{"id":7058,"date":"2012-11-29T02:00:00","date_gmt":"2012-11-29T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2012\/11\/29\/l-origen-del-sense-sentit-treball\/"},"modified":"2012-11-29T02:00:00","modified_gmt":"2012-11-29T02:00:00","slug":"l-origen-del-sense-sentit-treball","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/","title":{"rendered":"L’origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA"},"content":{"rendered":"

\"Levis_Strauss-2.jpg\" No \u00e9s habitual trobar-se amb una exposici\u00f3 que provoqui emocions enfrontades, per\u00f2 Treball, poder i control<\/em><\/a>, una de les seccions de l\u2019exposici\u00f3 Episodis Cr\u00edtics (1957-2011), ho aconsegueix. Hi ha una certa sorpresa en trobar un MACBA tan dialogant, proper al p\u00fablic, fins i tot podr\u00edem dir did\u00e0ctic, a trav\u00e9s d\u2019una exposici\u00f3 que est\u00e0 guiada, explicada i raonada, on no es troben en falta els cartells explicatius ni els noms de les obres.<\/p>\n

No obstant, la similitud amb el moment hist\u00f2ric \u00e9s quelcom que causa un lleuger desconcert. El relat sobre l\u2019origen del sense-sentit que vivim \u00e9s massa proper a la realitat com per ser ignorat. Resulta xocant veure com ja fa deu anys, i encara m\u00e9s enll\u00e0 si ens estenem a la resta de les seccions, les coses ja no encaixaven. Per aix\u00f2, resulta francament complicat mantenir el somriure constant i encaixar els cops d\u2019humor morda\u00e7 sense pensar en la realitat que es desenvolupa a l\u2019altre costat de les impol\u00b7lutes parets.<\/p>\n

Les paraules que s\u2019associen a l\u2019exposici\u00f3 \u2013supressi\u00f3, preocupaci\u00f3, por, control-, s\u00f3n totes manifestacions d\u2019un proc\u00e9s de causa i efecte que els artistes que es reuneixen en aquesta secci\u00f3 han volgut explorar. Despr\u00e9s de la fi decisiva de la producci\u00f3 industrial i el triomf acaparador del treball immaterial, la societat fou testimoni mut del naixement de la nova concepci\u00f3 del temps i del capital hum\u00e0. Treball, poder i control<\/em>, presenta un escenari de domini global fruit del capitalisme m\u00e9s pr\u00f2sper. Dit d\u2019una altra manera, mostra clarament les formes de producci\u00f3 i de vida que ara anomenem present. <\/p>\n

Els tres espais que configuren la mostra tenen certa autonomia. Un possible punt d\u2019inici per al recorregut \u00e9s l\u2019an\u00e0lisi dels anys 90 d\u2019Andreas Siekmann. A trav\u00e9s de la instal\u00b7laci\u00f3 Compa\u00f1\u00eda de Responsabilidad Limitada<\/em> (1996-2002), Siekmann utilitza una pe\u00e7a fetitxe del m\u00f3n modern, els pantalons texans cl\u00e0ssics, per crear una elaborada reflexi\u00f3 sobre el joc que les relacions de poder han col\u00b7locat al voltant de la societat i de l\u2019espai p\u00fablic. Amb un humor \u00e0cid i un complex sistema iconogr\u00e0fic, els texans es converteixen en un vehicle perfecte per a explorar les contradiccions de la societat. Una pe\u00e7a de roba concebuda per al m\u00f3n del treball obrer, que m\u00e9s tard passa a ser un s\u00edmbol de revel\u00b7lia. Ara, un element unificador i un indicador de l\u2019abisme entre les capes dirigents i el gruix de la societat. <\/p>\n

Aquesta instal\u00b7laci\u00f3 se situa al mig de dues s\u00e8ries de fotografies que mostren ambd\u00f3s extrems de les formes de vida i producci\u00f3. Per una banda, la incubadora d\u2019executius de l\u2019IESE Business School, retratada anal\u00edticament per Marc Pataut. I per l\u2019altra, un retrat en blanc i negre de la cadena de muntatge de SEAT. Dos pols oposats, fruit de moments diferents, que depenen l\u2019un de l\u2019altre per a existir, que afavoreixen nom\u00e9s a uns pocs. <\/p>\n

A la seg\u00fcent sala, el concepte d\u2019esfor\u00e7 primari es reflexa en el monument \u201cm\u00f2bil i provisional al treball<\/em>\u201d, d\u2019Allan Sekula. Acompanyat per uns textos po\u00e8ticament cr\u00edtics, la instal\u00b7laci\u00f3 presenta uns treballadors en una escala de gran format que supera les dimensions naturals enmig del seu entorn de treball. Oficis oblidats i ignorats de gran import\u00e0ncia per al m\u00f3n global, dignificats en els solemnes retrats. <\/p>\n

