{"id":7303,"date":"2013-01-28T02:06:00","date_gmt":"2013-01-28T02:06:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/01\/28\/re-act-feminism-2-a-performing1758\/"},"modified":"2013-01-28T02:06:00","modified_gmt":"2013-01-28T02:06:00","slug":"re-act-feminism-2-a-performing1758","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/re-act-feminism-2-a-performing1758\/","title":{"rendered":"\u201cRe.act.feminism #2 \u2013 a performing archive\u201d"},"content":{"rendered":"

\"react.jpg\" \u201cRe.act.feminism #2 \u2013 a performing archive\u201d <\/a> es troba al Nivell -2 de la Fundaci\u00f3 T\u00e0pies. Sensaci\u00f3 de baixar al soterrani, b\u00e9 per aix\u00f2 \u201cd\u2019arxiu\u201d. Les mateixes caixes de fusta amb qu\u00e8 viatja l’arxiu d’una seu a una altra (la mostra porta des del 2011 en ruta, des que s’inaugur\u00e9s al Centre Cultural Montehermoso Kulturunea Vit\u00f2ria-Gasteiz) serveixen de display<\/em> per als documents que integren l’arxiu -dvds re-gravats i fotografies que registren una ingent i variada quantitat de performances-. Cadires blanques, parets blanques, llum molt t\u00e8nue en cada “caixa” per a consulta de v\u00eddeo i \u00e0udio. Tamb\u00e9 hi ha una projecci\u00f3 a la paret i un sof\u00e0. Queda clar que el que preval aqu\u00ed \u00e9s el material, no hi ha discurs aparent, encara que la mateixa selecci\u00f3 ho sigui. Llistes indexades a cada taula de, atenci\u00f3, 160 artistes (encara en queden set m\u00e9s a l’arxiu que no estan disponibles a Barcelona per q\u00fcestions de drets d’autor). Totes elles dones. Hi s\u00f3n totes? El que est\u00e0 clar \u00e9s que d\u2019ells, no n\u2019hi ha cap. Dones parlant de dones. Molt material dels 60 als 80, tamb\u00e9 posterior.<\/p>\n

Li demano a una informadora el material que vull consultar, almenys per avui (s\u2019hi pot anar fins a sis vegades amb la mateixa entrada). Ella explica sense desesperar una vegada i una altra el contingut de l’arxiu a tot aquell que s\u2019hi apropa, molt bona feina. Jo a la meva, segueixo preguntant-me si el parlar de les dones des de les dones aporta significativitat a les reivindicacions. \u00bfFeminista nom\u00e9s en femen\u00ed \u00e9s v\u00e0lid? Tamb\u00e9 penso en la reflexi\u00f3 de Maite Garbayo publicada a A*DESK<\/a> fa unes setmanes, sobre la museificaci\u00f3 dels moviments. Arxivem el feminisme o seguim reivindicant?<\/p>\n

He d’admetre que la lluita feminista -aqu\u00ed i ara- em suscita de sempre cert conflicte intern. S\u00e9 que \u00e9s pol\u00edticament incorrecte dir aix\u00f2, per\u00f2 segueixo preguntant-me: \u00bfde qu\u00e8 serveix parlar de feminisme si la q\u00fcesti\u00f3 en realitat t\u00e9 un abast molt m\u00e9s ampli? Vaja, no \u00e9s reduccionista parlar de dona quan podem parlar de transsexuals, gais, lesbianes, intersexuals, etc.?<\/p>\n

Torno a la llista de fitxers disponibles. Hi ha documents que feia temps que volia veure, noms que ja coneixia, i molts que desconeixia. En trio algun de cl\u00e0ssic, i despr\u00e9s jugo a l’atzar. Tot d’una em sento aclaparada per la quantitat d’imatges, minuts i reflexions que es guarden en aquestes caixes de fusta. Per si fos poc, com arxiu itinerant, Re.act feminism va retro-alimentant-se amb cada xerrada, performance o presentaci\u00f3 que es realitza en les diferents seus per les quals ha passat. Indubtablement, el valor m\u00e9s gran (que no \u00e9s menor) de Re.act Feminism es troba en el posar a l’abast del p\u00fablic un material que d’una altra manera no \u00e9s de f\u00e0cil acc\u00e9s. La presentaci\u00f3 per a consulta \u00e9s immillorable: al web, 95 tags s’entrecreuen amb les 167 artistes, podent accedir al material per diferents itineraris.<\/p>\n

Ara b\u00e9, conceptualment crec que \u00e9s un error el t\u00edtol feminism(e). Perqu\u00e8 si b\u00e9 tot el material d’aquest arxiu est\u00e0 fet per dones, no tot es refereix a elles com a focus intencional. D’altra banda, est\u00e0 clar que no tot all\u00f2 femen\u00ed \u00e9s feminista, i resulta obvi que no tot all\u00f2 fet per dones \u00e9s femen\u00ed (veure el genial “Lachen” d’Antonia Baher, per exemple -en el qual, m\u00e9s enll\u00e0 de la veu, qui interpreta \u00e9s un home-).<\/p>\n

