{"id":7647,"date":"2013-04-29T02:00:00","date_gmt":"2013-04-29T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/04\/29\/als-marges-de-la-institucio\/"},"modified":"2013-04-29T02:00:00","modified_gmt":"2013-04-29T02:00:00","slug":"als-marges-de-la-institucio","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/als-marges-de-la-institucio\/","title":{"rendered":"Als marges de la instituci\u00f3"},"content":{"rendered":"

\"Fragment
\nEm pregunto per qu\u00e8 hi ha tantes exposicions dom\u00e8stiques darrerament, per qu\u00e8 hi ha gent que ha comen\u00e7at a muntar exposicions a casa seva. I m\u2019ho pregunto com si no pogu\u00e9s haver-hi cap altre ra\u00f3: sembla que ara les coses nom\u00e9s passen com a conseq\u00fc\u00e8ncia d\u2019aquella \u2018ligera desaceleraci\u00f3n<\/em>\u2019 que anunciava Zapatero el 2007.<\/p>\n

Desconec els motius que van portar a l\u2019Alberto i la Sin\u00e9ad de Halfhouse<\/a> a comen\u00e7ar a programar exposicions a casa seva, per parlar nom\u00e9s d\u2019un cas que crec que serveix d\u2019antecedent del que est\u00e0 passant ara. No s\u00e9 si quan van comen\u00e7ar a fer-ho tamb\u00e9 era a causa de l\u2019estat obt\u00fas i alhora caduc en el que es trobaven les institucions en aquell moment, perqu\u00e8 no s\u00e9 ni si en aquell moment les institucions ja apuntaven maneres. Jo era una adolescent d\u2019un poble de la plana de Vic i jugava a b\u00e0squet amb les amigues a la pla\u00e7a de davant de casa.<\/p>\n

El que s\u00ed que tinc clar \u00e9s que tant de b\u00f2 pogu\u00e9ssim dir ara que les institucions nom\u00e9s es troben en un estat obt\u00fas i caduc i quedar-nos tan amples. Per\u00f2 resulta que no, que tot plegat est\u00e0 degradat al m\u00e0xim, nom\u00e9s cal veure el greu estat en el que es troba l\u2019AAVC o la trista situaci\u00f3 de Can Felipa, sense oblidar tots aquells espais que ja s\u2019han tancat. Si abans aquell que comen\u00e7ava podia comptar amb un gran n\u00famero de convocat\u00f2ries i centres que els interessaven i que podien acabar proporcionant els diners per tirar endavant un projecte i guanyar cert reconeixement, ara aquesta llista cada cop \u00e9s m\u00e9s curta. Si a tot aix\u00f2 li sumes el pessimisme general, s\u2019acaba convertint en un c\u00f2ctel explosiu que, o b\u00e9 ens paralitza, o b\u00e9 fa sonar per l\u2019ambient l\u2019eco d\u2019un p\u00e0nic i una hist\u00e8ria que ens diu que ens ho haurem de treballar molt i que ens haurem d\u2019empescar les mil i una per tenir una vida la meitat de digne del que la ten\u00edem abans. <\/p>\n

Segurament per aix\u00f2, en els \u00faltims mesos he estat m\u00e9s vegades veient exposicions en espais particulars que en museus. I em sembla comprensible, si ara en les institucions s\u2019hi troba encara menys espai del que abans hi havia perqu\u00e8 hi passessin coses, que es cre\u00efn altres contextos m\u00e9s accessibles i porosos. Aquests contextos nom\u00e9s poden n\u00e9ixer en aquells espais i amb aquells formats que un t\u00e9 a l\u2019abast.<\/p>\n

