{"id":7595,"date":"2013-04-11T02:00:00","date_gmt":"2013-04-11T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/04\/11\/el-nord-es-troba-a-35-cm-del-terra\/"},"modified":"2013-04-11T02:00:00","modified_gmt":"2013-04-11T02:00:00","slug":"el-nord-es-troba-a-35-cm-del-terra","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/el-nord-es-troba-a-35-cm-del-terra\/","title":{"rendered":"El Nord es troba a 35 cm del terra"},"content":{"rendered":"

\"Articulo_HUM_2.jpg\" A Glenn Gould (1932-1982) se\u2019l sol recordar per la seva peculiar manera de tocar el piano, sobre una cadira que tot just s’elevava trenta-cinc cent\u00edmetres del terra; pels seus sempiterns jerseis, ja fos hivern o estiu; pel seu costum d’aixecar una m\u00e0 que dialogava amb ell mentre l’altra seguia sobre les tecles; per la seva f\u00f2bia social, fins i tot per ser l’int\u00e8rpret predilecte d’Hannibal Lecter. No obstant aix\u00f2, pocs s’aventuren a anar m\u00e9s enll\u00e0 i descobrir que el baix seient li permetia arrossegar les tecles en lloc de colpejar-les, doncs estava conven\u00e7ut, igual que el seu mestre Alberto Guerrero, que aquesta t\u00e8cnica millorava cada so. Una faceta, la d\u2019investigador, la de pensador, que, admirador com n\u2019era d’Arnold Sch\u00f6nberg, el va dur a experimentar entorn les possibilitats de la t\u00e8cnica com a mitj\u00e0 de comunicaci\u00f3 musical. Reinterpretacions en estudi i una rigorosa introspecci\u00f3, com apunta la comiss\u00e0ria de la mostra Anna Cestelli, \u00abcentrada en la no-pres\u00e8ncia\u00bb, van donar com a resultat el que s’ha definit com un enamorament entre Gould i el micr\u00f2fon, la \u00abtransmissi\u00f3 del pensament com pura veu\u00bb. Aquesta \u00e9s la base de la qual parteix la mostra HUM<\/a>, de Massimo Bertolini i el bar\u00edton Nicholas Isherwood, exposici\u00f3 que aquests dies es pot visitar al MARCO de Vigo, i que ret homenatge al treball cient\u00edfic i especulatiu del genial int\u00e8rpret canadenc.<\/p>\n

HUM i Singing North s\u00f3n les obres del projecte que Bartolini i Isherwood presenten juntament amb un nou treball realitzat espec\u00edficament per MARCO; la performance Lettura, una lectura en veu alta de la novel\u00b7la de Thomas |Bernhard \u201cEl malaguanyat\u201d, obra que l’escriptor va dedicar a Gould despr\u00e9s la mort d’aquest. Com a complement, el dia de la inauguraci\u00f3 es va realitzar la retransmissi\u00f3 en l\u00ednia de ‘Phonology of Noise: The Voice as sound object’- un meta-esdeveniment, la gravaci\u00f3 del qual pot ser escoltada a la web de Radical Matters<\/a> – i en la qual es mostra una selecci\u00f3 d’obres, des de finals dels anys setanta, centrades en la manipulaci\u00f3 de la veu com a objecte sonor. Poesia sonora; m\u00fasica experimental; acusm\u00e0tica; metafonia; accionisme sonor i avant-garde black metal<\/em> s\u00f3n alguns dels corrents experimentals que poden sentir-se en aquesta gravaci\u00f3 de gaireb\u00e9 dues hores.<\/p>\n

