{"id":7178,"date":"2012-12-22T02:50:00","date_gmt":"2012-12-22T02:50:00","guid":{"rendered":"http:\/\/a-desk.org\/2012\/12\/22\/suso-fandino-i-jorge-perianes\/"},"modified":"2012-12-22T02:50:00","modified_gmt":"2012-12-22T02:50:00","slug":"suso-fandino-i-jorge-perianes","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/","title":{"rendered":"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure"},"content":{"rendered":"

\"Intervenci\u00c3\u00b3n Suso Fandi\u00f1o i Jorge Perianes exposen simult\u00e0niament a les sales del Palexco i Kiosko Alfonso de la Corunya. La Letra con sangre entra<\/em> i Sin t\u00edtulo<\/em> s\u00f3n dues maneres totalment diferents de plantejar-se aquestes dues mostres individuals que arriben en un moment idoni per a aquests dos creadors gallecs.<\/p>\n

Immersos en campanyes de suport a institucions que se\u2019n recorden del jove creador quan trona, resulta estrany assistir a l’obertura de dues exposicions en dues sales municipals que no destaquen \u00fanicament pel seu baix pressupost. El cas \u00e9s que el Kiosko Alfonso i Palexco, ambdues a la Corunya, han iniciat fa poc m\u00e9s d’un any una s\u00e8rie de mostres en qu\u00e8 artistes com \u00c1lvaro Negro, Teo Soriano o Nicol\u00e1s Combarro han anat mostrant diverses propostes que sens dubte indiquen el bon moment pel qual -ajudat per altres sales com les del MAC (abans MACUF) – est\u00e0 passant l’art contemporani en aquesta ciutat.<\/p>\n

El passat 4 de desembre tenia lloc l’obertura de dues noves exposicions que romandran en aquestes sales fins al pr\u00f2xim 10 de febrer. En el cas de Suso Fandi\u00f1o, La letra con sangre entra<\/em> aborda el patetisme televisat de la cultura nord-americana de la high school. Banners de suport al quarterback <\/em> que canvien els seus missatges d’\u00e0nim pels del frac\u00e0s m\u00e9s estrepit\u00f3s. Fandi\u00f1o es caracteritza per mostrar la imatge enllaunada de la frustraci\u00f3, de transformar la pintada de porta de lavabo en un missatge que despr\u00e9s de la seva superficial presentaci\u00f3 amaga el m\u00e9s cru d’un sistema que s’empassa al perdedor. Recorda per moments a aquest tram final que Herzog ens regala a Stroszek, a la terrible escena de les gallines ballant amb desc\u00e0rregues el\u00e8ctriques enmig d’un decorat de disco-bar, a un tret que posa fi al malson del malaguanyat.<\/p>\n

Peces de recent producci\u00f3 que segueixen la seva l\u00ednia de teatralitzar el mercat de l’art en un gest que remet a grans campanyes publicit\u00e0ries, s’enfronten a gestos de fons car\u00e0cter conceptual. Fandi\u00f1o mira a Warhol i a Beuys amb la mateixa cara burla que despr\u00e9s es transforma en admiraci\u00f3, amb el gest canviant del psic\u00f2tic, del desconcert que produeix veure patir a un pallasso com el torturat per Bruce Nauman.
\nA aquesta s\u00e8rie de treballs que ara s’exposen al Palexco sota el comissariat de Maria Pe\u00f1a Lombao, se suma l’acurada edici\u00f3 d’un llibre que l’artista ha convertit en una joguina. Retallables, adhesius, rasques i exercicis de connectar punts converteixen aquesta publicaci\u00f3 en una col\u00b7lecci\u00f3 de passatemps. Suso Fandi\u00f1o demostra aqu\u00ed la seva dedicaci\u00f3 a un gran llibre que ell mateix no ha pogut evitar convertir en un \u201cpinta y colorea\u201d.<\/p>\n

