{"id":7453,"date":"2013-03-06T02:06:00","date_gmt":"2013-03-06T02:06:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/03\/06\/sobre-limits-i-perimetres\/"},"modified":"2013-03-06T02:06:00","modified_gmt":"2013-03-06T02:06:00","slug":"sobre-limits-i-perimetres","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/sobre-limits-i-perimetres\/","title":{"rendered":"Sobre l\u00edmits i per\u00edmetres"},"content":{"rendered":"

\"Lua_Coderch.jpg\" L’Institut Franc\u00e8s de Barcelona presenta aquests dies El per\u00edmetre intern<\/em>, una exposici\u00f3 col\u00b7lectiva comisariada per Andrea Rodr\u00edguez Novoa i Veronica Valentini. La dotzena de treballs d’artistes espanyols i francesos presents a El per\u00edmetre intern<\/em> planteja una reflexi\u00f3 sobre la noci\u00f3 del l\u00edmit (geogr\u00e0fic, hist\u00f2ric, temporal, pol\u00edtic, econ\u00f2mic, social, cultural, personal …), i les seves ambig\u00fcitats i imprecisions.<\/p>\n

Narrar hist\u00f2ries, destacar exemples, apuntar punts de conflu\u00e8ncia o realitzar lleugers despla\u00e7aments s\u00f3n algunes de les estrat\u00e8gies utilitzades per aquests artistes a fi d\u2019explorar aquesta noci\u00f3. Oriol Vilanova pren una vitrina de l’Institut Franc\u00e8s i la desproveeix de la seva funci\u00f3, simplement exposant-la oberta. A partir de la imatge d’un cilindre de cera, Dominique Hurth proposa una s\u00e8rie d’elements narratius no lineals. “Que predomini l’esperan\u00e7a sense ser massa visionaris” \u00e9s el missatge que Anna Moreno va escriure en les pancartes que va mostrar a la manifestaci\u00f3 mundial del 15 d’octubre de 2011 a Barcelona i Viena. Una inquietant i indesxifrable carta an\u00f2nima \u00e9s la proposta d’Audrey Cottin centrada en els l\u00edmits de l’autoria. Una fotografia acompanyada d’una petxina de Quahog s\u00f3n els elements que utilitza Aymeric Ebrard a tall d\u2019exemple per provar d’identificar all\u00f2 que constitueix el formar part d’una comunitat. Fran Meana presenta una instal\u00b7laci\u00f3, d’equilibri un tant inestable, en qu\u00e8 es contraposen (i s’acaben descobrint molts aspectes comuns) imatges relacionades amb el Land Art<\/em> nord-americ\u00e0 i amb les revoltes obreres a les drassanes del nord d’Espanya. Ariadna Parreu s’endinsa en el m\u00f3n dels desitjos i les utopies, utilitzant refer\u00e8ncies cient\u00edfiques, geom\u00e8triques o telecin\u00e8siques. Pauline Bastard deixa a la vista els mecanismes per produir una rom\u00e0ntica posta de sol. Ryan Rivadeneyra relata, visual i liter\u00e0riament, la infructuosa recerca de Tartessos, la m\u00edtica ciutat perduda. En el seu film, Pythagore et les monstres<\/em>, Louise Herv\u00e9 i Chlo\u00e9 Maillet transformen el fil\u00f2sof Pit\u00e0gores en el protagonista d’una pel\u00b7l\u00edcula amb nombrosos trets de s\u00e8rie B. A partir de les refer\u00e8ncies d’un relat de Lewis Carroll, Irene de Andr\u00e9s construeix un mapa perfecte, del qual nom\u00e9s queda el marc. La complexa hist\u00f2ria d’Europa, transformada ara en parc d’atraccions tur\u00edstic \u00e9s reflectida per L\u00faa Coderch en una instal\u00b7laci\u00f3 en la qu\u00e8 un calefactor infla artificialment una bossa d\u2019una botiga de souvenirs<\/em>.<\/p>\n

\"IMG_9504.jpg\"<\/p>\n

El per\u00edmetre intern comparteix aproximaci\u00f3 i inquietuds amb un altre projecte presentat recentment a La Capella i que coment\u00e0vem fa unes setmanes: La condici\u00f3 narrativa<\/em> <\/a>, comissariat per Alexandra Laudo. Ambdues plantegen una reflexi\u00f3 a partir d’un tema concret i rellevant en aquests moments (un se centra en la imatge i la condici\u00f3 narrativa, mentre que l’altra explora la noci\u00f3 de l\u00edmit i les seves imprecisions), i en el seu proc\u00e9s de reflexi\u00f3 evidencien m\u00e9s coses: una certa aproximaci\u00f3 generacional dels artistes (nascuts en la d\u00e8cada dels 80) que treballen amb una gran diversitat de materials, per\u00f2 sovint en formats low tech, que investiguen, assenyalen i presenten fets o esdeveniments del present o del passat que permeten una reflexi\u00f3 sobre el present; que expliquen hist\u00f2ries o construeixen situacions i que mostren mecanismes.<\/p>\n

I ja que parlem de temes generacionals, val la pena recordar que durant la d\u00e8cada dels 70, en una Barcelona encara sense institucions d’art contemporani (recordem que la primera d’elles, la Fundaci\u00f3 Joan Mir\u00f3, es va inaugurar l’any 1975), algunes de les propostes art\u00edstiques m\u00e9s arriscades van tenir lloc en els instituts estrangers de la ciutat. L’Institut Fran\u00e7ais, l’Istituto Italiano di Cultura, el Goethe-Institut i Institut d’Estudis Nord-americans van ser alguns dels llocs on es presentaven els treballs dels artistes conceptuals, aix\u00ed com les trobades, xerrades i seminaris que reflexionaven sobre el nou paper l’art i els artistes.<\/p>\n

No s\u00e9 si la hist\u00f2ria es repeteix, per\u00f2 no deixa de ser curi\u00f3s que en un moment en qu\u00e8 les institucions art\u00edstiques barcelonines es mostren desorientades, algunes de les propostes m\u00e9s interessants sorgeixen d’iniciatives independents, en instituts de cultura estrangers, estudis d’artistes, o espais sense \u00e0nim de lucre. I les raons per a aix\u00f2 no cal buscar-les nom\u00e9s en les retallades o en l’increment de l’IVA.<\/p>\n","protected":false},"excerpt":{"rendered":"

L’Institut Franc\u00e8s de Barcelona presenta aquests dies El per\u00edmetre intern, una exposici\u00f3 col\u00b7lectiva comisariada per Andrea Rodr\u00edguez Novoa i Veronica Valentini. La dotzena de treballs d’artistes espanyols i francesos presents…<\/p>\n","protected":false},"author":1239,"featured_media":7422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6368],"acf":[],"yoast_head":"\nSobre l\u00edmits i per\u00edmetres – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/sobre-limits-i-perimetres\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobre l\u00edmits i per\u00edmetres – A*Desk\" \/>\n<meta property=\"og:description\" content=\"L’Institut Franc\u00e8s de Barcelona presenta aquests dies El per\u00edmetre intern, una exposici\u00f3 col\u00b7lectiva comisariada per Andrea Rodr\u00edguez Novoa i Veronica Valentini. 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