Per \u00faltim, la mostra explora la por com a eina de control a la instal\u00b7laci\u00f3 de Krzysztof Wodiczko, qui recorda l\u2019abans i despr\u00e9s de l\u201911-S. \u201cSi veus alguna cosa<\/em>\u201d (2005) al\u00b7ludeix a la creaci\u00f3 de l\u2019estat policial global, on els ciutadans s\u00f3n tamb\u00e9 vigilants. Un context on la humiliaci\u00f3 \u00e9s necess\u00e0ria per a protegir-se del perill que representa l\u2019 \u201caltre\u201d.<\/p>\n

Treball, poder i control<\/em> serveix per marcar els antecedents de la crisi sist\u00e8mica social que impulsa el capitalisme. Un cicle vici\u00f3s, on el cinisme i la ironia es presenten com possibles vies d\u2019escapament i reflexi\u00f3. Per\u00f2 darrera la ironia sempre hi ha una escletxa de dolor i melancolia.<\/p>\n","protected":false},"excerpt":{"rendered":"

No \u00e9s habitual trobar-se amb una exposici\u00f3 que provoqui emocions enfrontades, per\u00f2 Treball, poder i control, una de les seccions de l\u2019exposici\u00f3 Episodis Cr\u00edtics (1957-2011), ho aconsegueix. Hi ha una…<\/p>\n","protected":false},"author":1257,"featured_media":7050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6452],"acf":[],"yoast_head":"\nL'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk\" \/>\n<meta property=\"og:description\" content=\"No \u00e9s habitual trobar-se amb una exposici\u00f3 que provoqui emocions enfrontades, per\u00f2 Treball, poder i control, una de les seccions de l\u2019exposici\u00f3 Episodis Cr\u00edtics (1957-2011), ho aconsegueix. Hi ha una...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2012-11-29T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ver\u00f3nica Escobar Monsalve\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ver\u00f3nica Escobar Monsalve\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Ver\u00f3nica Escobar Monsalve\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/\",\"name\":\"L'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg\",\"datePublished\":\"2012-11-29T02:00:00+00:00\",\"dateModified\":\"2012-11-29T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/fd9fdd8a92cf3e9f32126a90b6944294\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg\",\"width\":900,\"height\":675,\"caption\":\"Levis_Strauss-2.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L’origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/fd9fdd8a92cf3e9f32126a90b6944294\",\"name\":\"Ver\u00f3nica Escobar Monsalve\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/195e2960e2dcfd3f431dc2e6d78a0002\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/3122c0932bff7474d222561991c4ef18?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/3122c0932bff7474d222561991c4ef18?s=96&d=mm&r=g\",\"caption\":\"Ver\u00f3nica Escobar Monsalve\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/veronica\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"L'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/","og_locale":"ca_ES","og_type":"article","og_title":"L'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk","og_description":"No \u00e9s habitual trobar-se amb una exposici\u00f3 que provoqui emocions enfrontades, per\u00f2 Treball, poder i control, una de les seccions de l\u2019exposici\u00f3 Episodis Cr\u00edtics (1957-2011), ho aconsegueix. Hi ha una...","og_url":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/","og_site_name":"A*Desk","article_published_time":"2012-11-29T02:00:00+00:00","og_image":[{"width":900,"height":675,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg","type":"image\/jpeg"}],"author":"Ver\u00f3nica Escobar Monsalve","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"Ver\u00f3nica Escobar Monsalve","Temps estimat de lectura":"4 minuts","Written by":"Ver\u00f3nica Escobar Monsalve"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/","url":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/","name":"L'origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg","datePublished":"2012-11-29T02:00:00+00:00","dateModified":"2012-11-29T02:00:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/fd9fdd8a92cf3e9f32126a90b6944294"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/11\/Levis_Strauss-2.jpg","width":900,"height":675,"caption":"Levis_Strauss-2.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/ca\/magazine\/l-origen-del-sense-sentit-treball\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"L’origen del sense-sentit: \u201cTreball, poder i control\u201d al MACBA"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/fd9fdd8a92cf3e9f32126a90b6944294","name":"Ver\u00f3nica Escobar Monsalve","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/195e2960e2dcfd3f431dc2e6d78a0002","url":"https:\/\/secure.gravatar.com\/avatar\/3122c0932bff7474d222561991c4ef18?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3122c0932bff7474d222561991c4ef18?s=96&d=mm&r=g","caption":"Ver\u00f3nica Escobar Monsalve"},"url":"https:\/\/a-desk.org\/ca\/autor\/veronica\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7058"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/1257"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=7058"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7058\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/7050"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=7058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=7058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=7058"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=7058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}