{"id":7825,"date":"2013-06-03T02:00:00","date_gmt":"2013-06-03T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/06\/03\/que-es-foti-el-museu\/"},"modified":"2013-06-03T02:00:00","modified_gmt":"2013-06-03T02:00:00","slug":"que-es-foti-el-museu","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/que-es-foti-el-museu\/","title":{"rendered":"Que es foti el museu"},"content":{"rendered":"

\"03_No_tocar_Incidencias.jpg\"<\/p>\n

Sempre he tingut un problema amb la direcci\u00f3, acabo escollint el cam\u00ed per\u00f2 m’equivoco de sentit. No ho faig a prop\u00f2sit, ni \u00e9s bo ni dolent, simplement passa. “No tocar, por favor<\/a>“, projecte comissariat per Jorge Luis Marzo i presentat a Artium, no ha estat una excepci\u00f3. Havia llegit l\u2019’statement’, les notes de premsa, vist el v\u00eddeo… Per\u00f2, quan despr\u00e9s de la primera sala, vaig entrar a la seg\u00fcent, em vaig plantar al mig, vaig mirar al meu voltant i vaig decidir que la millor manera de veure la mostra era seguir per la gran instal\u00b7laci\u00f3 de vuit v\u00eddeos de Mireia c. Saladrigues. Tres obres despr\u00e9s, em vaig adonar que havia triat continuar pel final, o almenys pel final del recorregut proposat. \u00bfActe de rebel\u00b7li\u00f3? No, no conscientment, per\u00f2 aquest petit i a\u00efllat episodi involuntari refor\u00e7a la necessitat de plantejar un tema com el que s’exposa a Artium.<\/p>\n

La mostra -que en cap cas vol q\u00fcestionar o jutjar el treball realitzat pel personal de sala del Museu Artium- pren com a punt de partida el minuci\u00f3s registre d’incid\u00e8ncies reunit des de l’obertura del Centre-Museu, l\u2019any 2002, per posar en q\u00fcesti\u00f3 el paper de la instituci\u00f3-museu com a part indefectible de l’entramat que els poders pol\u00edtics i econ\u00f2mics utilitzen per a disciplinar-nos. Intervenen en aquesta cru\u00eflla als artistes F\u00e9lix P\u00e9rez-Hita, Mireia c. Saladrigues, Joan Fontcuberta, Guillermo Trujillano, Andr\u00e9s Hispano, i el mateix Jorge Luis Marzo, m\u00e9s el grup de treball de la Facultat de BBAA de la EHU \/ UPV format per Oier Gil, Sandra Amutxastegi, Pau Figueres i Arturo “Fito” Rodr\u00edguez. Es tracta d’un gran treball conjunt actualitzat i ampliat al bloc del projecte<\/a> i en el qual cada pe\u00e7a \u00e9s singular. No obstant aix\u00f2, es poden apreciar quatre grans eixos generals: les obres que mostren les incid\u00e8ncies hagudes; les que prenen el punt de partida de l’autoritat muse\u00edstica; les que ens parlen de la insubordinaci\u00f3 del visitant, i les que tracten el tema de la relaci\u00f3 entre art i espectador amb un punt d’ironia i humor. Els treballs d’aquests artistes van m\u00e9s enll\u00e0 de la simple relaci\u00f3 dels successos anecd\u00f2tics que l’han generat -en aquest cas el registre de comportaments no apropiats<\/em> dels visitants-, s\u00f3n producte d’una idea que ve de lluny dins dels plantejaments te\u00f2rics de Marzo: el concepte de la cultura com a generador de ciutadania, her\u00e8ncia de la societat burgesa del XIX, que tindria el seu reflex m\u00e9s palpable a les sales d’exposicions.<\/p>\n

“No tocar, per favor”, lluny d’aportar solucions, ens omple de preguntes: \u00bfSer ciutad\u00e0 equival a estar disciplinat, o nom\u00e9s ho \u00e9s un determinat tipus de ciutad\u00e0? Existeixen, aleshores, diferents classes de ciutadanies? Com \u00e9s possible que una societat visiblement complexa accepti el ferri reglament d’una instituci\u00f3 a la qual no pertany sense posar-hi cap objecci\u00f3 al respecte? Per qu\u00e8 no passa en d\u2019altres com, per exemple, l’ex\u00e8rcit? \u00bfEn quina mesura el p\u00fablic es creu amb dret a menysprear i menystenir l’art? S\u00f3n les pr\u00f2pies normes de les infraestructures culturals les que donen aquest dret, no al visitant, sin\u00f3 al ja ciutad\u00e0 modelat per aquestes? Hi ha possibilitats de revolta, d’emancipaci\u00f3?<\/p>\n

L’emancipaci\u00f3, en el sentit m\u00e9s extens del terme, es refereix a tota aquella acci\u00f3 que ens permet alliberar-nos de qualsevol classe de subordinaci\u00f3 o depend\u00e8ncia, per\u00f2 tamb\u00e9 era, en Dret rom\u00e0, l’acte d’alliberament d’un esclau per voluntat del seu amo. Sabem que el museu no ens alliberar\u00e0, per la qual cosa no ens queda altra opci\u00f3 que la insubordinaci\u00f3 sorgida de la nostra pr\u00f2pia ciutadania, que, com ja hem vist, ha estat creada per ell. Per aix\u00f2 resulta tan interessant Radicalment emancipat (s)<\/em>, treball en proc\u00e9s de Mireia c. Saladrigues -una instal\u00b7laci\u00f3 que recull els testimonis de persones que roben, o han robat, fragments d’obres d’art i que veuen en aix\u00f2 una profunda i respectuosa relaci\u00f3 amb elles-, perqu\u00e8 mostra primer el que ja suposem: que per a trencar les regles, cal un acte de passi\u00f3; i segon, que \u00fanicament a trav\u00e9s del mecanisme de la pr\u00f2pia regla podem traspassar-la. Necessitem del mateix art per rebel\u00b7lar-nos contra la instituci\u00f3. La funci\u00f3 d’aquest ha canviat. Ho va dir el mateix Marzo a Que es foti el p\u00fablic<\/a>, i que m’he perm\u00e8s parafrasejar al t\u00edtol d’aquest article: \u00abL\u2019art ja no est\u00e0 per escalfar-nos del fred. Est\u00e0 per relatar-lo: per qu\u00e8 collons fa fred?\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sempre he tingut un problema amb la direcci\u00f3, acabo escollint el cam\u00ed per\u00f2 m’equivoco de sentit. No ho faig a prop\u00f2sit, ni \u00e9s bo ni dolent, simplement passa. “No tocar,…<\/p>\n","protected":false},"author":1284,"featured_media":7791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nQue es foti el museu – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/que-es-foti-el-museu\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Que es foti el museu – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Sempre he tingut un problema amb la direcci\u00f3, acabo escollint el cam\u00ed per\u00f2 m’equivoco de sentit. 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