{"id":56930,"date":"2024-06-17T07:30:34","date_gmt":"2024-06-17T05:30:34","guid":{"rendered":"https:\/\/a-desk.org\/?p=56930"},"modified":"2024-06-15T13:11:41","modified_gmt":"2024-06-15T11:11:41","slug":"itinerario-tres-del-mandylion-a-las-ruinas","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/itinerario-tres-del-mandylion-a-las-ruinas\/","title":{"rendered":"Itinerari tres: Del Mand\u00edlion a las ru\u00efnes"},"content":{"rendered":"

Avui ens aproparem a un s\u00edmbol europeu que ha travessat els segles, perqu\u00e8 cada segle l\u2019ha interpretat de manera diferent, la Santa Fa\u00e7, el Mand\u00edlion, en qu\u00e8 Crist va deixar miraculosament impr\u00e8s el seu rostre; i ho farem acompanyats d\u2019un artista no menys miracul\u00f3s, que fa temps que gesta monuments a res, capitells de mil formes, espais fant\u00e0sticament en ru\u00efnes en qu\u00e8 el nostre itinerari art\u00edstic s\u2019ha creuat ja diversos cops, sent aquesta la primera en qu\u00e8 es consuma la nostrada entrada en aquest s\u00edmbol.<\/p>\n

La Santa Fa\u00e7 \u00e9s un s\u00edmbol per excel\u00b7l\u00e8ncia que ocupa en l’ordre de la vista el mateix lloc que l’Eucaristia en els Sagraments, institu\u00efda per Crist en l’\u00daltim Sopar davant dels seus ap\u00f2stols. El relat al qual es refereix el seu origen \u00e9s senzill: en el cam\u00ed del Viacrucis, va ser una santa dona, Ver\u00f2nica, que va allargar un drap amb el qual es va eixugar el rostre i en el qual van quedar miraculosament impreses les seves faccions. El drap es trobava entre les rel\u00edquies reunides en la capella imperial de Faros, segons la versi\u00f3 del franc\u00e8s Robert de Clari, soldat que va participar durant el saqueig de Constantinoble de 1204. Els originals de la Santa Fa\u00e7 i altres autoretrats miraculosos deixats per Crist, juntament amb el Mand\u00edlion d’Edessa van ser dispersats, venuts o saquejats, entre ells, la rel\u00edquia de la corona d’espines, oferta a Llu\u00eds XI de Fran\u00e7a, per la qual va manar a construir la Sainte-Chapelle.<\/p>\n

El relat, des d\u2019aleshores multiplicat per innumerables fonts, va representar per la hist\u00f2ria de l\u2019art cristi\u00e0 el paper de \u00abllegenda dels or\u00edgens\u00bb, de la mateixa manera que ho va fer el gest de la promesa de Corint per l\u2019Antiguitat grecoromana.<\/p>\n

\u201cCREDO QUIA ABSURDUM\u201d<\/h3>\n

Vaig visitar en Marc far\u00e0 dues setmanes. En la porta del seu estudi hi havia una petita escletxa a manera d\u2019orifici, a trav\u00e9s del qual, abans d\u2019entrat i sentint-me totalment voyeur<\/em>, vaig mirar. El vaig veure pintant, tan concentrat i perfecte, que vaig esperar que acab\u00e9s, cosa que va succeir quaranta i cinc minuts despr\u00e9s. Deixant anar una llarga expiraci\u00f3 i deixant els pinzells, va acudir a la porta i em va rebre, com si sort\u00eds del n\u00favol del Sina\u00ed en la qual havia estat fa un moment.<\/p>\n

Vam tenir una conversa llargu\u00edssima, sense beure res durant hores, de la qual transcric la cosa m\u00e9s valuosa que va dir:<\/p>\n

