{"id":7456,"date":"2013-03-15T02:00:00","date_gmt":"2013-03-15T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/03\/15\/andres-rabago-neutralitzat-entre\/"},"modified":"2013-03-15T02:00:00","modified_gmt":"2013-03-15T02:00:00","slug":"andres-rabago-neutralitzat-entre","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/andres-rabago-neutralitzat-entre\/","title":{"rendered":"Andr\u00e9s R\u00e1bago: neutralitzat entre quatre parets?"},"content":{"rendered":"

\"roto.jpg\" El Roto<\/em> \u00e9s conegut per les seves il\u00b7lustracions sat\u00edriques (que no gracioses) publicades cada dia al diari El Pa\u00eds<\/em>. El qui no \u00e9s tan conegut \u00e9s Andr\u00e9s R\u00e1bago, l’autor que s\u2019amaga sota el pseud\u00f2nim d’El Roto<\/em>. El Centre d’Art de l’Hospitalet Tecla Sala li dedica una exposici\u00f3 que recorre les seves tres fases m\u00e9s distingides des que va comen\u00e7ar la seva carrera a mitjans dels 60 del segle passat: El Roto, OPS, R\u00e1bago: Un viatge de mil dimonis (i un parell d’\u00e0ngels)<\/em>.<\/p>\n

El fet que s’estigui incloent un g\u00e8nere popular, com \u00e9s l’humor gr\u00e0fic, en un espai institucional \u00bfaltera el possible impacte de l’obra? \u00c9s a dir, la museificaci\u00f3 de l’obra fa que aquesta perdi el seu significat original? O pel contrari, fa que aquest espai es converteixi en un lloc on la dissensi\u00f3 hi t\u00e9 cabuda?<\/p>\n

Depenent de les \u00e8poques, R\u00e1bago ha estat m\u00e9s proper al surrealisme (durant la dictadura), o m\u00e9s punyent (la faceta d’El Roto), per\u00f2 la seva obra sempre ha mantingut un contacte directe amb la realitat, que \u00e9s la seva font tem\u00e0tica, insistint en transmetre un missatge social comprom\u00e8s per sobre d’altres q\u00fcestions. R\u00e1bago afirma en una entrevista, que es podia veure en una de les pantalles de l’exposici\u00f3, que vol oblidar-se del seu ego i inventar-se un llenguatge, i que nom\u00e9s pret\u00e9n transmetre un missatge. M’interessa la seva obra per la seva c\u00e0rrega de cr\u00edtica social, per\u00f2 sobretot, per la seva claredat discursiva.<\/p>\n

En una entrevista del 2004 amb Ima Sanch\u00eds a La Vanguardia, R\u00e1bago va dir: “El Roto el que intenta \u00e9s ajudar a concentrar els disbarats de manera que tinguin sentit. Vivim en un m\u00f3n borr\u00f3s i la s\u00e0tira ajuda a que es torni m\u00e9s n\u00edtid. No resol res, per\u00f2 ens ajuda a saber on som i amb qui ens l’estem jugant…”. Aquesta descripci\u00f3 de la seva obra resumeix b\u00e9 com R\u00e1bago despulla les relacions de poder existents per tal de deixar les seves entranyes al descobert.<\/p>\n

L’humor ha estat un recurs expressiu molt utilitzat pr\u00e0cticament des que hi ha una consci\u00e8ncia cr\u00edtica col\u00b7lectiva. La s\u00e0tira \u00e9s un recurs que permet anar m\u00e9s enll\u00e0 en la cr\u00edtica d\u2019all\u00f2 establert quan no s’est\u00e0 de broma. L’humor serveix com un mitj\u00e0 de catarsi, especialment \u00fatil en moments de crisi o de censura, i quan aquest \u00e9s gr\u00e0fic, t\u00e9 la virtut de ser f\u00e0cilment comprensible per tots els estrats socials.<\/p>\n

Aquest \u00e9s el motiu pel qual els pol\u00edtics temen tant aquest mitj\u00e0, en ser un dels m\u00e9s amena\u00e7adors de l’estatus quo, molt m\u00e9s que el text. A Drawn To Extremes: The Use and Abuse of Editorial Cartoons<\/em>, Chris Lamb explica alguns dels casos m\u00e9s sorprenents de reaccions de pol\u00edtics davant l’humor gr\u00e0fic, com quan dibuixants sat\u00edrics han estat i s\u00f3n empresonats, o en els que pol\u00edtics s’han su\u00efcidat despr\u00e9s d’haver protagonitzat un dibuix sat\u00edric. I precisament perqu\u00e8 el temen, intenten neutralitzar-lo.<\/p>\n

El fet que l’humor cr\u00edtic social s’hagi incorporat a les institucions p\u00fabliques no populars (sobretot si ho comparem amb les revistes, setmanaris i diaris des dels seus inicis) com s\u00f3n Tecla Sala en aquest cas, o fins i tot la Reial Acad\u00e8mia Espanyola a trav\u00e9s d’acad\u00e8mics com Wenceslao Fern\u00e1ndez Fl\u00f3rez i Mingote, pot tenir l’inconvenient de neutralitzar la c\u00e0rrega cr\u00edtica i pol\u00edtica d’aquest.<\/p>\n

En ser totalment adm\u00e8s en el sistema, \u00bfperd la dissensi\u00f3 tan necess\u00e0ria que hauria de provocar? Aquell somriure en sentir-se identificat amb la forma de pensar d’El Roto<\/em>; o pel contrari, aquell sentiment de tedi i impot\u00e8ncia que moltes vegades es despr\u00e8n de la seva obra, \u00bfrealment aconsegueixen crear un espai de confrontaci\u00f3 amb la instituci\u00f3? Les relacions de poder subjacents que ens mostra, es tradueixen en una major transpar\u00e8ncia en les relacions de poder fora de la pr\u00f2pia vinyeta?<\/p>\n

A l’\u00faltima fira ARCO, Francesc Capdevila, ‘Max’, era el protagonista de l’estand d’El Pa\u00eds<\/em>. La inserci\u00f3 de la cultura popular a la cultura d’elit \u00e9s precisament el tema de la seva obra. Quines conseq\u00fc\u00e8ncies est\u00e0 tenint aquesta inserci\u00f3? A qui o a qu\u00e8 beneficia?<\/p>\n","protected":false},"excerpt":{"rendered":"

El Roto \u00e9s conegut per les seves il\u00b7lustracions sat\u00edriques (que no gracioses) publicades cada dia al diari El Pa\u00eds. El qui no \u00e9s tan conegut \u00e9s Andr\u00e9s R\u00e1bago, l’autor que…<\/p>\n","protected":false},"author":1282,"featured_media":7455,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAndr\u00e9s R\u00e1bago: neutralitzat entre quatre parets? – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/andres-rabago-neutralitzat-entre\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andr\u00e9s R\u00e1bago: neutralitzat entre quatre parets? – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El Roto \u00e9s conegut per les seves il\u00b7lustracions sat\u00edriques (que no gracioses) publicades cada dia al diari El Pa\u00eds. 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