{"id":7029,"date":"2012-11-17T02:26:00","date_gmt":"2012-11-17T02:26:00","guid":{"rendered":"http:\/\/a-desk.org\/2012\/11\/17\/ai-weiwei-never-sorry\/"},"modified":"2012-11-17T02:26:00","modified_gmt":"2012-11-17T02:26:00","slug":"ai-weiwei-never-sorry","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/ai-weiwei-never-sorry\/","title":{"rendered":"Ai Weiwei: Never Sorry"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-6999\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Ai-Weiwei-Never-Sorry-1.jpg\" alt=\"Ai-Weiwei-Never-Sorry-1.jpg\" align=\"left\" width=\"670\" height=\"502\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Ai-Weiwei-Never-Sorry-1.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Ai-Weiwei-Never-Sorry-1-534x400.jpg 534w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/> Sobre una taula blanca hi ha una estructura de palets xinesos. La pota d\u2019un gat taronja s\u2019apropa amb prud\u00e8ncia; s\u2019atura i avan\u00e7a diverses vegades, fins que, si: decideix entrar a jugar amb ella. L\u2019animal posa la pota de ple entre els palets, que es cauen, i s\u2019arrebossa per la taula aixafant el que queda de la pir\u00e0mide. Al voltant hi ha cinc homes i una c\u00e0mera mirant. Un d\u2019ells fa el gest d\u2019intervenir per evitar que el gat ensorri les altres estructures que hi ha a la taula. \u201c<em>No<\/em>\u201d, diu Wei. \u201c<em>Deixa\u2019l, no ho destruir\u00e0<\/em>\u201d. Per a Ai Weiwei no hi ha una for\u00e7a superior contra la que lluitar. Ell \u00e9s un, amb all\u00f2 que succeeix. No perd energies en esquivar-ho. Al contrari, ho inclou en el seu personatge, i \u00e9s mitjan\u00e7ant aquesta total incorporaci\u00f3 de l\u2019escenari a la seva figura que d\u00f3na forma a la seva manera de ser artista.<\/p>\n<p>El documental \u201c<em>Ai Weiwei: Never Sorry<\/em>\u201d (Alison Kalyman, 2012) retrata al controvertit artista xin\u00e8s, actualment una veu clau en el reclam per la llibertat d\u2019expressi\u00f3 a la Xina, com alg\u00fa que va sempre dos passos per davant. Artista jove als EEUU entre 1984 i 1993, inevitablement pobre i lliure, ha convertit el seu projecte personal en recrear aquella il\u00b7lusi\u00f3 de llibertat, avui a la Xina. La representaci\u00f3 del gaudi d\u2019aquesta sensaci\u00f3 \u00e9s la seva gran imatge.<\/p>\n<p>La cinta mostra un Wei que \u00e9s conscient, com en el seu dia ho fou Warhol, del grau de manipulaci\u00f3 del llenguatge de la publicitat al que es pot arribar. Sap que el seu nom \u00e9s marca, i sap a m\u00e9s, que en ell, all\u00f2 personal i all\u00f2 nacional es fon en la lluita conjunta per una llibertat disfressada de fer el que li doni la gana. Les seves primerenques destruccions de gerros Ming, el negatiu d\u2019un temple constru\u00eft amb portes de temples de la Documenta 12 o les llavors de la Sala de Turbines, es fonen amb com parla del fill que t\u00e9 amb una altra dona que no \u00e9s la seva muller, el seu menyspreu pels policies de peu de carrer, o l\u2019alegria amb la que celebra la concessi\u00f3 del Nobel de la Pau a Liu Xiaobo. En ell, la total transpar\u00e8ncia sembla no ser un problema, doncs \u00e9s el que en principi exigeix el seu contrincant: el r\u00e8gim. <\/p>\n<p>Una cinta biogr\u00e0fica interessant on veure-hi el retrat d\u2019un gran senyor que regeix el seu feu amb simpatia i m\u00e0 occidental; un senyor que fa pol\u00edtica, a la seva manera, des del seu estudi emmurallat del districte de Caochangdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sobre una taula blanca hi ha una estructura de palets xinesos. La pota d\u2019un gat taronja s\u2019apropa amb prud\u00e8ncia; s\u2019atura i avan\u00e7a diverses vegades, fins que, si: decideix entrar a&#8230;<\/p>\n","protected":false},"author":1245,"featured_media":6999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ai Weiwei: Never Sorry &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/ai-weiwei-never-sorry\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ai Weiwei: Never Sorry &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Sobre una taula blanca hi ha una estructura de palets xinesos. 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