{"id":7217,"date":"2013-01-03T02:40:00","date_gmt":"2013-01-03T02:40:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/01\/03\/roma-i-el-seu-art-o-el-que-donen\/"},"modified":"2013-01-03T02:40:00","modified_gmt":"2013-01-03T02:40:00","slug":"roma-i-el-seu-art-o-el-que-donen","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/roma-i-el-seu-art-o-el-que-donen\/","title":{"rendered":"Roma i el seu art, o el que donen de s\u00ed els carrers"},"content":{"rendered":"

\"a)Parlar de Roma suposa introduir-nos en una infinitat d’imatges. A cadasc\u00fa li vindran les seves, \u00e9s clar, per\u00f2 en m\u00e9s d’una coincidirem: visions d’un altre temps a trav\u00e9s dels frescos emparats per la Capella Sixtina i l’inigualable instant creat per Miquel \u00c0ngel, ru\u00efnes que testimonien el que en un altre temps va poder ser, des del Coliseu o el Teatre de Marcello, fins a qualsevol rac\u00f3 remot dels F\u00f2rums. Altres, mitificades arran de l’acci\u00f3 cinematogr\u00e0fica, ens portaran a la Fontana di Trevi i a l’exuberant Anita Ekberg a La Dolce Vita<\/em>. Podr\u00edem estendre’ns fins la sacietat amb un llistat inacabable. Tamb\u00e9 tindrem records de viv\u00e8ncies personals, com aquell bar del Trastevere on el Negroni \u00e9s impecable, o aquell caf\u00e8 amagat prop de la Piazza dil Fico.<\/p>\n

Et preguntes, seguir\u00e0 sent Roma la ciutat eterna?<\/p>\n

Roma apassiona. La seva sorprenent capacitat d’acollida i misteri, la seva espont\u00e0nia forma d’enlluernar el passejant. Potser sigui aquest un dels seus majors encants, el de poder vagabundejar, i quan penses que et perds, trobes. Aix\u00ed s’erigeix en honor a la hist\u00f2ria, amb el seu inigualable eclecticisme, des de la gl\u00f2ria i decad\u00e8ncia de l’Imperi Rom\u00e0 fins avui. I \u00e9s en aquesta \u00faltima decad\u00e8ncia en la que m’aturo.<\/p>\n

Pot ser que no concebi nom\u00e9s vagabundejar. En un moment o altre decideixo deixar carrerons, bars i cementiris (\u00e9s literal) per visitar alguns dels temples d’art contemporani, anomenem-los, tamb\u00e9, museus. I tot i saber que podia decebre\u2019m, em va emp\u00e8nyer la idea de trobar Kentridge. \u00c9s cost\u00f3s acostar-se al MAXXI<\/a>, mala comunicaci\u00f3 i despla\u00e7at. I diguem-ho clar, l’espai no ajuda. Segueixo preguntant-me si alg\u00fa es va creure que aquest espai va ser pensat per ser museu. \u00c9s un dels tants exemples arquitect\u00f2nics que permeten q\u00fcestionar els principis b\u00e0sics de l’arquitectura i fins i tot de l’art. Mai est\u00e0 de m\u00e9s tenir present que nulla aesthetica sine ethica<\/em>. Per\u00f2 entro, em trobo pujant i baixant ponts i escales. Arribo. Vertical thinking<\/em>: podria ser la meva sensaci\u00f3, per\u00f2 \u00e9s el t\u00edtol de l’exposici\u00f3, el m\u00e8rit no \u00e9s meu. La pe\u00e7a Preparing the flute<\/em> ens rep a manera de teatre en miniatura. La instal\u00b7laci\u00f3 aconsegueix unir els m\u00faltiples llenguatges que utilitza (m\u00fasica, dansa, cinema, teatre, dibuix …), encara que no aconsegueix acollir tal i com solen fer-ho les seves projeccions en l’espai. <\/p>\n

\"b)Kentridge sap envoltar l’espectador d\u2019aquesta atmosfera de fantasia vuitcentista. Les seves posades en escena deambulen entre les ombres xineses i una mena de figuracions que es confonen amb l’on\u00edric. Asseguraria que tots els que vam poder assistir a The Refusal of time<\/em> a Kassel, guardem aquesta esp\u00e8cie de record: al final d’una de les naus de l’estaci\u00f3, sota la foscor per\u00f2 no pas sols, acompanyats per les figuracions que s\u2019anaven succeint sobre el mur. A les sales del MAXXI hi ha una variaci\u00f3 de la pe\u00e7a. Es construeix a partir de les trobades que va mantenir amb el cient\u00edfic Peter Galison, el m\u00fasic Philip Miller i Catherine Meyburgh. Aquesta vegada les ombres no t’envolten, funciona com una projecci\u00f3 m\u00faltiple. En el mateix espai tamb\u00e9 trobem l’obra escult\u00f2rica que rememora alguna de les m\u00e0quines ideades per Leonardo da Vinci. L’exposici\u00f3 es tanca amb alguns objectes utilitzats durant la preparaci\u00f3 de la pe\u00e7a i amb d\u2019altres fragments d’obres anteriors, b\u00e9 audiovisuals o com a documentaci\u00f3. Les peces contenen la seva pr\u00f2pia for\u00e7a, de cadascuna de les obres que conformen l’exposici\u00f3 emana aquesta po\u00e8tica del tra\u00e7, permetent travessar l’exig\u00e8ncia de la mirada del que les crea per dialogar amb l’espectador des de la categoria del fragment. No falta material, com tampoc trobar-hi all\u00f2 viscut a Documenta(13). \u00c9s m\u00e9s aviat q\u00fcesti\u00f3 de selecci\u00f3, tant en l’ordre del discurs com en la selecci\u00f3 dels elements.<\/p>\n

Torno a baixar escales i, r\u00e0pidament, dono un cop d\u2019ull a la mostra sobre Le Corbusier. Sens dubte, \u00e9s el propi espai, no permet joc a tres bandes (espai-proposta expositiva-espectador).<\/p>\n

En un altre dels passejos, voltejo el per\u00edmetre de l’Ara Pacis, el gran altar de la pau. Aix\u00ed descobreixo les petites micro-instal\u00b7lacions que, de manera espont\u00e0nia, disposa un artista de carrer: In hoc signe vinces<\/em>. Totes em criden l’atenci\u00f3 i totes ofereixen alguna cosa. Ecco!<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Parlar de Roma suposa introduir-nos en una infinitat d’imatges. A cadasc\u00fa li vindran les seves, \u00e9s clar, per\u00f2 en m\u00e9s d’una coincidirem: visions d’un altre temps a trav\u00e9s dels frescos…<\/p>\n","protected":false},"author":1264,"featured_media":7184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nRoma i el seu art, o el que donen de s\u00ed els carrers – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/roma-i-el-seu-art-o-el-que-donen\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roma i el seu art, o el que donen de s\u00ed els carrers – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Parlar de Roma suposa introduir-nos en una infinitat d’imatges. 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