\u00abA prop\u00f2sit d\u2019aix\u00f2, em pregunto, i no puc assegurar que Jesucrist hagi existit, tu creus que s\u00ed, que no, o tant te fa? Quan em vas proposar parlar del Mand\u00edlion, immediatament em va assaltar la idea de ru\u00efna, probablement perqu\u00e8 estava submergit en la lectura de El tiempo en ruinas<\/em> de Marc Aug\u00e9. L\u2019autor afirma que \u201cl\u2019art es construeix sobre les ru\u00efnes de la religi\u00f3\u201d, encara m\u00e9s, que \u201cl\u2019art mateix, en les seves diverses formes, \u00e9s una ru\u00efna o una promesa de ru\u00efna\u201d. \u00c9s una mica com Poussin, flipat per les ru\u00efnes. Hi ha un punt que \u00e9s nost\u00e0lgic, i a la vegada, cont\u00e9 tot el potencial per imaginar.<\/p>\n

(…) em trobava en un moment d’incubaci\u00f3 d’una idea en la qual es desplegaven milers de camins possibles, per\u00f2 cap era clar, la ment es convertia en un cercador d’internet amb milers de pestanyes obertes. Aquest moment en qu\u00e8 s’intueix una ruta, per\u00f2 no podem tra\u00e7ar-la amb exactitud, s’assembla tamb\u00e9 a una ru\u00efna. Hi ha parts incompletes en les quals no podem trobar altres rutes per explorar.<\/p>\n

En aquest temps en qu\u00e8 el discurs oficial \u00e9s la fi dels recursos, la crisi de la modernitat com explica la fil\u00f2sofa Marina Garc\u00e9s a Nova il\u00b7lustraci\u00f3 radical<\/em>, on l\u2019ansietat sembla paralitzar qualsevol possibilitat de pensament cr\u00edtic, potser la imaginaci\u00f3 pot tra\u00e7ar rutes per escapar. La pintura t\u00e9 una qualitat, que quan intentem posar-li paraules, cagada pastoret.<\/p>\n

De vegades hi ha quadres que s\u00f3n aix\u00ed, semblen aturar-se durant el proc\u00e9s davant la impossibilitat de prendre una decisi\u00f3 sobre el cam\u00ed a seguir. Pengen a l’estudi, durant dies, setmanes, mesos; hom mira la tela bruta en la paret i imagina quin ser\u00e0 el seg\u00fcent pas, per\u00f2 no l’executa, mant\u00e9 aquella idea a l’aguait, torna enrere i formula una altra. \u00c9s el cas de “credo quia absurdum”, aquest quadre en qu\u00e8 s’havien acumulat diverses capes de pintures fallides. Vaig tra\u00e7ar la composici\u00f3 d’una arquitectura en ru\u00efnes i em vaig posar a embrutar les masses d’ombres i llums. Vaig parar despr\u00e9s d’algunes sessions, les capes de quadres anteriors que es deixaven entreveure en la tela em deixaven intuir hist\u00f2ries i cobrir-les hagu\u00e9s estat fer un mal treball de restauraci\u00f3, hagu\u00e9s estat coartar les seves possibilitats. El quadre s’havia convertit en un lloc en qu\u00e8 continuar imaginant entre els forats que habiten les ru\u00efnes\u00bb.<\/p>\n

\"\"<\/a>

Marc Badia, Credo quia absurdum<\/em>, 2024. 73 x 60 cm. Oil on linen<\/p><\/div>\n

 <\/p>\n

[Imatge destacada: Marcel Rubio Juliana. Dibuix anunciador 3<\/em>]<\/p>\n","protected":false},"excerpt":{"rendered":"

Avui ens aproparem a un s\u00edmbol europeu que ha travessat els segles, perqu\u00e8 cada segle l\u2019ha interpretat de manera diferent, la Santa Fa\u00e7, el Mand\u00edlion, en qu\u00e8 Crist va deixar…<\/p>\n","protected":false},"author":2873,"featured_media":56918,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6938],"tags":[],"coauthors":[6944,6936],"acf":[],"yoast_head":"\nS\u00edmbol. 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