Creuant el carrer ens trobem amb l’impossible espai del Kiosco Alfonso. All\u00e0 Jorge Perianes ha buscat neutralitzar radicalment l’estructura interna de l’edifici. Desenes d’escales de fusta s’interposen en el cam\u00ed de l’espectador i la seva ca\u00f2tica disposici\u00f3 for\u00e7a el recorregut en una intervenci\u00f3 no apta per a supersticiosos.
\nPerianes torna a sorprendre amb una altra de les seves imprevisibles solucions i esgota l’espai eliminant els seus l\u00edmits, obrint buits en els panells que tanquen les sales a l’exterior, obstruint el pas a les escales o facilitant accessos a zones impensables. Un Sin t\u00edtulo<\/em> en lletra gran a la porta principal deixa clar que cadasc\u00fa pot establir un di\u00e0leg diferent amb la instal\u00b7laci\u00f3. No hi ha poesia d’adolescent enginy\u00f3s, no serveixen gestos tendenciosos, i aix\u00f2 \u00e9s el que diferencia el treball de Jorge Perianes d’altres que volen i no poden. Rafael Lens s’ha encarregat del comissariat, aportant una visi\u00f3 externa que en aquests casos proposa variants al projecte inicial de l’artista, i lliura clots inapreciables des de dins fins a crear una mena de pres\u00f3 de Piranesi dins d’aquest edifici, que pensant-ho b\u00e9, fa d\u00e8cades empresonat pel seu interior impracticable.
\nAquest projecte i un recull de les diferents intervencions que Perianes ha dut a terme en els \u00faltims anys \u00e9s el fil conductor d’una publicaci\u00f3 que veur\u00e0 la llum en les properes setmanes.<\/p>\n

Estem en un moment de gr\u00e0cia per a l’art gallec, per\u00f2 -excepte en casos com els comentats-, sembla que segueixen trucant a unes portes tancades amb pany i clau. El neci exercici d’esperar a sentir l’opini\u00f3 del m\u00e9s llest segueix vigent, i aix\u00ed ens va. Est\u00e0 tot fatal. Sembla que vol ploure.<\/p>\n","protected":false},"excerpt":{"rendered":"

Suso Fandi\u00f1o i Jorge Perianes exposen simult\u00e0niament a les sales del Palexco i Kiosko Alfonso de la Corunya. La Letra con sangre entra i Sin t\u00edtulo s\u00f3n dues maneres totalment…<\/p>\n","protected":false},"author":1268,"featured_media":7140,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nSuso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Suso Fandi\u00f1o i Jorge Perianes exposen simult\u00e0niament a les sales del Palexco i Kiosko Alfonso de la Corunya. La Letra con sangre entra i Sin t\u00edtulo s\u00f3n dues maneres totalment...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2012-12-22T02:50:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"377\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/\",\"name\":\"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg\",\"datePublished\":\"2012-12-22T02:50:00+00:00\",\"dateModified\":\"2012-12-22T02:50:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg\",\"width\":670,\"height\":377,\"caption\":\"Intervenci\u00c3\u00b3n de Jorge Perianes\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce\",\"name\":\"\u00c1ngel Calvo Ulloa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/5efcb3cc979dad39f823143cba45214c\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g\",\"caption\":\"\u00c1ngel Calvo Ulloa\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/angel\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/","og_locale":"ca_ES","og_type":"article","og_title":"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk","og_description":"Suso Fandi\u00f1o i Jorge Perianes exposen simult\u00e0niament a les sales del Palexco i Kiosko Alfonso de la Corunya. La Letra con sangre entra i Sin t\u00edtulo s\u00f3n dues maneres totalment...","og_url":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/","og_site_name":"A*Desk","article_published_time":"2012-12-22T02:50:00+00:00","og_image":[{"width":670,"height":377,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg","type":"image\/jpeg"}],"author":"\u00c1ngel Calvo Ulloa","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"\u00c1ngel Calvo Ulloa","Temps estimat de lectura":"4 minuts","Written by":"\u00c1ngel Calvo Ulloa"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/","url":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/","name":"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg","datePublished":"2012-12-22T02:50:00+00:00","dateModified":"2012-12-22T02:50:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2012\/12\/IMG-20121216-WA0003.jpg","width":670,"height":377,"caption":"Intervenci\u00c3\u00b3n de Jorge Perianes"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/ca\/magazine\/suso-fandino-i-jorge-perianes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"Suso Fandi\u00f1o i Jorge Perianes. Sembla que vol ploure"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce","name":"\u00c1ngel Calvo Ulloa","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/5efcb3cc979dad39f823143cba45214c","url":"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g","caption":"\u00c1ngel Calvo Ulloa"},"url":"https:\/\/a-desk.org\/ca\/autor\/angel\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7178"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/1268"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=7178"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7178\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/7140"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=7178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=7178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=7178"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=7178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}