Virreina, l’any 2012 <\/a>.<\/p>\nLa relaci\u00f3 entre I\u00f1aki Bonillas i el mitj\u00e0 fotogr\u00e0fic \u00e9s complexa, i parteix dels anys que va passar com a assistent en l’estudi del seu oncle, el fot\u00f2graf Carles Somonte, preparant tot all\u00f2 necessari per a qu\u00e8 la foto succe\u00eds, per\u00f2 sense estar implicat directament en la seva execuci\u00f3; el que el situa en aquest interstici en el qual es mour\u00e0 posteriorment la seva pr\u00e0ctica art\u00edstica. En un espai de proximitat-distanciament respecte al fet fotogr\u00e0fic.<\/p>\n
En el seu treball, la fotografia \u00e9s una excusa. Una excusa per explorar la forma, la mat\u00e8ria, l’espai, l’arquitectura …, la manera en qu\u00e8 els objectes es presenten i es fan visibles.<\/p>\n
S’aprecia un intent constant d’anul\u00b7lar la narrativitat inherent a la imatge fotogr\u00e0fica, per\u00f2 el pes atorgat a l’arxiu fa que el mite familiar s\u2019escoli per les cantonades de la imatge. Les connotacions del material s\u00f3n tantes que dificulten que aquest passi desapercebut. Podria tra\u00e7ar, a trav\u00e9s de l’arxiu, la hist\u00f2ria de la fotografia del segle XX, la hist\u00f2ria d’una guerra, la hist\u00f2ria d’un exili … El poder evocatiu de les imatges \u00e9s tal, que entra en tensi\u00f3 amb l’estrat\u00e8gia de distanciament.<\/p>\n
A “La lluvia lleg\u00f3 al final”, Bonillas tria 36 fotografies, que tenen en com\u00fa el ser fotografies grupals. La major part d’elles daten de la primera meitat del segle XX. Amb el pas dels anys, les fotos de grup aniran desapareixent de l’arxiu, coincidint amb la fragmentaci\u00f3 familiar que va derivar de l’exili, primer a Fran\u00e7a, despr\u00e9s a M\u00e8xic.<\/p>\n
Hi ha un “estira i arronsa” entre l’artista i l’arxiu, es juga en aquest l\u00edmit en el que un pot prendre el control sobre l’altre. Es percep una tensi\u00f3 constant. En propostes anteriors, Bonillas ja ha plantejat diferents formes d’allunyament de l’arxiu i de les seves m\u00faltiples connotacions.<\/p>\n
En un nou intent de desfer-se del material, aplica un tractament de revelat a les imatges en qu\u00e8 una part d’elles es perd, s’escorre… Els cossos es fragmenten, els rostres es dilueixen, les hist\u00f2ries s’esborren. Es posa un nou fre a la narrativitat. El que realment importa \u00e9s all\u00f2 que est\u00e0 m\u00e9s enll\u00e0.
\nAlguna cosa es tor\u00e7a en l\u2019esbossat, una l\u00ednia processual que de sobte es desvia del seu esdevenir prefixat per donar l\u2019entrada a all\u00f2 atzar\u00f3s. Sobre all\u00f2 que es tapa s\u2019hi projecta la imatge n\u00edtida d’all\u00f2 que no es veu. Es converteix en el m\u00e9s prec\u00eds, en s\u00edmbol del que manca, definit nom\u00e9s a partir de la seva pres\u00e8ncia absent.<\/p>\n
La proposta de Bonillas obre m\u00faltiples vies de reflexi\u00f3 cr\u00edtica, que competeixen al fet fotogr\u00e0fic, per\u00f2 al mateix temps ho transcendeixen. L’elecci\u00f3 del display<\/em> expositiu podria, potser, resultar problem\u00e0tica. Funciona arquitect\u00f2nicament, com element capa\u00e7 de “modelar” l’espai galer\u00edstic. No obstant aix\u00f2, remet de forma massa literal al proc\u00e9s de revelat i assecat, al laboratori fotogr\u00e0fic, i a la fotografia mateixa. En aquest sentit, la seva justificaci\u00f3 es dificulta, tret que ho entenguem de nou com una operaci\u00f3 inscrita en aquest estira i arronsa constant que l’artista mant\u00e9 amb all\u00f2 fotogr\u00e0fic.<\/p>\n","protected":false},"excerpt":{"rendered":"I\u00f1aki Bonillas presenta a la Galeria OMR de M\u00e8xic DF el seu \u00faltim projecte, \u201cLa lluvia lleg\u00f3 al final\u201d, una nova incursi\u00f3 a l’arxiu fotogr\u00e0fic que va heretar del seu…<\/p>\n","protected":false},"author":1270,"featured_media":7726,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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![\"I\u00c3\u00b1aki](\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/05\/9731_32_33.jpg\")
<\/p>\n