HUM, (2012), enregistrament en c\u00f2pia \u00fanica sobre vinil de dotze polzades format picture disc<\/em>, ve del vocable angl\u00e8s Humming<\/em> (taral\u00b7larejar) i est\u00e0 constru\u00efda a partir de la segona versi\u00f3 que l\u2019any 1981 Gould va dur a terme de les Variacions Goldberg de Bach. En ella, s’escolta al comp\u00e0s de la m\u00fasica el taral\u00b7larejar del propi Gould en tocar el piano, un acte inconscient que s’incorpora al disc final modificant d’aquesta manera la relaci\u00f3 habitual entre una obra cl\u00e0ssica musical i la seva audi\u00e8ncia. La veu de Gould es mostra com un element pertorbador del sistema; ens obliga a realitzar zooms ac\u00fastics per saber qu\u00e8 passa m\u00e9s enll\u00e0 de les notes, i podem arribar en ocasions a sentir la pres\u00e8ncia f\u00edsica de l’int\u00e8rpret, cosa que capgira la nostra experi\u00e8ncia d’escolta. Aquesta cantarella amotinant \u00e9s all\u00f2 extret per part de Bartolini i Isherwood per a la seva instal\u00b7laci\u00f3 ac\u00fastica HUM. Al DVD del cat\u00e0leg es pot apreciar com va ser la sessi\u00f3 de gravaci\u00f3: Isherwood assegut davant d’un ordinador -en el qual es veu el v\u00eddeo de les Variacions amb Gould al piano-, materialitza amb la seva veu les expressions vocals de Gould; convertint aquest en una mena de partitura en un enregistrament a l\u2019estudi que es tracta d’una completa obra preformativa. Un complex exercici d’intertextualitat es d\u00f3na llavors fent que l’autor es difumini quedant \u00fanicament la veu – \u00ababs\u00e8ncia del subjecte, abs\u00e8ncia de narrador\u00bb- en la tradici\u00f3 de la millor poesia sonora.<\/p>\n

Singing North<\/em>, (2012), micr\u00f2fon amb peu i altaveus, \u00e9s un collage textual format i interpretat per Isherwod a partir del text radiof\u00f2nic The idea of North<\/em> (1967), primera part de la trilogia Solitude Trilogy<\/em>; una col\u00b7lecci\u00f3 de tres documentals de r\u00e0dio d’una hora de durada, produ\u00efts per Gould entre 1967 i 1977 per la Canadian Broadcasting Corporation. En ells s\u2019hi reflecteix el concepte de \u00abretirada del m\u00f3n\u00bb i, en aquest primer en particular, es planteja a nivell filos\u00f2fic i geogr\u00e0fic qu\u00e8 \u00e9s el concepte de \u00abnord\u00bb. Paraules i fragments fon\u00e8tics, aix\u00ed com els clics, xiulets i altres manipulacions vocals formen aquesta gravaci\u00f3 sonora per la qual Isherwood ha aconseguit crear un text po\u00e8tic -\u00abimitacions ficcionals\u00bb en paraules de Johnatan Culler-, a trav\u00e9s dels testimonis radiof\u00f2nics que \u00abdiu\u00bb , i per tant no \u00abaixafa\u00bb, al llarg de poc m\u00e9s de quinze minuts.<\/p>\n

La veu \u00e9s sens dubte la gran protagonista d’aquesta mostra. La seva transformaci\u00f3 ac\u00fastica, com a so familiar i via de sonoritat que \u00e9s, adquireix, en el moment en que la totalitat del camp sonor \u00e9s considerada, una pres\u00e8ncia o intel\u00b7lig\u00e8ncia ressonant, com Carolyn Abbate va apuntar en el seu moment. Bartolini i Isherwood aconsegueixen que la veu vagi i vingui com a ens aut\u00f2nom d’autor o creador, permetent-li un instant fora del seu lloc.<\/p>\n","protected":false},"excerpt":{"rendered":"

A Glenn Gould (1932-1982) se\u2019l sol recordar per la seva peculiar manera de tocar el piano, sobre una cadira que tot just s’elevava trenta-cinc cent\u00edmetres del terra; pels seus sempiterns…<\/p>\n","protected":false},"author":1284,"featured_media":7554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nEl Nord es troba a 35 cm del terra – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/el-nord-es-troba-a-35-cm-del-terra\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Nord es troba a 35 cm del terra – A*Desk\" \/>\n<meta property=\"og:description\" content=\"A Glenn Gould (1932-1982) se\u2019l sol recordar per la seva peculiar manera de tocar el piano, sobre una cadira que tot just s’elevava trenta-cinc cent\u00edmetres del terra; pels seus sempiterns...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/el-nord-es-troba-a-35-cm-del-terra\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-04-11T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/04\/Articulo_HUM_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"530\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Susana G. 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