{"id":7669,"date":"2013-04-25T02:00:00","date_gmt":"2013-04-25T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/04\/25\/un-millon-de-amigos-make-me-tender2034\/"},"modified":"2013-04-25T02:00:00","modified_gmt":"2013-04-25T02:00:00","slug":"un-millon-de-amigos-make-me-tender2034","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/un-millon-de-amigos-make-me-tender2034\/","title":{"rendered":"‘Un mill\u00f3n de amigos’: make me tender"},"content":{"rendered":"

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\nEls recorreguts per galeries s\u00f3n una pr\u00e0ctica habitual. Especialment quan es visiten ciutats on un no assaja la perman\u00e8ncia geogr\u00e0fica. Tenint en compte el que \u00e9s usual en la costum, potser un grau de novetat es trobi en intercanviar all\u00f2 facultatiu del recorregut desconegut per all\u00f2 planificat d’una ruta coneguda; la part solit\u00e0ria del flaneurisme<\/em> art\u00edstic per all\u00f2 col\u00b7lectiu de l’excursi\u00f3 compartida, i la solemnitat de la recepci\u00f3 per la festa del moviment circumscrit. Alguna cosa aix\u00ed va ser el que va passar el passat 12 d’abril amb la presentaci\u00f3 de ‘Jugada a 3 bandas\u2019 a Barcelona, una iniciativa d\u2019 \u201cHablar en Arte\u201d promoguda per tal de connectar galeries, artistes i comissaris. I p\u00fablic, encara que aquest acabi pertanyent a alguna de les categories anteriors en la seva major part.<\/p>\n

L’itinerari impulsat per Ja3b<\/a> va m\u00e9s enll\u00e0 del seu dia de presentaci\u00f3 – que va suposar un continuum d’inauguracions al llarg d’una tarda no apte per a flegm\u00e0tics- i construeix durant mes i mig un mapa conegut, en el que caben, en la seva versi\u00f3 barcelonina, Galeria Alegria, ADN Galeria, Projecte SD, Balaguer, etHALL, \u00c0ngels Barcelona i Nogueras Blanchard. Vist que la totalitat nom\u00e9s \u00e9s assumible en la teoria i que, a la pr\u00e0ctica, l’atenci\u00f3 s’encarrega d’una demarcaci\u00f3 subjectiva basada en les prefer\u00e8ncies personals, de totes les exposicions de Ja3b destaca, admetent la parcialitat del gust, Un mill\u00f3n de amigos <\/a> de l’artista colombi\u00e0 Iv\u00e1n Argote a ADN Galeria.<\/p>\n

Si hi ha un sentiment que recorre gran part d’aquesta exposici\u00f3 (seria m\u00e9s correcte dir a l’espectador), aquest \u00e9s la tendresa. Aix\u00f2 s\u00ed, permetent-nos parlar de l’art en relaci\u00f3 a la subjectivitat emocional del receptor, cosa que no \u00e9s molt habitual, i que a m\u00e9s, gaudeix de mala reputaci\u00f3 dins d’una intel\u00b7lectualitat basada en l’objectivaci\u00f3 del subjectiu. I \u00e9s que gran part del treball d’Iv\u00e1n Argote promou un sentiment tan \u00edntim, individual i bidireccional com \u00e9s la tendresa, per\u00f2 sense l’ensopegada de caure en el pla cursi o afectat. Podrien utilitzar altres termes per referir-se a la producci\u00f3 art\u00edstica d\u2019Argote. Per exemple, l’acci\u00f3 pol\u00edtica de baixa freq\u00fc\u00e8ncia; l’an\u00e0lisi mitjan\u00e7ant accions aparentment espont\u00e0nies per a una trobada amb “l’altre”; l’humor com a estrat\u00e8gia a l’hora d’enfrontar-se a la reglament\u00e0ria serietat de les coses serioses; l’efectivitat d\u2019all\u00f2 senzill; la transcend\u00e8ncia de l’ef\u00edmer; la quotidianitat com a multivers per explorar i temptejar. Aproximacions que, si b\u00e9 m\u00e9s concretes en la seva generalitzaci\u00f3, no arriben a desentendre\u2019s d’aquest pathos dominant (la tendresa) que converteix el treball d\u2019Argote en la resoluci\u00f3 i posada en marxa d’aquelles ocurr\u00e8ncies que rebutgem per manca de determinaci\u00f3 i per exc\u00e9s de codificaci\u00f3 en la nostra relaci\u00f3 amb els altres, especialment si s\u00f3n desconeguts o -m\u00e9s dif\u00edcil encara- coneguts a mitges.<\/p>\n