Potser s\u00ed que \u00e9s interessant observar la progressi\u00f3 del contingut de les performances, que podrien tenir el denominador com\u00fa (aix\u00f2 \u00e9s subjectiu) de mesurar el l\u00edmit, de posar a prova pre-concepcions. Resulta oport\u00fa preguntar-se si la performance no va ser en el seu moment la \u00fanica sortida cap a l’expressi\u00f3 real de l’objectiu d’aquestes artistes. Convertint l’objecte en subjecte, aquest feminisme -llavors s\u00ed- trobava en els 60 i 70 uns canals m\u00e9s afins amb la intencionalitat del seu missatge. L’elecci\u00f3 de la performance t\u00e9 a m\u00e9s una lectura indispensable: permet com cap altre canal la mixtura d\u2019all\u00f2 personal\/privat amb all\u00f2 p\u00fablic, una “exposici\u00f3 directa” que provoca, explora i manifesta en un mateix acte.<\/p>\n

Cronol\u00f2gicament, aquests “et demostrar\u00e9 fins on puc arribar” podrien transc\u00f3rrer per obres que parteixen de l’usar el propi cos com a acte d’empoderament i de desmitificaci\u00f3 del pudor fins a mutilacions auto-exercides m\u00e9s recentment. En veure Regina Jos\u00e9 Galindo inscrivint-se PERRA<\/em> a la cama amb un ganivet sento sobtadament, i no s\u00e9 per qu\u00e8, un profund \u00e0nim solidari de g\u00e8nere.<\/p>\n

Penso en l\u2019objectualitzaci\u00f3 persistent de la dona; com a puta; com a reclam; penso en les violacions; en les massa comuns vexacions a dones com a c\u00e0stig a un poble en temps de guerra; en els matrimonis de conveni\u00e8ncia entre nenes i homes; en les ablacions de cl\u00edtoris; en el tr\u00e0fic de blanques. La dona segueix tenint necessitat de lluita i reivindicaci\u00f3, sobretot si surto de mi, i de l’ara i aqu\u00ed. Em colpeja veure com Boryana Rossa es cus la vagina en directe, o com Valie Export es cosifica a “Tapp und Tastkino”, o com Mar\u00eda Ruido denuncia amb una mudesa progressiva els estereotips i l’acc\u00e9s a la comunicaci\u00f3 desigual de la dona a “La Voz Humana “. Per\u00f2 \u00e9s que hi ha tantes perspectives com artistes recollides en aquest arxiu. \u00c9s impossible referenciar aqu\u00ed el material disponible. Hi ha treballs m\u00e9s documentals, altres s\u00f3n ir\u00f2nics o surrealistes. N’hi ha d\u2019hist\u00e8rics, n’hi ha de subtils, n’hi ha de directes, n’hi ha d\u2019er\u00f2tics. Uns acusen, els altres victimitzen.<\/p>\n

Potser alguns trobin a faltar una l\u00ednia te\u00f2rica potent que acompanyi l’arxiu: on s\u00f3n els conceptes en aquestes parets? No obstant aix\u00f2, RE.act s’ha de prendre i celebrar com el que \u00e9s, un meravell\u00f3s arxiu sobre la performance en femen\u00ed (amb o sense estereotips), que inclou artistes de tot Europa, la Mediterr\u00e0nia i d’Orient Mitj\u00e0, els Estats Units i diferents pa\u00efsos d’Am\u00e8rica Llatina, i que ha sabut nodrir-se, a m\u00e9s, amb aportacions art\u00edstiques i del m\u00f3n acad\u00e8mic al llarg del seu itinerari. El volum i la varietat que s’inclou en Re.act Feminism \u00e9s una veritable oportunitat per a l’acc\u00e9s i la consulta a material perform\u00e0tic que no s’ha de deixar passar.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cRe.act.feminism #2 \u2013 a performing archive\u201d es troba al Nivell -2 de la Fundaci\u00f3 T\u00e0pies. Sensaci\u00f3 de baixar al soterrani, b\u00e9 per aix\u00f2 \u201cd\u2019arxiu\u201d. Les mateixes caixes de fusta amb…<\/p>\n","protected":false},"author":1269,"featured_media":7292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n\u201cRe.act.feminism #2 \u2013 a performing archive\u201d – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/re-act-feminism-2-a-performing1758\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cRe.act.feminism #2 \u2013 a performing archive\u201d – A*Desk\" \/>\n<meta property=\"og:description\" content=\"\u201cRe.act.feminism #2 \u2013 a performing archive\u201d es troba al Nivell -2 de la Fundaci\u00f3 T\u00e0pies. 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