{"id":7086,"date":"2012-12-01T02:07:00","date_gmt":"2012-12-01T02:07:00","guid":{"rendered":"http:\/\/a-desk.org\/2012\/12\/01\/aixi-en-cru-a-balea-negra-al-marco\/"},"modified":"2012-12-01T02:07:00","modified_gmt":"2012-12-01T02:07:00","slug":"aixi-en-cru-a-balea-negra-al-marco","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/aixi-en-cru-a-balea-negra-al-marco\/","title":{"rendered":"Aix\u00ed, en cru. A Balea Negra al MARCO de Vigo"},"content":{"rendered":"![\"DSC01190.jpg\"](\"http:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/DSC01190.jpg\")
El des\u00e8 aniversari de l\u2019enfonsament del Prestige \u00e9s l\u2019escenari idoni per a mostrar el resultat d\u2019un treball que ve de m\u00e9s enrere. No \u00e9s una exposici\u00f3 sobre el Prestige, no es cansa d\u2019assenyalar el seu comissari Pedro del Llano. No obstant aix\u00f2, al MARCO li ha valgut per a celebrar aquests deu anys d\u2019aniversari, perqu\u00e8 ells obrien les seves portes quan el petroler se n\u2019anava al fons mar\u00ed davant les costes de Gal\u00edcia. <\/p>\n
A Balea Negra es remet a un somni premonitori en el que Manfred Gn\u00e4dinger, un home establert a la Costa da Morte des dels anys seixanta, contemplava com una gran balena negra arrasava la costa. Man, l\u2019Alemany de Camelle, es va instal\u00b7lar en aquesta localitat l\u2019any 1962, en la que va viure fins unes setmanes despr\u00e9s de l\u2019accident del petroler, veient com el seu museu a l\u2019aire lliure en el que havia treballat durant d\u00e8cades era arrasat per la marea negra. Va morir envoltat en la tristesa de l\u2019escenari sobre el que la seva finestra s\u2019abocava. <\/p>\n
Per aix\u00f2, l\u2019exposici\u00f3 s\u2019obre amb dues peces que aporten el car\u00e0cter simb\u00f2lic al recorregut. Un crani de cetaci intervingut per Man i l\u2019\u00fanic tros que es conserva del casc del petroler \u2013un fragment extret durant la kafkiana gesti\u00f3 d\u2019aquesta crisi per a intentar drenar el cru del seu interior-. El complicat pan\u00f2ptic que distribueix les sales a la part baixa del MARCO acull una gran escultura de Dami\u00e1n Ortega, que combina l\u2019objecte fetitxe del barril de combustible amb el desequilibri d\u2019aquest atro\u00e7 mercat. Accedim aleshores conscients del perqu\u00e8 d\u2019aquesta exposici\u00f3, ansiosos per contemplar conseq\u00fc\u00e8ncies de la ma d\u2019una s\u00e8rie d\u2019artistes que d\u2019una manera o una altra ho han viscut en primera persona.<\/p>\n
Dir\u00e0 en Roman Signer que l\u2019art \u00e9s el silenci despr\u00e9s d\u2019una explosi\u00f3. Quelcom immens i esgarrif\u00f3s. Aix\u00ed ho demostren cada una de les sales en les que l\u2019art i la urg\u00e8ncia generen una mena d\u2019amalgama en la que la improvisaci\u00f3 mitjan\u00e7ant la qual el poble va plantar cara a la marea negra del Prestige, s\u2019enfronta als grans llen\u00e7os en els que Ant\u00f3n Pati\u00f1o va transformar aquesta impot\u00e8ncia davant aquest enemic incontenible. Perqu\u00e8 a Gal\u00edcia ens hem convertit tristament en experts en la mat\u00e8ria. Polycommander (1970), Erkowit (1973), Urquiola (1976), Andros Patria (1978), Cason (1987), Mar Egeo (1992) i Prestige (2002).<\/p>\n
Ho ha fet Werner Herzog, Bernardo Bertolucci, Hans Hacke, Peter Hutton o Robert Smithson \u2013tots presents a la mostra-. Per\u00f2 tamb\u00e9 Fra Angelico, Van der Weyden, El Bosco o Miguel Angel, perqu\u00e8 d\u2019una manera o una altra, salvant les barreres espai-temporals, el tema torna a ser el judici final.
\nLes imatges que Manuel Send\u00f3n o Allan Sekula van prendre durant aquells mesos de confusi\u00f3, mostren ara certs paral\u00b7lelismes amb similars situacions viscudes a tot el m\u00f3n. Georges Osodi i Romuald Hazoum\u00e8 fan quelcom similar amb el continent afric\u00e0, concretament amb les companyies petrol\u00edferes nigerianes. Ning\u00fa se\u2019n salva. La imponent pancarta desplegada per Mavis M\u00fcller i Andrea Bowers en un buc pesquer de la badia de Kachemak (Alaska) durant la crisi desfermada pel desastre Exxon Valdez, est\u00e0 suspesa ara en una de les parets del museu. Fidel testimoni de la fina l\u00ednia que existeix entre l\u2019art i l\u2019activisme. <\/p>\n
L\u2019ir\u00f2nic Mark Dion ha convertit una de les sales en un museu de ci\u00e8ncies naturals en el que les esp\u00e8cies es mostren cobertes de cru, reproduint aquelles escenes amb les que for\u00e7osament ens hem familiaritzat, per\u00f2 sense perdre aquell patetisme del riure nervi\u00f3s que fins i tot davant la trag\u00e8dia dibuixa el nostre rostre. La mostra deixa imponents obres que alleugereixen el p\u00f2sit documental del recorregut. La balsa d\u2019oli de Marcela Arma ens remet als miralls que Richard Wilson recrea als seus tancs de combustible. Fa temps que Rirkit Tiravanija apareix com aposta segura i aix\u00ed ho corrobora l\u2019immens mural en el que llegim Less Oil More Courage.<\/p>\n
Tot temps convuls deixa gestos inesborrables en els que brota una llum esperan\u00e7adora. Aix\u00ed, Robert Rauschenberg mostrava en forma de gluts (excessos) la macabra bellesa d\u2019un paisatge de llauna que s\u2019havia rendit als peus d\u2019un progr\u00e9s que marcava decidit el tic-tac d\u2019una bomba. Less Oil More Courage<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"El des\u00e8 aniversari de l\u2019enfonsament del Prestige \u00e9s l\u2019escenari idoni per a mostrar el resultat d\u2019un treball que ve de m\u00e9s enrere. No \u00e9s una exposici\u00f3 sobre el Prestige, no…<\/p>\n","protected":false},"author":1268,"featured_media":7060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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