Tot plegat no \u00e9s tan diferent de la manera de treballar de molts col\u00b7lectius d\u2019il\u00b7lustradors que s\u2019auto-editen petites publicacions per donar a con\u00e8ixer els seus treballs, un clar exemple amb una forta activitat \u00e9s el col\u00b7lectiu Trop\u00e8l. D\u2019altra banda, dins el m\u00f3n de la m\u00fasica tamb\u00e9 es poden trobar una bona colla de grups que s\u2019auto-editen ells mateixos: des del primer disc de La Iaia, fins als dos \u00faltims d\u2019 Ant\u00f2nia Font i fins i tot el m\u00e9s nou de Raphael.
\nEn el sistema de l\u2019art a Barcelona sembla que aquestes maneres de fer no s\u00f3n tan habituals. Potser es deu a que la il\u00b7lustraci\u00f3 i la m\u00fasica s\u2019entenen com a productes de la ind\u00fastria cultural i l\u2019art contemporani, en canvi, ha trobat sempre la manera de fer-se visible promocionant-se gr\u00e0cies a totes aquelles portes que s\u2019obrien des de les institucions i que ara anem veient com es tanquen. <\/p>\n

Per\u00f2 se n\u2019obren de noves i petites que encara que resulten tenir menys visualitzaci\u00f3, s\u00f3n segurament m\u00e9s heterog\u00e8nies i sostenibles.<\/p>\n

Precisament l\u2019exposici\u00f3 \u201cA Place No Cars Go\u201d <\/a> que Quim Packard va comissariar al seu taller el passat m\u00e9s de desembre, entre altres coses apuntava cap aquestes directrius: una mena de retorn a la cultura del DIY, que arriba a la nostra societat en un inici potser per tend\u00e8ncia, per\u00f2 que estic segura que es queda i es mant\u00e9 per necessitat, perqu\u00e8 si no, no hi ha res m\u00e9s, o com a m\u00ednim res que permeti treballar amb llibertat i alhora satisfaci la urg\u00e8ncia de fer. Alguns exemples de casos recents relacionats amb aquesta manera de gestionar exposicions en espais que fins ara eren particulars i no expositius, s\u00f3n: la iniciativa El Palomar<\/a>, de R. Marcos Mota i Mariokissme, que, igual que l\u2019espai El Passad\u00eds<\/a>, responsabilitat de Caterina Almirall i Natalia Calder\u00f3n, pretenen tenir una l\u00ednia expositiva concreta i activa, que permeti mostrar projectes art\u00edstics que per un motiu o altre no han trobat el seu lloc dins el marc institucional.<\/p>\n

Alba Benavent tamb\u00e9 es va decidir a jugar el rol de comiss\u00e0ria per primera vegada i ho va fer a casa seva, amb l\u2019exposici\u00f3 \u201cComo en casa<\/a>\u201d que va durar tant sols unes hores (4 d\u2019Abril de 19.30 a 23h) i que comptava amb obres de Paula Gim\u00e9nez, Daniela Ort\u00edz i Leonor Serrano Rivas. S\u2019ha de dir que en aquest cas, al contrari de El Passad\u00eds i El Palomar, totes les obres exposades han rebut en el seu moment suport institucional. El v\u00eddeo \u201cVerano\u201d, de Gim\u00e9nez va ser seleccionat per la Sala d\u2019Art Jove en la convocat\u00f2ria del 2011, pel qu\u00e8 fa a \u201cColecci\u00f3n Privada\u201d i \u201cParcela 1C\u201d, de Serrano Rivas aquesta va rebre l\u2019acc\u00e8ssit de Injuve 2012 i \u201c97 House Maids\u201d, d\u2019Ort\u00edz va ser premiada tamb\u00e9 per Injuve 2011.<\/p>\n

Sigui com sigui, el que denoten aquestes maneres de fer \u00e9s que hi ha una instituci\u00f3 amb la que cada cop es compta menys i sembla ser que va creixent la necessitat de crear nous contextos aliens a tot all\u00f2 que depengui d\u2019un \u00f2rgan governamental.<\/p>\n","protected":false},"excerpt":{"rendered":"

Em pregunto per qu\u00e8 hi ha tantes exposicions dom\u00e8stiques darrerament, per qu\u00e8 hi ha gent que ha comen\u00e7at a muntar exposicions a casa seva. I m\u2019ho pregunto com si no…<\/p>\n","protected":false},"author":1259,"featured_media":7646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAls marges de la instituci\u00f3 – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/als-marges-de-la-institucio\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Als marges de la instituci\u00f3 – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Em pregunto per qu\u00e8 hi ha tantes exposicions dom\u00e8stiques darrerament, per qu\u00e8 hi ha gent que ha comen\u00e7at a muntar exposicions a casa seva. 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