{"id":7403,"date":"2013-02-19T02:00:00","date_gmt":"2013-02-19T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/02\/19\/cares-noves-a-arco-2013\/"},"modified":"2013-02-19T02:00:00","modified_gmt":"2013-02-19T02:00:00","slug":"cares-noves-a-arco-2013","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/cares-noves-a-arco-2013\/","title":{"rendered":"Cares noves a ARCO 2013"},"content":{"rendered":"![\"Ion](\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/02\/DSC01464.jpg\")
Un any m\u00e9s ha tornat a passar. Una setmana perduts entre els passadissos d’ARCO perqu\u00e8 despr\u00e9s de l’euf\u00f2ria inicial i les inevitables comparacions amb edicions anteriors, un es quedi amb una sensaci\u00f3 similar a la d’altres anys. ARCO 2013 deixa de nou un sabor agredol\u00e7. D’una banda, molts d’aquests errors que semblen reproduir-se en bucle en aquesta cita; de l\u2019altra, noves cares i ambiciosos projectes de galeries que trepitgen per primera vegada la fira, en un clima d’inseguretat que ja no \u00e9s nou.<\/p>\n
D’entre els joves artistes que s’han estrenat a ARCO, m’ha resultat especialment interessant la proposta del xil\u00e8 Pablo Jansana, artista destacat de la galeria madrilenya The Goma, que amb prou feines dos anys de treball s’ha plantat a la fira amb un estand altament recomanable i que apunta maneres.<\/p>\n
Sota les llums d’una reconvertida galeria Nuble, aquest any van brillar dues figures d’una manera especial. El madrileny Nacho Mart\u00edn Silva, amb una inquietant pintura de tra\u00e7os difusos i amb una forta c\u00e0rrega pol\u00edtica que es tradueix en negres. Amagat al magatzem va lluir ocult seu estudi de Hitler, pe\u00e7a que no ha deixat indiferents als que l’hem pogut observar. D’altra banda, Ion Macareno, tamb\u00e9 de Nuble, deixa una s\u00e8rie d’impol\u00b7luts acoblaments en fusta que semblen trobar-se a mig cam\u00ed entre l’anquilosada her\u00e8ncia basca i la renovaci\u00f3, que amb artistes com ell, comen\u00e7a a deixar-se veure.<\/p>\n
Elena Garc\u00eda, recent fitxatge d’Adhoc, deixa dos interessants fotomuntatges de la s\u00e8rie Cartografia N\u00f2mada, que es va poder veure l\u2019estiu passat a la seu de la galeria a Vigo.<\/p>\n
Per la seva banda, el col\u00b7lectiu Radiol\u00f3pez ha acudit amb Bacelos a ARCO, mostrant alguns dels treballs de l’exposici\u00f3 que fa dies es va tancar a l’espai de Bacelos de Vigo. El col\u00b7lectiu, format per un nombre indeterminat i variable de creadors an\u00f2nims, \u00e9s una de les noves apostes d’una galeria, que despr\u00e9s d’obrir nou espai a Madrid, ha renovat la seva plantilla d’artistes.<\/p>\n
N\u00faria G\u00fcell, una de les artistes m\u00e9s interessants del moment, tamb\u00e9 s’estrena. La pol\u00e8mica artista -i aquesta, pol\u00e8mica de veritat- hi acudeix com a figura destacada de la catalana ADN, amb alguns dels projectes que ha realitzat en els \u00faltims anys i que el passat mes de desembre van conformar l’exposici\u00f3 individual que aquesta galeria li acaba de dedicar.<\/p>\n
Posades de llarg com les de les galeries Nuno Centeno (Porto), Arcade Fine Arts (Londres) o Tatjana Pieters (Gant) -aquestes dues \u00faltimes han acudit compartint estand- han passat de l\u2019Opening<\/em> al programa general de la fira, amb interessants propostes entre les que destaca, despr\u00e9s d’haver-hi estat ja l’any passat, la madrilenya Julia Sp\u00ednola, que actualment mostra el seu treball a La Casa Encendida, dins el programa de Generaci\u00f3n 2013.<\/p>\nM\u00e9s enll\u00e0 de la llista dels joves que han trepitjat el ring per primera vegada, cal destacar el treball d’artistes com Miguel \u00c1ngel Tornero o Carlos Irijalba -Juan Sili\u00f3-, David Ferrando Giraut -Bacelos-, Alain Urrutia -Casado Santapau i Juan Sili\u00f3- o un inexplicable tardana estrena a ARCO, assolida la maduresa, de Teo Soriano, amb una s\u00e8rie d’obres que no han passat desapercebudes.<\/p>\n
I \u00e9s que ja \u00e9s hora, entre tanta not\u00edcia placebo (del forat de Juan Mu\u00f1oz a la malmesa escultura de Bernard\u00ed Roig, o de les pedres de Isaque Pinheiro abandonades als passadissos que aquest any no han vist a Eugenio Merino), de que les p\u00e0gines que ompli aquesta cita deixin de mostrar als ciutadans un circ que en molts casos dista bastant de la realitat. Fer cues interminables per observar la Mona Lisa mentre la resta de sales es queden buides \u00e9s aquest mal end\u00e8mic del qual no es lliuren ni aquestes cites puntuals. Ser\u00e0 el nostre tarann\u00e0 pagerol innat. Ser\u00e0.<\/p>\n","protected":false},"excerpt":{"rendered":"
Un any m\u00e9s ha tornat a passar. Una setmana perduts entre els passadissos d’ARCO perqu\u00e8 despr\u00e9s de l’euf\u00f2ria inicial i les inevitables comparacions amb edicions anteriors, un es quedi amb…<\/p>\n","protected":false},"author":1268,"featured_media":7391,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6462],"acf":[],"yoast_head":"\n
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