{"id":7260,"date":"2013-01-16T02:00:00","date_gmt":"2013-01-16T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/01\/16\/i-go-to-church-i-rape-women1724\/"},"modified":"2013-01-16T02:00:00","modified_gmt":"2013-01-16T02:00:00","slug":"i-go-to-church-i-rape-women1724","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/","title":{"rendered":"I go to church, I rape women"},"content":{"rendered":"

\"Habeas
\nI go to church. I rape women.<\/p>\n

I go to church. I rape women.<\/p>\n

Maja Bajevic y Raquel Friera en el Centre d’Art de Tarragona\t<\/p>\n

Entre ombres, el cos d’una dona relata en veu d\u2019altri el testimoni de l’alienaci\u00f3: Vaig a l’esgl\u00e9sia. Violo dones \/ Vaig a l’esgl\u00e9sia. Violo dones \/ Vaig a l’esgl\u00e9sia. Violo dones. Veritable lletania de fe i viol\u00e8ncia extrema.<\/em> Afirmacions que sintetitzen les contradiccions de l’ortod\u00f2xia religiosa i les seves pr\u00e0ctiques sexistes. Aquest v\u00eddeo, Double Bubble (2001), \u00e9s de l’artista Maja Bajevic, nascuda a Sarajevo, i forma part del projecte Habeas Corpus<\/a>, presentat a l’espai del Centre d’Art de Tarragona.<\/p>\n

Aquesta declaraci\u00f3 viril, interpretada per un cos femen\u00ed, ens deixa atordits en la foscor de l’espai del Tinglado portuari. Implacable consigna de guerra, igual de desoladora que la imatge d’una ciutat despr\u00e9s dels combats, que la d’una comunitat massacrada pel genocidi. La suau coreografia visual, una silueta entre llums i ombres en un espai interior, ens remet al silenci, tot i la bogeria del relat. La imatge revela un buit profund, com el dels infinits cementiris a Mostar o Sarajevo, com el de les cases bosnianes derru\u00efdes cap endins. Sens dubte, \u00e9s una de les peces m\u00e9s destacades del projecte Habeas Corpus. I passa una cosa molt interessant: l’espectador reconeix que el cos i la veu se senten a s\u00ed mateixos com un estrany, anul\u00b7lats en els seus drets i pensament. La for\u00e7a abusiva d’un tercer els priva a tots dos de veu pr\u00f2pia, convertint-los en una voluntat anul\u00b7lada, la cosificaci\u00f3 o l’instrument d’un altre: Qui no opini el mateix, ha de morir. \u00c9s la voluntat de D\u00e9u. Jo nom\u00e9s s\u00f3c el missatger…<\/em> declama la veu del testimoni. El treball de Maja Bajevic, artista molt requerida en aquests \u00faltims anys, mostra la dura alienaci\u00f3 psicol\u00f2gica i moral, tamb\u00e9 social, que emana de les contradiccions hist\u00f2riques de la societat contempor\u00e0nia despr\u00e9s de l’ensorrament de la vella Europa.<\/p>\n

El concepte Habeas Corpus<\/em> vincula, en la mostra projectes, que tenen en com\u00fa la funci\u00f3 de la figura del testimoni. La narraci\u00f3 d’experi\u00e8ncies personals, premissa de l’artisticitat, cedeix pas aqu\u00ed a la fascinaci\u00f3 pel testimoni, per la ventril\u00f2quia narrativa i l’apropiaci\u00f3 com estrat\u00e8gies per a nous significats sobre la realitat, la veritat o la hist\u00f2ria. La fotografia, el v\u00eddeo, o les postals de viatges, permeten expandir imatges i viv\u00e8ncies diverses, fonts secund\u00e0ries i no oficials capaces d’escenificar el debat sobre la nostra hist\u00f2ria. S\u00f3n la mem\u00f2ria dispersa i el testimoni documental dels successos, els llocs i els seus protagonistes.<\/p>\n

Com una s\u00e8rie de preg\u00e0ries, recitades o cantades per una persona i repetida, contestada o completada pels altres, el treball v\u00eddeo-gr\u00e0fic de Raquel S\u00e1nchez Friera tamb\u00e9 assumeix la veu aliena en una escenificaci\u00f3 sobre la impossibilitat de la veritat: escoltar i comprendre. L’art de comprendre significaria que mai som capa\u00e7os, tampoc, de comprendre’ns a nosaltres mateixos, i el canvi de lloc de percepci\u00f3 ens pot oferir una perspectiva nova de la hist\u00f2ria que compartim. A l’obra v\u00eddeo-gr\u00e0fica 1.432.327 m2, l’artista suplanta la veu dels testimonis, diversos immigrants il\u00b7legals que van ser retinguts en centres d’internament d’estrangers, els CIE. De nou apareix la imatge de l’alienaci\u00f3. Aquests centres de confinament s\u00f3n el s\u00edmbol d’un gran frac\u00e0s social i el perfil m\u00e9s fosc de l’ideal comunitari. Tots dos treballs, el de Maja Bajevic i el de Raquel S\u00e1nchez Friera, operen com una recitaci\u00f3 i manipulen l’ancorada ling\u00fc\u00edstica, el lloc de la parla del testimoni, com un escenari de di\u00e0leg. Elles declamen en veu alta un discurs personal, un testimoni sonor, que davant la p\u00e8rdua d’un jo, persegueix abolir el conflicte entre el identificador i aquell identificat. Raquel S\u00e1nchez Friera apareix a la pantalla amb un pla curt i sense context, verbalitza sense gaireb\u00e9 expressi\u00f3 la veu dels interns que li han descrit l’habitaci\u00f3 o les condicions del centre on els van recloure abans de la deportaci\u00f3 o l’alliberament. Llocs de ning\u00fa, alienats, que no tenen part a les lleis i els drets humans, arquitectures que posen de manifest la relaci\u00f3 entre l’espai i la corpore\u00eftat, el control i la vulnerabilitat.<\/p>\n

