{"id":7368,"date":"2013-03-05T02:00:00","date_gmt":"2013-03-05T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/03\/05\/objectivitat-i-atzar-un-show-a\/"},"modified":"2013-03-05T02:00:00","modified_gmt":"2013-03-05T02:00:00","slug":"objectivitat-i-atzar-un-show-a","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/objectivitat-i-atzar-un-show-a\/","title":{"rendered":"Objectivitat i atzar: un show a Brussel\u00b7les"},"content":{"rendered":"

\"186_jsk1.jpg\"Nombres, relats, l’entramat, les convencions, els mecanismes de circulaci\u00f3 i consum del discurs, i imatges superposades que creen nous relats seguint una l\u00f2gica d\u2019intervenci\u00f3 i referencial, \u00e9s l’esperit i l’ess\u00e8ncia de l’exposici\u00f3 que la galerista Elisa Platteau organitzar al setembre de 2012 al seu apartament<\/a>, paral\u00b7lela al show de la seva galeria de Brussel\u00b7les, que exhibia peces de l’artista Pieter Vermeersch. L’exposici\u00f3 consistia en un site specific d’aquest \u00faltim artista (Untitled [Black 0-100%], 2003-2012): una gradaci\u00f3 del blanc al negre en sentit contrari a les agulles del rellotge pintada a les parets de dos espais connectats, de la mateixa dimensi\u00f3, i la invitaci\u00f3 feta a un grup de curadors a intervenir aquesta exposici\u00f3.<\/p>\n

El m\u00e9s interessant de la idea rau en la seva condici\u00f3 referencial, on un curador convidat dialoga amb la curadoria d’Elisa, amb la intenci\u00f3 de sobre-escriure i intervenir la mateixa a trav\u00e9s d’una selecci\u00f3 d’artistes que no nom\u00e9s dialoguen amb l’obra de Vermeersch, sin\u00f3 tamb\u00e9 entre ells mateixos i les seves obres. El primer curador convidat va ser Moritz K\u03cbng, mentre que els artistes Ignasi Aball\u00ed, Luz Broto i Oriol Vilanova, a m\u00e9s d’intervenir la pe\u00e7a de l’artista belga, originaven una interacci\u00f3 m\u00fatua: un c\u00famul de senyals i transgressions contextuals conceptuals i generacionals. Segons paraules del seu curador “Les posicions eren num\u00e8riques, (els retalls de diari fets per Ignasi Aball\u00ed), fenomenol\u00f2giques (el v\u00eddeo de Llum Broto) i meteorol\u00f2giques (les postals d’Oriol Vilanova)”.<\/p>\n

Les posicions revelaven un entramat i estructura abstracta que al seu torn generen noves formes de significaci\u00f3 i coneixement. S’utilitzen aix\u00ed determinats paradigmes comunicatius per activar una reflexi\u00f3 sobre fen\u00f2mens o circumst\u00e0ncies en les que regeixen les lleis naturals, matem\u00e0tiques o l’atzar, i que manifesten tamb\u00e9 una subversi\u00f3 de determinades convencions en qualitat de canals de comunicaci\u00f3 tradicionals o de transmissi\u00f3 de la informaci\u00f3.<\/p>\n

Un exemple \u00e9s l’obra de Luz Broto, que suscita el m\u00e0xim inter\u00e8s en la seva qualitat transgressora i en el seu di\u00e0leg espai interior-exterior, com dos mons nom\u00e9s separats pels vidres de les finestres que s’entelen a mesura que t\u00e9 lloc una confer\u00e8ncia de l’artista Ignasi Aball\u00ed. Es tracta d’un v\u00eddeo de l’artista que grava la veu d’Ignasi i el proc\u00e9s d\u2019entelament dels vidres del lloc, sense que en tinguin consci\u00e8ncia els participants (entre els quals hi havia Oriol Vilanova com p\u00fablic). Broto posa de manifest la naturalesa subversiva de la pe\u00e7a i el seu joc amb el discurs legitimat i la conducta passiva dels assistents a l’esdeveniment.<\/p>\n

Oriol Vilanova, per la seva banda, mostra dos d\u00edptics de la s\u00e8rie “Aix\u00f2 \u00e9s tot”, col\u00b7lecci\u00f3 de postals de postes de sol del m\u00f3n sencer. El di\u00e0leg amb la pe\u00e7a de Vermeersch es d\u00f3na a partir de la seva ordenaci\u00f3 crom\u00e0tica, la seva concordan\u00e7a ideal amb una realitat explotada tur\u00edsticament. La postal mateixa \u00e9s una esp\u00e8cie de contenidor m\u00edstic de llocs i moments de gran valor, com un amulet que ofereix al turista la possibilitat de contacte amb l’esdeveniment sublim. Si es mira b\u00e9, tamb\u00e9 apareix en la seva pe\u00e7a aquest toc fenomenol\u00f2gic que juga amb l’establert, all\u00f2 ritual i all\u00f2 banal.<\/p>\n

La pe\u00e7a d’Ignasi, cr\u00edptica, sembla deixar-ho tot a l’atzar. En ella, una gradaci\u00f3 num\u00e8rica converteix el proc\u00e9s de lectura de diaris en un acte matem\u00e0tic. Un altre tipus de gradaci\u00f3 informalment disposada ens porta com en loop a la mateixa pregunta: objectivitat o atzar?<\/p>\n","protected":false},"excerpt":{"rendered":"

Nombres, relats, l’entramat, les convencions, els mecanismes de circulaci\u00f3 i consum del discurs, i imatges superposades que creen nous relats seguint una l\u00f2gica d\u2019intervenci\u00f3 i referencial, \u00e9s l’esperit i l’ess\u00e8ncia…<\/p>\n","protected":false},"author":1262,"featured_media":7345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6468],"acf":[],"yoast_head":"\nObjectivitat i atzar: un show a Brussel\u00b7les – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, 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