{"id":7087,"date":"2012-12-04T02:00:00","date_gmt":"2012-12-04T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2012\/12\/04\/la-performance-que-no-va-ser\/"},"modified":"2012-12-04T02:00:00","modified_gmt":"2012-12-04T02:00:00","slug":"la-performance-que-no-va-ser","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/la-performance-que-no-va-ser\/","title":{"rendered":"La performance que no va ser"},"content":{"rendered":"![\"Marina](\"http:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/tumblr_m66uetY3cg1r8upm8o1_1280.png\")
11 de novembre de 2005, Marina Abramovic repeteix l\u2019acci\u00f3 \u201cGenital Panik\u201d de Valie Export al Museu Guggenheim de Nova York. Marina porta el p\u00e8l llarg i no encrespat com Valie; porta uns pantalons negres, no uns texans com Valie; en qualsevol cas, en ambd\u00f3s tenen la part de la bragueta retallada; Marina com Valie no est\u00e0 depilada; Marina porta botes, Valie no les portava; tamb\u00e9 vesteix una ca\u00e7adora de cuir negra creuada, Valie portava una camisa de cuir; Marina empunya un Kalashnikov, no aix\u00ed Valie; i Marina est\u00e0 en un museu, no en un cinema porno. <\/p>\n
L\u2019any 1979, Valie Export explica a Ruth Askey com va ser la performance: \u201cGenital Panik va ser una performance que vaig dur a terme en un teatre de Munich, que exhibia pel\u00b7l\u00edcules porno. Portava un su\u00e8ter i pantalons amb l\u2019entrecuix completament retallat. Portava una arma. Entre pel\u00b7l\u00edcula i pel\u00b7l\u00edcula vaig explicar al p\u00fablic que havien vingut a aquest teatre en particular per veure aquestes pel\u00b7l\u00edcules sexuals. Ara, uns genitals reals estaven disponibles i podien fer-los-hi el que volguessin. Jo baixava poc a poc pel passad\u00eds, encarant-me a la gent. No em movia en cap sentit sexual. Baixava pel passad\u00eds i apuntava als caps del p\u00fablic. Tenia por i no sabia el que em podrien fer. Segons em movia pel passad\u00eds, cada fila d\u2019assistents s\u2019aixecava lentament i abandonava el teatre. Per a ells, fora del context de la pel\u00b7l\u00edcula, era totalment diferent connectar amb un s\u00edmbol er\u00f2tic en particular.\u201d<\/p>\n
No hi ha documents de l\u2019acci\u00f3 de Valie Export al cinema porno de Munich. Si, una s\u00e8rie de fotografies de Valie Export amb pantalons texans amb l\u2019entrecuix retallat, una arma que sembla de joguina, el cabell encrespat, sabates de tac\u00f3 baix i una camisa de cuir. Les fotografies les fa Peter Hassman l\u2019any 1969 en un estudi i en el pati exterior del mateix estudi de Munich. <\/p>\n
Quan Roswitha Mueller torna a entrevistar a Valie Export per al llibre \u201cValie Export\/Fragments of the Imagination\u201d de 1994, l\u2019artista nega que mai hagu\u00e9s estat en un cinema porno amb els pantalons retallats a l\u2019entrecuix i una arma, que la seva pres\u00e8ncia en un teatre o en un cinema porno forma part de les hist\u00f2ries ap\u00f2crifes sobre \u201cGenital Panik\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
11 de novembre de 2005, Marina Abramovic repeteix l\u2019acci\u00f3 \u201cGenital Panik\u201d de Valie Export al Museu Guggenheim de Nova York. Marina porta el p\u00e8l llarg i no encrespat com Valie;…<\/p>\n","protected":false},"author":1237,"featured_media":7035,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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