El testimoni, significat per ser una veu que exigeix atenci\u00f3 per revelar les claus d’un conflicte, actua amb fermesa en el treball de les dues artistes. Les pantalles dels dos v\u00eddeos funcionen com un duet sonor, un d\u00edptic visual on elles i cada un de nosaltres sentim com una cosa aliena i hostil el que \u00e9s propi de nosaltres mateixos. <\/p>\n

Exposicions com Habeas Corpus desmenteixen el t\u00f2pic que l’art contemporani no interessa; \u00e9s totalment impossible no atendre els treballs que es reuneixen a la mostra. Totes les obres parlen sobre la nostra realitat i les seves estructures de discurs, sobre la veracitat dels relats; tamb\u00e9 els projectes de Rabih Mrou\u00e9, Uriel Orlow, Bleda i Rosa, Kajsa Dahlberg i Teresa Margolles, que han participen d’aquest projecte col\u00b7lectiu.<\/p>\n","protected":false},"excerpt":{"rendered":"

I go to church. I rape women. I go to church. I rape women. Maja Bajevic y Raquel Friera en el Centre d’Art de Tarragona Entre ombres, el cos d’una…<\/p>\n","protected":false},"author":1263,"featured_media":7247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nI go to church, I rape women – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I go to church, I rape women – A*Desk\" \/>\n<meta property=\"og:description\" content=\"I go to church. I rape women. I go to church. I rape women. Maja Bajevic y Raquel Friera en el Centre d’Art de Tarragona Entre ombres, el cos d’una...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-16T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"359\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pilar Bonet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pilar Bonet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Pilar Bonet\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/\",\"name\":\"I go to church, I rape women – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg\",\"datePublished\":\"2013-01-16T02:00:00+00:00\",\"dateModified\":\"2013-01-16T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/b91bb7b597e6dca5b457804d3bb64eff\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg\",\"width\":670,\"height\":359,\"caption\":\"Habeas Corpus_CA Tarragona\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"I go to church, I rape women\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/b91bb7b597e6dca5b457804d3bb64eff\",\"name\":\"Pilar Bonet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/cb85f02a0e1d1107ed6c18a6301d1c2d\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f4a61855625b473f01cbae32d254f0c2?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f4a61855625b473f01cbae32d254f0c2?s=96&d=mm&r=g\",\"caption\":\"Pilar Bonet\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/pilar\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"I go to church, I rape women – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/","og_locale":"ca_ES","og_type":"article","og_title":"I go to church, I rape women – A*Desk","og_description":"I go to church. I rape women. I go to church. I rape women. Maja Bajevic y Raquel Friera en el Centre d’Art de Tarragona Entre ombres, el cos d’una...","og_url":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/","og_site_name":"A*Desk","article_published_time":"2013-01-16T02:00:00+00:00","og_image":[{"width":670,"height":359,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg","type":"image\/jpeg"}],"author":"Pilar Bonet","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"Pilar Bonet","Temps estimat de lectura":"4 minuts","Written by":"Pilar Bonet"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/","url":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/","name":"I go to church, I rape women – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg","datePublished":"2013-01-16T02:00:00+00:00","dateModified":"2013-01-16T02:00:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/b91bb7b597e6dca5b457804d3bb64eff"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/foto_1_.jpg","width":670,"height":359,"caption":"Habeas Corpus_CA Tarragona"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/ca\/magazine\/i-go-to-church-i-rape-women1724\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"I go to church, I rape women"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/b91bb7b597e6dca5b457804d3bb64eff","name":"Pilar Bonet","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/cb85f02a0e1d1107ed6c18a6301d1c2d","url":"https:\/\/secure.gravatar.com\/avatar\/f4a61855625b473f01cbae32d254f0c2?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f4a61855625b473f01cbae32d254f0c2?s=96&d=mm&r=g","caption":"Pilar Bonet"},"url":"https:\/\/a-desk.org\/ca\/autor\/pilar\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7260"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/1263"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=7260"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/7260\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/7247"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=7260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=7260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=7260"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=7260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}