Metales Pesados<\/a>, novament a Santiago de Xile. El llibre, Greatest Hits, \u00e9s un compendi de cr\u00edtiques amb l’olor del dia, plens de l’alegria i l’horror de visitar exhibicions regularment. Aquest breviari de la campanya de Viveros-Faun\u00e9 per les principals sales de Nova York durant la passada d\u00e8cada tamb\u00e9 es deixa llegir com a testimoni anticipador: les frases cuidades i sovint punxegudes que Viveros-Faun\u00e9 dedica als seus pintors predilectes i als seus curadors odiats (posem en els extrems de l’espectre a Lisa Yuskavage i Massimiliano Gioni) ofereixen un besllum d’idees art\u00edstiques disparades m\u00e9s enll\u00e0 dels l\u00edmits conceptuals auto-imposats de la ind\u00fastria de l’art, dels seus organismes institucionals i els seus discursos estandarditzats.<\/p>\nCom en molta de la millor cr\u00edtica “estero\u00efdal”, amb la qu\u00e8 Viveros-Faun\u00e9 s\u2019hi sent a gust, a la seva escriptura pot escoltar-s\u2019hi la bufada al clatell dels lliuraments i les constriccions del treball a curt termini, tot i que el llibre t\u00e9 l’estranya continu\u00eftat i autonomia d’una novel\u00b7la, amb episodis centrals (John Currin, Neo Rauch, la mencionada Yuskavage); trames menors (la demolidora cr\u00edtica de diverses exhibicions curatorials en el seu moment molt comentades); i moments d’autoreflexi\u00f3, com el perfil de l’admirat Schjeldahl i l’\u00faltim text, dedicat al “surrealisme curatorial”.<\/p>\n
La defensa de la sensaci\u00f3 i cert ambigu universalisme redunden en el desplegament d’un esteticisme planejat, un llenguatge cr\u00edtic carregat de matisos, o millor, \u00edntegrament compost de matisos, adversatives, caramels \u00e0cids i bombes d’olor amb vocaci\u00f3 humanista. Per\u00f2 l’esteticisme de Viveros-Faun\u00e9 no \u00e9s nom\u00e9s constitutiu de la seva propensi\u00f3 a la intensitat, a all\u00f2 embriagant i la bellesa -aix\u00ed sigui en la guerra contra el tedi-, ni es limita al c\u00e0non pict\u00f2ric triat (un c\u00e0non visible com una signatura, formada per punts que s\u00f3n, al seu torn, noms). El seu esteticisme \u00e9s m\u00e9s aviat l’atribut d’un retrobament amb la idea espectral de l’autonomia de l’art, darrere les l\u00ednies perdudes de les justificacions te\u00f2riques a l’\u00fas, la catatonia, i el llenguatge de sol\u00b7licituds de beca. Les cr\u00edtiques de Viveros-Faun\u00e9 ocorren en el m\u00f3n de l’extraordinari, un m\u00f3n en qu\u00e8 l’art s’ha apropiat novament de les paraules i en el qual les paraules tenen vida pr\u00f2pia en referir-se a les obres d’art -aquelles coses que, “de totes les coses, s\u00f3n les \u00faniques que tenen vida”, segons deia Oscar Wilde.<\/p>\n
Capritx\u00f3s? Sentimental? En el vocabulari de Viveros-Faun\u00e9, aquests i altres elogis hi s\u00f3n benvinguts.<\/p>\n","protected":false},"excerpt":{"rendered":"
En un article per Artforum, Katy Siegel va dividir el camp dels cr\u00edtics d’art amb base a Nova York en dos grans b\u00e0ndols: els “pensadors”, irascibles te\u00f2rics de la cultura…<\/p>\n","protected":false},"author":1258,"featured_media":7441,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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En un article per Artforum, Katy Siegel va dividir el camp dels cr\u00edtics d’art amb base a Nova York en dos grans b\u00e0ndols: els “pensadors”, irascibles te\u00f2rics de la cultura majorit\u00e0riament relacionats amb la revista October, versus els “sensibles”, amb els noms de Peter Schjeldahl i Dave Hickey al capdavant de la llista. Es podrien buscar sin\u00f2nims per al contrast: els professors versus els publicistes, o: els solemnes versus els feli\u00e7os. Els queixosos versus els intoxicats?<\/p>\n