{"id":7352,"date":"2013-02-15T02:00:00","date_gmt":"2013-02-15T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/02\/15\/la-ribot-el-cos-com-a-bruixola\/"},"modified":"2013-02-15T02:00:00","modified_gmt":"2013-02-15T02:00:00","slug":"la-ribot-el-cos-com-a-bruixola","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/la-ribot-el-cos-com-a-bruixola\/","title":{"rendered":"La Ribot: el cos com a br\u00faixola"},"content":{"rendered":"<p>Despr\u00e9s dels primers minuts ens trobem davant el plantejament de qu\u00e8 hem vingut a veure? Despr\u00e9s de pujar escales i seure en una de les sales del Mercat de les Flors, tot apunta a que en breu algun cos protagonitzar\u00e0 la vetllada. Per\u00f2 en canvi, sense previ av\u00eds, s\u2019il\u00b7lumina la pantalla. A poc a poc ens endinsem en l&#8217;espai que apareix a la projecci\u00f3; no sabem exactament si es tracta d&#8217;un teatre, d&#8217;una galeria o d&#8217;un magatzem. Tampoc tenim clar des d&#8217;on accedim a l&#8217;espai; Quin \u00e9s el punt de mira? Qui o qu\u00e8 dirigeix la nostra mirada?<\/p>\n<p><em>Ll\u00e1mame Mariachi<\/em>, portada a escena en anteriors ocasions, ha estat la pe\u00e7a de La Ribot triada pel programa Secci\u00f3 Irregular del Mercat de les Flors, per obrir cartell aquesta temporada. L&#8217;obra, dividida en dues parts, consta de l&#8217;audiovisual i d&#8217;una esp\u00e8cie d&#8217;exercici escenogr\u00e0fic mitjan\u00e7ant el qual l&#8217;artista-core\u00f2grafa, acompanyada de dos int\u00e8rprets m\u00e9s, canvia d&#8217;una manera radical el ritme processual. La Ribot aconsegueix jugar amb el temps i l&#8217;espai duent a terme una an\u00e0lisi sobre la pres\u00e8ncia i all\u00f2 presencial.<\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"480\" src=\"http:\/\/www.youtube.com\/embed\/5imKM-Z3U3Q\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>En aquests primers instants v\u00eddeo-gr\u00e0fics, La Ribot crea i ens situa davant d\u2019una primera paradoxa: tot succeeix amb rapidesa, els moviments de c\u00e0mera, el recorregut. El canvi de cos, no obstant aix\u00f2, vindr\u00e0 m\u00e9s tard. Cada vegada que la c\u00e0mera canvia de cos, aquest marca un nou ritme. El nostre acc\u00e9s, en canvi, \u00e9s lent, no sabem com estructurar la proposta, com encaixar-la, com situar-nos davant seu. Ubiquem quelcom semblant a un vell teatre. El recorregut no para i anem accedint a d\u2019altres tants llocs f\u00edsics i corporals. Objectes, desfets, vestidures, llums. Sempre un espai interior i un cos. Comencem a identificar la c\u00e0mera amb aquest cos que guia. \u00c9s aqu\u00ed, just aqu\u00ed on es troba aquesta esp\u00e8cie d&#8217;estranyament. Qui marca el pas no \u00e9s l&#8217;ull, tot se situa en un estrat inferior. La c\u00e0mera-cos ens mostra tot all\u00f2 que es desplega del seu moviment, d&#8217;aquest lliscar per un lloc gaireb\u00e9 an\u00f2nim.  Aquesta c\u00e0mera-cos sorgeix de les entranyes: moviments r\u00e0pids, que oscil\u00b7len, amb aquest deambular que provoca la c\u00e0mera en m\u00e0. L&#8217;ull, que no \u00e9s tal, se situa al ventre. Des d&#8217;aqu\u00ed, la c\u00e0mera marca i mostra. Curiosa reflexi\u00f3 tenint en compte que parlem de cossos, d&#8217;aquesta possibilitat d&#8217;aprendre\u2019s a trav\u00e9s d&#8217;una percepci\u00f3 t\u00e0ctil. No parlem nom\u00e9s de col\u00b7locar la c\u00e0mera a l&#8217;al\u00e7ada del ventre i comen\u00e7ar a gravar, parlem tamb\u00e9 d&#8217;un saber veure i fer veure des d&#8217;un altre lloc. Despla\u00e7ar i dislocar. No hi ha m\u00e9s orientaci\u00f3 que la que el cos ofereix. En algun instant se&#8217;ns mostra un bra\u00e7, una cama o un peu, sempre pertanyent al cos que grava. En d\u2019altres, perseguim l&#8217;acci\u00f3 d&#8217;un tercer. La Ribot aconsegueix fer una reflexi\u00f3 a trav\u00e9s del moviment i la percepci\u00f3. A trav\u00e9s de la gravaci\u00f3, concebuda com un \u00fanic pla seq\u00fc\u00e8ncia, obre el debat sobre la c\u00e0mera entesa com a subjecte. Sobre aquest jo plantejat en els inicis del videoart.<\/p>\n<p>A la segona part, es canvien les regles del joc. Apareixen els cossos en escena; canvia el ritme. Temps i espai en un aqu\u00ed i ara. Aquesta vegada, estem tots al teatre. Les tres int\u00e8rprets fan una esp\u00e8cie de par\u00f2dia alentida a partir d&#8217;una acci\u00f3 iconoclasta. Se succeeix en veu alta la lectura de t\u00edtols de grans autors de la literatura universal. L&#8217;acci\u00f3, de cad\u00e8ncia dadaista, juga tamb\u00e9 amb certa poca tra\u00e7a corporal, provocant una mena de dislocaci\u00f3 temporal. Davant la pres\u00e8ncia real, La Ribot decideix manipular el temps, creant moviments que habitualment s&#8217;originen a trav\u00e9s de l\u2019\u00fas tecnol\u00f2gic.<\/p>\n<p>Assumint alguna de les definicions mitjan\u00e7ant les quals la performance es defineix, aix\u00f2 \u00e9s, cos, espai i pres\u00e8ncia, <em>Ll\u00e1mame Mariachi<\/em>, permet parlar d&#8217;un despla\u00e7ament conceptual. La pe\u00e7a tergiversa llocs i temps de forma magistral a trav\u00e9s de la c\u00e0mera i del cos. Obre interrogants a prop del que Merleau-Ponty planteja entorn la corporalitat i la percepci\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despr\u00e9s dels primers minuts ens trobem davant el plantejament de qu\u00e8 hem vingut a veure? Despr\u00e9s de pujar escales i seure en una de les sales del Mercat de les&#8230;<\/p>\n","protected":false},"author":1264,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[3555],"tags":[],"coauthors":[6451],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Ribot: el cos com a br\u00faixola &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/la-ribot-el-cos-com-a-bruixola\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Ribot: el cos com a br\u00faixola &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Despr\u00e9s dels primers minuts ens trobem davant el plantejament de qu\u00e8 hem vingut a veure? 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