{"id":7553,"date":"2013-03-30T02:00:00","date_gmt":"2013-03-30T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/03\/30\/el-passat-que-es\/"},"modified":"2013-03-30T02:00:00","modified_gmt":"2013-03-30T02:00:00","slug":"el-passat-que-es","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/el-passat-que-es\/","title":{"rendered":"El passat que \u00e9s"},"content":{"rendered":"

\"Instalaci\u00c3\u00b3n El primer model, que inspira “The society without qualities<\/a>” al Tensta Konsthall, Estocolm, es va construir l\u2019any 1968 al Moderna Museet d’aquesta ciutat i es va anomenar “The Model. A Model for a Qualitative Society” (ho hem vist com a referent anteriorment<\/a>). Es tractava d’un projecte de l’artista Palle Nielsen, que des de feia alguns anys experimentava amb la construcci\u00f3 pirata de camps de joc en espais urbans marginals de Copenhaguen.<\/p>\n

En aquell cas, diversos astres es van alinear (la pres\u00e8ncia de l’exc\u00e8ntric i innovador director del museu, Pontus Hult\u00e9n, i el fet que una altra exposici\u00f3 fos endarrerida, juntament amb un fort moviment activista protestant per les formes d’urbanitzaci\u00f3 de la ciutat), per permetre que el model<\/em> arrib\u00e9s a existir: una enorme sala de joc amb pintures, eines, disfresses i tot tipus de material imaginable que els nens i nenes podien utilitzar segons els hi vingu\u00e9s de gust, sense cap dirigisme per part d’educadors o funcionaris del museu. Els progenitors podien entrar i mirar, per\u00f2 no jugar ni intervenir.
\nEl model parlava de crear una nova societat -la d’aquestes criatures que pujaven pels pals, amb m\u00e0scares de goril\u00b7la o vestits d’indi apalache, i que al cap d\u2019alguns anys serien adultes-, basada en menys control social, en la capacitat dels nens d’inventar, construir i experimentar. Una visi\u00f3 ut\u00f2pica, molt unida a l’ambient internacional del 68, que es trencava la closca amb il\u00b7lusi\u00f3 pensant en com construir una societat millor.<\/p>\n

Algunes obres de l’exposici\u00f3 actual reprenen la idea de mirar a la hist\u00f2ria i al m\u00f3n des del joc infantil. Per exemple, els v\u00eddeos de Sharon Lockhart, que mostren com nens i nenes s’apropien en els seus jocs de llocs post-industrials decadents i desolats a Pol\u00f2nia, convertint-los en espais d’utilitat social. Per\u00f2 tamb\u00e9 els riscos de l’experiment social: Joanna Lombard contrasta el present i el passat amb els records que imprimeix sobre l’abandonada casa al camp on va cr\u00e9ixer, formant part d’una comuna hippy, en un ambient que per a una nena va ser, en alguns casos, traum\u00e0tic.
\nPodr\u00edem dir que no hi ha model sense utopia. Un model \u00e9s una mostra de com dirigir-se cap a la perfecci\u00f3 absoluta, cap a un m\u00f3n millor. Propostes, sovint radicals, per subvertir l’estatus quo i tornar a comen\u00e7ar. Aix\u00ed es presenta la dicotomia entre la impossibilitat de la utopia i la necessitat de la seva il\u00b7lusi\u00f3 per seguir endavant. I la realitat de que algunes utopies, en el moment en qu\u00e8 es duen a terme, rellisquen sobre el l\u00edmit amb el malson, fins a, de vegades caure d\u2019aquell costat. Si el model de Palle Nielsen buscava una societat amb qualitats, l’exposici\u00f3 ens confronta amb un present que no est\u00e0 segur de si ha perdut aquestes qualitats, o \u00e9s que mai va arribar a tenir-les.<\/p>\n

Algunes obres de l’exposici\u00f3 actual es posicionen cr\u00edticament cap a una realitat dels 70, clarament llunyana a la utopia. Per exemple, les peces de Charlotte i Sture Johannesson, que als 70 van ser personatges claus en la cr\u00edtica del suposat estat de democr\u00e0cia de Su\u00e8cia. Una de les seves peces, \u2018On Germany – In Time\u2019, una instal\u00b7laci\u00f3 amb imatges i tapissos sobre Ulrike Meinhof, va ser exposada nom\u00e9s durant dos dies l\u2019any 1976 abans de ser retirada per les autoritats. El model de \u2018No-Stop City\u2019 dels arquitectes Archizoom Associati, porta a l’absurd els models modernistes d’urbanisme, proposant llocs a\u00efllats i anti-est\u00e8tics al m\u00e0xim.<\/p>\n

El projecte d’investigaci\u00f3 “El nou model” del comissari Lars Bang Larsen, que engloba aquesta exposici\u00f3, mira pel contrari cap a un model sense utopia: el model social dins del qual ens perfilem avui en dia, hereu de les ideologies dels 70 i els 80, per\u00f2 que les observa amb la mateixa dist\u00e0ncia que a les pintures rupestres. \u00bfQui ho diria, que algunes de les criaturetes que es pintaven la cara de color verd amb acr\u00edlic i una brotxa i es travestien al Moderna l\u2019any 68 podrien estar avui en dia ocupant c\u00e0rrecs de responsabilitat de l’FMI? La mateixa est\u00e8tica de l’exposici\u00f3 recorda les vanguardes; els activismes pol\u00edtics; la barricada. Mira cap als llegats de temps passats des d’un barri marginal d’Estocolm, el de Tensta, que no pot assegurar que qualsevol temps passat fos millor, per\u00f2 que tampoc donaria dos duros pel futur. De fet, la sensaci\u00f3 a l’exposici\u00f3 \u00e9s ambigua: el text de presentaci\u00f3 ens parla de com seria poder avan\u00e7ar cap endavant, cap a nous models sense passat i sense haver d\u2019arrossegar un bagatge. Per\u00f2 dins l’exposici\u00f3 resulta impossible desfer-se d\u2019aquest llast i seguir cap endavant. S’intenta assassinar la nost\u00e0lgia, per\u00f2 ella es regira a la seva tomba. I potser no, qualsevol temps passat no va ser millor, per\u00f2 sens dubte va ser, i no aconseguirem que deixi de ser.<\/p>\n","protected":false},"excerpt":{"rendered":"

El primer model, que inspira “The society without qualities” al Tensta Konsthall, Estocolm, es va construir l\u2019any 1968 al Moderna Museet d’aquesta ciutat i es va anomenar “The Model. A…<\/p>\n","protected":false},"author":1255,"featured_media":7491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nEl passat que \u00e9s – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/el-passat-que-es\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El passat que \u00e9s – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El primer model, que inspira “The society without qualities” al Tensta Konsthall, Estocolm, es va construir l\u2019any 1968 al Moderna Museet d’aquesta ciutat i es va anomenar “The Model. 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