Un mill\u00f3n de amigos<\/em> comen\u00e7a com una festa popular i amb una frase de Borges a manera de manifest lac\u00f2nic. Qui no va jutjar alguna vegada als seus ancestres, a la prehist\u00f2ria de la seva carn i sang?<\/em> \u00c9s una instal\u00b7laci\u00f3 on el text es tradueix en diverses fileres de bombetes al sostre disposades en codi Morse. Donant-li pes als petons arrela la pres\u00e8ncia d’un dels esdeveniments m\u00e9s fuga\u00e7os que hi ha, un pet\u00f3, gr\u00e0cies a una roca recoberta per les petjades d’un esdeveniment repetitiu. Extractes<\/em> transporta a l’espai de la galeria un fragment reconstru\u00eft d’un mur urb\u00e0 que, m\u00e9s enll\u00e0 de la seva reivindicaci\u00f3 textual, transporta inevitablement el contrasentit de la desubicaci\u00f3 art\u00edstica. Amb Caricia<\/em> l’artista assaja una inger\u00e8ncia en acariciar amb la seva ombra una parella d’enamorats en un parc parisenc. Un a\u00f1o al d\u00eda<\/em> \u00e9s una s\u00e8rie de polaroids fruit d’un projecte en qu\u00e8 Iv\u00e1n Argote assumia el paper d\u2019art\u00edfex d’aniversaris aliens, reivindicat des de la celebraci\u00f3 aquest memento mori<\/em> ing\u00e8nit a la temporalitat biogr\u00e0fica de l’\u00e9sser hum\u00e0. Make happy, make me sad<\/em> interv\u00e9 un antic bitllet de 5000 pessetes provocant una ambiguaci\u00f3 emocional a la cara del rei d’Espanya. La maniobra po\u00e8tico-pol\u00edtica es repeteix a Turistas<\/em> en vestir amb una ruana les escultures d’Isabel la Cat\u00f2lica i Crist\u00f2fol Colom que es troben en una pla\u00e7a de la capital colombiana. Activ\u00edsimo!<\/em> pren el carrer de nou, aquest cop reconstruint en diapositives subtitulades una experi\u00e8ncia del seu passat familiar en reactivar la idea de taller de protesta que el seu pare havia coordinat d\u00e8cades enrere. La fusi\u00f3 entre hist\u00f2ria i biografia personal apareix de nou a Historia de la Humanidad<\/em>, una pel\u00b7l\u00edcula en 8 mm que, al mateix temps que reviu el format dels v\u00eddeos familiars, ressuscita al\u00b7leg\u00f2ricament els grans moments de la humanitat. Amb Geometria<\/em> la pertinen\u00e7a es combina amb la proced\u00e8ncia quan dues noies a la selva fan servir com a br\u00faixola els trets d’una arma per a indicar amb respostes indeterminades el seu lloc d’origen. L’exposici\u00f3, a la qual aquesta sinopsi no fa just\u00edcia, acaba amb La estrategia<\/em>, una revivificaci\u00f3 del passat a trav\u00e9s de la recopilaci\u00f3 d’an\u00e8cdotes d’alguns militants de Bogot\u00e0 dels anys 70 que diverses persones van posar conjuntament en pr\u00e0ctica, per tal de practicar una quimera: tornar a viure un pret\u00e8rit ali\u00e8 -per\u00f2 tamb\u00e9 propi- des del present.<\/p>\n

M\u00e9s enll\u00e0 de totes les difer\u00e8ncies entre les obres, Un mill\u00f3n de amigos<\/em> -i per extensi\u00f3 el treball d’Iv\u00e1n Argote- ens recorda que potser l’art funciona -sobretot per als que el produeixen o participen activament en ell- com aquesta excusa leg\u00edtima per relacionar-nos en un m\u00f3n on l’excepci\u00f3 \u00e9s patrimoni d’uns pocs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Els recorreguts per galeries s\u00f3n una pr\u00e0ctica habitual. Especialment quan es visiten ciutats on un no assaja la perman\u00e8ncia geogr\u00e0fica. Tenint en compte el que \u00e9s usual en la costum,…<\/p>\n","protected":false},"author":1273,"featured_media":7639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n'Un mill\u00f3n de amigos': make me tender – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/un-millon-de-amigos-make-me-tender2034\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Un mill\u00f3n de amigos': make me tender – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Els recorreguts per galeries s\u00f3n una pr\u00e0ctica habitual. 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