{"id":7594,"date":"2013-04-13T02:00:00","date_gmt":"2013-04-13T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/04\/13\/allo-invisible-i-la-incertesa\/"},"modified":"2013-04-13T02:00:00","modified_gmt":"2013-04-13T02:00:00","slug":"allo-invisible-i-la-incertesa","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/allo-invisible-i-la-incertesa\/","title":{"rendered":"All\u00f2 invisible i la incertesa"},"content":{"rendered":"

\"Paglen_article.jpg\"<\/p>\n

Una de les her\u00e8ncies que ens deixar\u00e0 el premi Nobel de la Pau de 2009, Barak Obama, seran les innovacions en el complex tecnol\u00f2gic-militar: els drones i la c\u00edber-guerra. No els veiem per\u00f2 hi s\u00f3n, com integristes isl\u00e0mics camuflats al S\u00e0hara, com les instal\u00b7lacions secretes de Nevada, com els sat\u00e8l\u00b7lits espies que orbiten al voltant del nostre planeta, com els rostres dels ostatges de Guant\u00e1namo.<\/p>\n

Trevor Paglen va exposar a Metro Pictures, “The Last Pictures” <\/a>, un projecte de llarg recorregut que va culminar amb el llan\u00e7ament el passat Novembre d’un sat\u00e8l\u00b7lit de comunicacions de la companyia EchoStar des de Kazakhstan. Amb el suport de Creative Time i amb l’ajuda dels cient\u00edfics del MIT (Massachusetts Institute of Technology), Paglen va produir un disc amb cent imatges cisellades amb punta de diamant, tancades en una placa d’or amb capacitat de sobreviure bilions d’anys, m\u00e9s enll\u00e0 de la vida en terra.<\/p>\n

D’una primera selecci\u00f3 de 30.000 imatges, Paglen i el seu equip en van escollir cent. Durant aquesta investigaci\u00f3 van estar en contacte amb multitud de cient\u00edfics de diferents branques; artistes; matem\u00e0tics i fil\u00f2sofs. Finalment les imatges gravades al disc comparteixen la qualitat de no transmetre cap dada per s\u00ed mateixes, no-imatges que en el futur seran incomprensibles per aquells que trobin l’artefacte sat\u00e8l\u00b7lit. Aix\u00ed, en aquesta selecci\u00f3 trobem des de les pintures rupestres de Lascaux als pictogrames del sud-oest americ\u00e0 on es poden veure els genocides castellans a cavall. Des d’una explosi\u00f3 at\u00f2mica a les petjades de dinosaures, passant per una secci\u00f3 de la torre de Babel de Brueghel retocada perqu\u00e8 no es vegi cap persona en un frame<\/em> del \u2018Planeta dels Simis\u2019. D\u2019entre totes elles, destaquen una p\u00e0gina del diccionari Angl\u00e8s-Volap\u00fck, una llengua artificial pr\u00e8via a l’Esperanto; la senyal Wow!<\/em> que mostra el codi rebut a l’agost de 1977, i que suggereix vida m\u00e9s enll\u00e0 del nostre sistema solar; un altre frame<\/em> d’una pel\u00b7l\u00edcula de ci\u00e8ncia ficci\u00f3 japonesa on es veuen uns alien\u00edgenes de forma estrellada i la imatge \u201cDemostraci\u00f3 de Beure, Menjar i Llepar\u201d, inclosa al Voyager; la \u00fanica missi\u00f3 comparable a aquesta. Aquesta \u00faltima imatge \u00e9s inquietantment sexual, i est\u00e0 feta pels mateixos cient\u00edfics que van participar en aquest projecte. En ella, una dona llepa un gelat; un home mossega el que sembla ser un sandvitx, mentre un tercer aboca sobre la seva boca un raig d’aigua.<\/p>\n

Al principi de l’exposici\u00f3, hi havia una fotografia, inclosa tamb\u00e9 en la selecci\u00f3 per al sat\u00e8l\u00b7lit, del dors de l\u2019’Angelus Novus’, el seminal dibuix de Paul Klee que va ser propietat en el seu moment de Walter Benjamin. En ell hi podem veure els segells del Museu d’Israel, propietari actual de la pe\u00e7a, i del Museu d’Art Contemporani de Chicago, per una exposici\u00f3 que es va fer l\u2019any 1996. L’\u00e0ngel de la hist\u00f2ria, propulsat d’esquena cap al futur per la tempesta del progr\u00e9s, ens d\u00f3na l’esquena. Entr\u00e0vem aix\u00ed a l’exposici\u00f3 com qui entra al passat, a una cova plena de pintures, imatges del que un dia va ser present, on el context i el significat s’han perdut. A l’altra cara de la paret que subjecta a l\u2019’Angelus Novus’ hi havia una altra fotografia de Trevor Paglen; aquesta vegada \u00e9s una del centre de dades de l’Ag\u00e8ncia de Seguretat Nacional, on se suposa que s\u2019emmagatzemen tots els nostres emails; moviments bancaris i t\u00edquets de la compra; un hard drive descomunal. <\/p>\n

Aquest \u00e9s el present desconcertant en qu\u00e8 vivim, sense saber exactament el que passa i on l’\u00e0ngel segueix, at\u00f2nit, emp\u00e8s cap al futur. Al llarg dels segles, visi\u00f3, progr\u00e9s i guerra han anat de la m\u00e0, i per Paglen semblen haver desembocat en l’invisible. No nom\u00e9s per les imatges on el significat ha estat segregat, i on s’exposen els secrets i les inc\u00f2gnites, sin\u00f3 tamb\u00e9 per la condici\u00f3 tecnol\u00f2gica de les nostres societats, on ones i raigs ens envolten, on radioactivitat i dades banc\u00e0ries fluctuen sense ser gravats. La invisibilitat \u00e9s l’altra cara de la saturaci\u00f3; la publicitat i internet demostren aquest proc\u00e9s de desaparici\u00f3; les nostres ments no processen, les imatges es perden en un mar de contextos alterats, multiplicats, i nosaltres deixem de saber, d’observar, encegats per la tempesta del progr\u00e9s. Virilio va vaticinar la industrialitzaci\u00f3 de la no-mirada, on la m\u00e0quina de la visi\u00f3 amarra la imatge al codi, i per dir-ho aix\u00ed, el live-streaming<\/em> domina sobre l’espai (dist\u00e0ncia) real i la representaci\u00f3 en diferit. Virilio escriu des de l’experi\u00e8ncia de la Primera Guerra del Golf i de les “Star Wars” de Reagan. Vint anys i diverses guerres m\u00e9s tard, eliminat ja Bin-Laden amb una de les no-imatges m\u00e9s al\u00b7lucinants com a prova visual, Paglen ens fa pensar l’invisible d’aquesta contemporane\u00eftat incerta.<\/p>\n","protected":false},"excerpt":{"rendered":"

Una de les her\u00e8ncies que ens deixar\u00e0 el premi Nobel de la Pau de 2009, Barak Obama, seran les innovacions en el complex tecnol\u00f2gic-militar: els drones i la c\u00edber-guerra. No…<\/p>\n","protected":false},"author":1267,"featured_media":7521,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAll\u00f2 invisible i la incertesa – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/allo-invisible-i-la-incertesa\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All\u00f2 invisible i la incertesa – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Una de les her\u00e8ncies que ens deixar\u00e0 el premi Nobel de la Pau de 2009, Barak Obama, seran les innovacions en el complex tecnol\u00f2gic-militar: els drones i la c\u00edber-guerra. 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