{"id":7347,"date":"2013-02-12T02:00:00","date_gmt":"2013-02-12T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/02\/12\/arqueologia-recurrent\/"},"modified":"2013-02-12T02:00:00","modified_gmt":"2013-02-12T02:00:00","slug":"arqueologia-recurrent","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/arqueologia-recurrent\/","title":{"rendered":"Arqueologia recurrent"},"content":{"rendered":"

\"arqueologica.jpg\" Arqueol\u00f3gica<\/a><\/em> \u00e9s l’exposici\u00f3 que ha inaugurat recentment Matadero Madrid. Comissariada per Virginia Torrente, la selecci\u00f3 mostra vuit treballs d’altres tants artistes realitzats site specific<\/em>, que busquen reflexionar sobre el present utilitzant el m\u00e8tode arqueol\u00f2gic. \u00c9s a dir, a trav\u00e9s de l’estudi del passat per\u00f2 tamb\u00e9 a partir dels vestigis del present. Els artistes seleccionats s’apropien de m\u00e8todes arqueol\u00f2gics i interpreten de forma personal successos hist\u00f2rics o esdeveniments concrets; m\u00e8tode que fou en el seu dia redefinit per Foucault a partir de “L’Arqueologia del saber”, en demostrar que la hist\u00f2ria, m\u00e9s que buscar la veritat del passat, treballa sobre una massa de documents que organitza, distribueix i ordena per construir un relat.<\/p>\n

La relaci\u00f3 entre art i arqueologia, aix\u00ed com entre art i antropologia no \u00e9s nova. Hal Foster va definir l\u2019any 1996 als artistes etn\u00f2grafs com els nous fl\u00e2neur<\/em>: n\u00f2mades del segle XX. Un gir etnogr\u00e0fic en sintonia amb les pol\u00edtiques d’identitat dels anys 90, que van fer possible que sorgissin les pr\u00e0ctiques que unien all\u00f2 art\u00edstic amb all\u00f2 antropol\u00f2gic. Vuit anys despr\u00e9s, en el text “An Archival Impulse”, Foster definiria el sistema d’arxiu utilitzat pels artistes com una conseq\u00fc\u00e8ncia del desgast de l’art contemporani i la seva cr\u00edtica postmodernista, aix\u00ed com veia en ell una possibilitat d’obrir nous camins d’acci\u00f3. S\u00f3n molts els artistes que han utilitzat aquests m\u00e8todes, des de Robert Smithson i la seva Hotel Palenque<\/em>, passant per Hans Haacke, fins a autors com Kader Attia i la seva obra presentada en la passada Documenta La reparaci\u00f3 des d’Occident fins les culturals Extra-occidentals<\/em>. Un deute amb L\u00e9vi-Strauss, sens dubte. <\/p>\n

Qu\u00e8 pot aportar l’arqueologia a l’art contemporani? Quina \u00e9s la visi\u00f3, que des de l’art, es pot oferir d’aquestes disciplines? Qu\u00e8 aporta de nou aquesta exposici\u00f3?<\/p>\n

Des de l\u2019etnografia o l’alteritat, Mariana Castillo Deball exposa Chinelo en el Matadero<\/em>: cinc vestits cosits per costureres a partir d’artesania tradicional de M\u00e8xic. Vestigis del passat que continuen en el present, per\u00f2 que aqu\u00ed perden, fora de context. El treball de l’espanyola Regina de Miguel explora la regi\u00f3 del desert d’Atacama a Xile, on conflueixen telescopis de Paranal i les m\u00f2mies Chinchorro. Daniel Guzm\u00e1n utilitza el treball de camp a partir del seu viatge a la ciutat de Paquim\u00e9 i recrea mitjan\u00e7ant una instal\u00b7laci\u00f3, m\u00e9s aviat un simulacre, el treball arqueol\u00f2gic all\u00e0 realitzat, on disposa a m\u00e9s tot tipus d’objectes quotidians. Diango Hern\u00e1ndez a Lecciones de historia<\/em> aborda el tema del document, i introdueix dins d’una ru\u00efna artificial, amb sent\u00e8ncies mig esborrades de la hist\u00f2ria oficial cubana, m\u00e0scares africanes de Jos\u00e9 Guimaraes. Mark Dion en el seu Oficina de objetos perdidos<\/em> recull objectes trobats a la ciutat de Madrid en diferents barris i els exposa en uns armaris dissenyats per tal fi. S\u00f3n deixalles contempor\u00e0nies que podem trobar tirades en qualsevol carrer, per\u00f2 al catalogar i documentar, adquireixen un valor “muse\u00edstic”.<\/p>\n

Christian Andersson treballa des de la ficci\u00f3. La seva instal\u00b7laci\u00f3 consisteix en una furgoneta blanca a l’interior de la qual projecta un fragment de la pel\u00b7l\u00edcula On the beach<\/em>, una pel\u00b7l\u00edcula futurista que ens parla d’un futur que ja va passar i on apareixen escampats una s\u00e8rie d’objectes que se suposa que l’espectador ha de descodificar. Pedro Barateiro compon un diagrama amb llapis daurats que fa refer\u00e8ncia a les plantes dibuixades i restes arqueol\u00f2giques. Finalment, destaca l’obra de Francesc Ruiz per escapar del t\u00f2pic i presentar una investigaci\u00f3 sobre un c\u00f2mic er\u00f2tic, Sukia, que va tenir gran \u00e8xit als anys 70, sobre les aventures sexuals d’una vampiressa i el seu majordom gai.<\/p>\n

En principi, la iniciativa de reflexionar sobre l\u2019arqueologia des de l’art actual \u00e9s interessant, si no fos perqu\u00e8 la majoria de les obres recorren a la idea d’arqueologia i d\u2019antropologia a l’\u00fas, ja sigui mitjan\u00e7ant l’excavaci\u00f3, el treball de camp, la documentaci\u00f3 i l\u2019arxiu o el monument. La manca de profunditat d’algunes obres i la manca d’autocr\u00edtica, aix\u00ed com la desconnexi\u00f3 entre elles, fan que l’exposici\u00f3 sigui una mica decebedora. En definitiva, m\u00e9s que interpretar el present a trav\u00e9s de l’arqueologia, els treballs semblen estar constrets pel concepte de la mateixa disciplina i tema que els ha estat imposat.<\/p>\n","protected":false},"excerpt":{"rendered":"

Arqueol\u00f3gica \u00e9s l’exposici\u00f3 que ha inaugurat recentment Matadero Madrid. Comissariada per Virginia Torrente, la selecci\u00f3 mostra vuit treballs d’altres tants artistes realitzats site specific, que busquen reflexionar sobre el present…<\/p>\n","protected":false},"author":1246,"featured_media":7330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6418],"acf":[],"yoast_head":"\nArqueologia recurrent – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/arqueologia-recurrent\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arqueologia recurrent – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Arqueol\u00f3gica \u00e9s l’exposici\u00f3 que ha inaugurat recentment Matadero Madrid. 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