{"id":7261,"date":"2013-01-17T02:00:00","date_gmt":"2013-01-17T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/01\/17\/pop-politics-deu-salvi-al-rock-d\/"},"modified":"2013-01-17T02:00:00","modified_gmt":"2013-01-17T02:00:00","slug":"pop-politics-deu-salvi-al-rock-d","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/pop-politics-deu-salvi-al-rock-d\/","title":{"rendered":"Pop Politics: D\u00e9u salvi al rock d’estadi"},"content":{"rendered":"

\"a. No \u00e9s una tasca senzilla l\u2019abordar una exposici\u00f3 tem\u00e0tica i concebre-la sense c\u00e0rrega de t\u00f2pics. Ser capa\u00e7 de mirar des de fora mentre un es troba immers en l’embolic, i a m\u00e9s sortir air\u00f3s del que a priori presagia una m\u00e9s que improbable vict\u00f2ria.
\nAix\u00ed \u00e9s com s’haur\u00e0 sentit Iv\u00e1n L\u00f3pez Munuera, comissari de Pop Politics: Activismos a 33 Revoluciones<\/em><\/a>, que romandr\u00e0 al CA2M fins a finals d’abril.<\/p>\n

El projecte parteix en el pla te\u00f2ric de la matan\u00e7a que Charles Manson i la seva Fam\u00edlia van perpetrar el 9 d’agost de 1969 a Cielo Drive, Los Angeles. De la relaci\u00f3 d’aquest succ\u00e9s amb una can\u00e7\u00f3 dels Beatles, de la fi de la despreocupaci\u00f3<\/em> hippy. Per\u00f2 alerta, aix\u00f2 no \u00e9s una exposici\u00f3 de fanzines i vitrines a l’estil de reliquiari amb olor de naftalina. La relaci\u00f3 de la m\u00fasica que des dels esmentats Beatles fins a l’actualitat -que L\u00f3pez Munuera engloba aqu\u00ed dins el denominador com\u00fa Pop<\/em>– ha suposat un revulsiu capa\u00e7 de canviar generacions senceres, i suscitar transformacions de calat pol\u00edtic els efectes de les quals s’estenen fins als nostres dies.
\nNo nom\u00e9s la m\u00fasica s’ha vist immersa en aquesta corrent voraginosa, les arts pl\u00e0stiques han caminat de la m\u00e0 de les bandes que van abanderar el canvi. El CA2M ha donat bon compte d’aix\u00f2, en la seva curta hist\u00f2ria, amb exposicions com la de Sonic Youth<\/em> el 2010, a la baixista dels quals, Kim Gordon ha entrevistat Iv\u00e1n L\u00f3pez Munuera per al cat\u00e0leg d’aquesta mostra; o l’exposici\u00f3 del col\u00b7lectiu Discoteca Flaming Star<\/em> l\u2019any 2008, i que tamb\u00e9 ara inclouen treballs a Pop Politics<\/em>. Est\u00e0 clar que, m\u00e9s enll\u00e0 de l’estrictament musical, les subcultures s’han elaborat un ferm decorat com a forma de vida, que implica tot tipus de disciplines, i compromet a professionals dels diferents camps de la creaci\u00f3.<\/p>\n

\"b. L’exposici\u00f3 s’organitza en base a cinc blocs, que parteixen de la configuraci\u00f3 de la imatge corporativa<\/em> de tots els moviments aqu\u00ed integrats. Recorre a figures com l’omnipresent Daniel Johnston o la visi\u00f3 de la quotidianitat que ha recollit Red Caballo a les seves instant\u00e0nies.
\nEspacios de felicidad extrema<\/em> analitza els espais en els que es desenvolupa l’activitat, basant-se en els locals i festivals on cobra sentit i es manifesta el poder d’aquests moviments. Aqu\u00ed ens trobem una s\u00e8rie de retrats en els que Ryan McGinley capta aquest estat de satisfacci\u00f3 en els rostres del p\u00fablic de diferents concerts. En aquest mateix bloc s’hi inclou Helter, Skelter, Shelter<\/em>, instal\u00b7laci\u00f3 de l’alemany Till Gerhard on recrea una barraca de fira en qu\u00e8 el p\u00fablic pot fer una sinistra parada a ritme de Helter, Skelter -tema de The Beatles incl\u00f2s al White Album i que suposa un punt d’inflexi\u00f3 dins del discurs d’aquesta mostra-.<\/p>\n

El fan emancipado<\/em> ens introdueix a l’univers del mel\u00f2man i a la configuraci\u00f3 de figures que ultrapassen all\u00f2 musical, per convertir-se en imatges messi\u00e0niques a les que imitar i seguir a tot arreu. Aitor Saraiba analitzar aquest fenomen en els seguidors de Morrisey -l\u00edder de la banda Smiths- a la ciutat de Los Angeles, o Jeremy Deller i Nick Abrahams amb la banda Depeche Mode. Lorea Afaro analitza tamb\u00e9 la incessant aparici\u00f3 d’aquestes figures projectant un concert de la cantant Amy Winehouse que, amb la seva defunci\u00f3, s’ha convertit en un nou fenomen de masses.<\/p>\n

Per descomptat, no podien faltar noms com Robert Crumb o Raymond Pettibon, que constitueixen juntament amb altres artistes com June Crespo, Pepo Salazar o Azucena Vieites un apartat tem\u00e0tic que fixa en la cultura del do it yourself<\/em> un espai des del qual mostrar-se a un p\u00fablic que, per nombr\u00f3s, ha provocat l’aparici\u00f3 de mitjans de comunicaci\u00f3 propis.
\nCom a \u00faltim punt, Cover versions, habitado por segunda vez <\/em> \u00e9s un bloc m\u00e9s ecl\u00e8ctic que reuneix diferents treballs sobre la modificaci\u00f3 i diferents usos dels enregistraments musicals. Sota aquest lema ens trobem una imponent escultura de William Cordova o les interessants propostes de Lyota Yagi o Bozidar Brazda.<\/p>\n

Una selecci\u00f3 de textos de figures com Greil Marcus, Peio Aguirre o Lucy O’Brien completa un treball fet a consci\u00e8ncia, amb cat\u00e0leg de consulta, per subratllar. M\u00e9s enll\u00e0 de la complexitat d’abordar un tema com aquest, de la possibilitat de repensar el discurs o del major o menor inter\u00e8s que puguin suscitar algun dels treballs exposats, ning\u00fa pot negar a hores d’ara que Pop Politics<\/em> \u00e9s una gran exposici\u00f3 en la qual distingim una m\u00e0 jove que arriba colpidora. Com van proclamar els genials Muletrain: D\u00e9u salvi al rock d’estadi<\/em>. Clar que s\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"

No \u00e9s una tasca senzilla l\u2019abordar una exposici\u00f3 tem\u00e0tica i concebre-la sense c\u00e0rrega de t\u00f2pics. Ser capa\u00e7 de mirar des de fora mentre un es troba immers en l’embolic, i…<\/p>\n","protected":false},"author":1268,"featured_media":7240,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nPop Politics: D\u00e9u salvi al rock d'estadi – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/pop-politics-deu-salvi-al-rock-d\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pop Politics: D\u00e9u salvi al rock d'estadi – A*Desk\" \/>\n<meta property=\"og:description\" content=\"No \u00e9s una tasca senzilla l\u2019abordar una exposici\u00f3 tem\u00e0tica i concebre-la sense c\u00e0rrega de t\u00f2pics. 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