Festival Temporada Alta<\/a> ens va brindar la possibilitat d’assistir a tres propostes de dansa contempor\u00e0nia. Val a dir, a favor seu, que dues d’elles van ser gratu\u00eftes, i aix\u00f2, tenint en compte els temps que corren, \u00e9s m\u00e9s que un regal, sobretot vist el resultat. Es va comen\u00e7ar al mat\u00ed amb un espectacle-vermut. La core\u00f2grafa Lali Ayguade, amb col\u00b7laboraci\u00f3 amb Joan Catal\u00e0 i Jordi Molina, va dur a terme un exercici que proposava la trobada entre ells a trav\u00e9s de diferents bioritmes. Una esp\u00e8cie de joc a tres bandes entre dos ballarins i un m\u00fasic. Una aposta en la qual una tensi\u00f3 latent acariciava els cossos i els instava a seguir. Una mirada o una vibraci\u00f3 com a motor i desafiament. Sense m\u00e9s. L’aire quedava tallat quan davant el xoc entre cossos la mirada d’un d’ells buscava la vibraci\u00f3 invisible de l’ac\u00fastica. Un motiu com a br\u00faixola, una complicitat no pactada, el nuament entre els tres com a full de ruta.<\/p>\nPausa.<\/p>\n
El segon espectacle es gesta a partir de la instal\u00b7laci\u00f3 que William Forsythe idea per a una de les naus, encara per rehabilitar, de la Factoria Cultural Comacros. Una sala plena de p\u00e8ndols que es torna met\u00e0fora a partir del treball que duu a terme l’int\u00e8rpret Brock Labrenz. Sota el nom de Nowhere and Everywhere at the same time<\/em>, ens situen en un espai que propicia la paradoxa i fa refer\u00e8ncia a Jacques Lusseyran, membre de la resist\u00e8ncia francesa, acusat per la ceguesa, que va comen\u00e7ar a descriure la forma amb la qual se li presentaven objectes i pensament indistintament. El resultat acciona una s\u00e8rie de forces invisibles que permeten dur a terme una mena de visi\u00f3 \/ reflexi\u00f3 al voltant de gravetat, el moviment i la pres\u00e8ncia.<\/p>\nUnint el fil que el record brinda, cursem la jornada a partir de gestos capa\u00e7os de treballar amb l’espai, amb all\u00f2 que roman latent, invisible i en silenci.<\/p>\n
Pausa (breu).<\/p>\n
![\"mazut_c_alexandrafleurantin.jpg\"](\"http:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/mazut_c_alexandrafleurantin.jpg\")
<\/p>\n
El tercer i \u00faltim espectacle ens arriba de la m\u00e0 de Bla\u00ef Mateu Trias i Camille Decourtye, amb col\u00b7laboraci\u00f3 art\u00edstica de Maria Mu\u00f1oz-Pep Ramis \/ Mal Pelo i Beno\u00eet Bonnemaison. Maz\u00f9t presenta dos individus que van a la recerca del seu animal interior. L’espectador, mitjan\u00e7ant gr\u00e0cils i c\u00f2miques formes, va introduint-se en quelcom que s’acaba presentant com familiar. \u00c9s aqu\u00ed quan la humanitat comen\u00e7a a ser insuportable. L’asf\u00edxia de la quotidianitat amb el llenguatge verbal com aliat, aquesta \u00e9s la clau. Massa discursos buits i cossos que no comuniquen van succeint-se a trav\u00e9s d’imatges amb una forta c\u00e0rrega po\u00e8tica, poesia iconogr\u00e0fica, senzilla i robusta. Inevitablement, el temps passa, assistim a l\u2019esdevenir del gest, per\u00f2, alguna cosa no deixa de sorprendre, \u00e9s la capacitat de congelar instants, d’atrapar temps. Una combinaci\u00f3 d’extremada fragilitat, percepcions \u00e0uries i cura est\u00e8tica ens condueixen a trav\u00e9s d’un t\u00fanel existencial: la respiraci\u00f3 com a \u00faltim refugi, com a prova per saber que existim.<\/p>\n
Tres propostes que aprofundeixen en la necessitat d’establir vincles. Temps que no reconeixen i individus que busquen cegament la comuni\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nom\u00e9s cossos? Experimentaci\u00f3 i di\u00e0leg Deixar que el cos parli mitjan\u00e7ant un exercici d’experimentaci\u00f3, sense obviar tot el rigor que aix\u00f2 suposa. En un sol dia, el Festival Temporada Alta…<\/p>\n","protected":false},"author":1264,"featured_media":7082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
Tres propostes i un dia. Nom\u00e9s cossos? Experimentaci\u00f3 i di\u00e0leg – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/tres-propostes-i-un-dia-nomes\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tres propostes i un dia. Nom\u00e9s cossos? Experimentaci\u00f3 i di\u00e0leg – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Nom\u00e9s cossos? Experimentaci\u00f3 i di\u00e0leg Deixar que el cos parli mitjan\u00e7ant un exercici d’experimentaci\u00f3, sense obviar tot el rigor que aix\u00f2 suposa. 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Nom\u00e9s cossos? Experimentaci\u00f3 i di\u00e0leg<\/p>\n