot passar que el que \u00e9s centre en algun lloc sigui perif\u00e8ria en un altre. O en un altre temps. O des d’una altra mirada.<\/p>\n

Ara tanca els ulls i visualitza un espai infinit, sense l\u00edmits. Una veu, que podria ser la de Virgina Madsen el 1984, et parla: Imagina un punt a l’espai. Imagina’n un altre, al costat. Ara un tercer una mica m\u00e9s enll\u00e0. I un altre, i un altre m\u00e9s. Aix\u00ed fins que et cansis. Fes-ho en totes les direccions possibles respecte al primer.<\/p>\n

Ara descrivim cadascun dels punts. El primer<\/a> \u00e9s un home, blanc, heterosexual, de classe mitjana, europeu. El segon<\/a> tamb\u00e9 \u00e9s un home, tamb\u00e9 blanc, tamb\u00e9 heterosexual per\u00f2 en aquest cas, de classe treballadora. El tercer<\/a> pot ser una dona. El quart<\/a> una dona no blanca. El cinqu\u00e8 un home blanc homosexual de classe mitjana. I aix\u00ed successivament. Hi ha punts que s\u00f3n Nova York o Madrid o Almeria. Hi ha punts que s\u00f3n Hist\u00f2ria, Bot\u00e0nica o Epigrafia.<\/p>\n

Ara tria un punt de tots ells, vola fins a ell, situa’t a sobre i mira al teu voltant. Mira com tot canvia des del teu lloc d’observaci\u00f3 nou. Contempla la mirada de punts que s’estenen cap a l’infinit i examina la realitat que et proporciona el teu nou punt de vista.<\/p>\n

Tinc una debilitat per la carta XII del tarot de Marsella, El Penjat. A la baralla es troba entre La For\u00e7a i l’arc\u00e0 sense nom (per entendre’ns, l’esquelet amb la dalla que tants ensurts ha donat en pel\u00b7l\u00edcules i s\u00e8ries). Le Pend\u00fa penja, lligat d’una cama, entre dos arbres, cap avall. Encara que, tamb\u00e9 en els \u00e0mbits de la ficci\u00f3, se sol fer una lectura r\u00e0pida de final dram\u00e0tic, en realitat la seva interpretaci\u00f3 \u00e9s molt diferent. Per comen\u00e7ar pensem en la seva situaci\u00f3 f\u00edsica al mall de cartes, entre el control de la realitat que ens indica La For\u00e7a i el proc\u00e9s de transformaci\u00f3 i renovaci\u00f3 de l’arc\u00e0 sense nom. Entre totes dues hi ha el Penjat, mirant-nos directament, cap per avall, amb les mans lligades a l’esquena, lligat d’una branca per un peu i amb l’altre doblegat per darrere. Si estigu\u00e9s del dret podr\u00edem dir que \u00e9s un senyor que camina entre dos arbres amb les mans entrella\u00e7ades per darrere. Una imatge molt kantiana. Tornant a la seva posici\u00f3 inicial invertir\u00e0 podem dir, per tant, que El Penjat est\u00e0 avan\u00e7ant en un espai que no veiem i que mira endavant. \u00c9s nom\u00e9s que hem de mirar les coses des d’un altre punt de vista per poder veure-les de deb\u00f2. Diu Jodorovski que \u201c\u2026en aquesta inversi\u00f3 del seu cos f\u00edsic, (hi ha) una inversi\u00f3 de la mirada i de les seves perspectives (\u2026) El punt de vista sobre la vida canvia\u201d.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Fa poc em van dir que no es pot comen\u00e7ar un text amb la definici\u00f3 d’un terme d’un diccionari i \u00e9s una pena perqu\u00e8 a mi m’agraden molt els diccionaris….<\/p>\n","protected":false},"author":2702,"featured_media":53586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6868],"tags":[],"coauthors":[6637],"acf":[],"yoast_head":"\nPeriferias<\/title>\n<meta name=\"description\" content=\"Periferias, texto editorial que engloba el tema del mes: "Periferias" por Joaqu\u00edn Garc\u00eda Mart\u00edn, editor 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