Arxiu Bola\u00f1o (1977-2003) <\/a>. Despr\u00e9s de sortir de la proposta comissariada per Juan Ins\u00faa i Valerie Miles al Centre de Cultura Contempor\u00e0nia de Barcelona (CCCB), fins el 30 de juny, sento un afany per re-articular all\u00f2 viscut. Efecte Bola\u00f1o.<\/p>\nEls marges de l’escriptura en oposici\u00f3 a la centralitat del llibre \u00e9s l’\u00f2rbita que es redefineix en est\u00e0 exhibici\u00f3. Les capes del text s\u00f3n les que importen, m\u00e9s que el resultat final, potser. Probablement perqu\u00e8 el nucli, \u00e9s a dir, els llibres de Bola\u00f1o, els tenim a l’abast. Per\u00f2 tota la condensaci\u00f3 pr\u00e8via d’informaci\u00f3, que constituiria el llarg cam\u00ed que ell va rec\u00f3rrer per a connectar les idees i crear (muntar) les hist\u00f2ries, s’estableix en un patrimoni de lectures i refer\u00e8ncies fins ara desconegudes per als lectors. L’obertura de l’arxiu en aquesta primera exhibici\u00f3 re-situa els espais de treball de l’autor i d\u00f3na a con\u00e8ixer una dimensi\u00f3 velada de la seva faceta “detectivesca”. Una de les que m\u00e9s em va captivar durant el recorregut d’aquest laboratori convertit en acte expositiu \u00e9s la vitrina de les llistes de rev\u00f2lvers, crims o f\u00f2bies:<\/p>\n
Ergofobia: f\u00f2bia a la feina<\/p>\n
Talasofobia: aversi\u00f3 al mar<\/p>\n
Pantofobia: por a tot<\/p>\n
Pecatofobia: f\u00f2bia a cometre pecats.<\/p>\n
En el cinema hi ha l\u2019\u2018script\u2019, un gui\u00f3 de rodatge que dibuixa escena per escena; en l’obra de Bola\u00f1o hi ha llistes de descripcions, informacions complement\u00e0ries, apunts personals. La cr\u00f2nica pr\u00e8via per muntar el relat. Una geografia de paratges i personatges aixecats des de fonaments s\u00f2lids, per\u00f2 no per aix\u00f2 privats de la llibertat de cr\u00e9ixer en el temps d\u2019estada en la lectura.<\/p>\n
Investigacions ressaltades amb dibuixos que el mateix escriptor va realitzar a les seves agendes per codificar els seus registres. Llargues notes al peu per ampliar els escenaris de l’escriptura. D’aquest recurs se n\u2019aprofiten els comissaris per a suggerir als visitants un “joc detectivesc”, \u00e9s a dir, anar darrere d’alguns rastres. Pistes en forma de senyal\u00e8tica que emulen els s\u00edmbols que usava Bola\u00f1o per destacar alguna cosa dels seus apunts: lents amb ulls que alerten sobre el valor d’un par\u00e0graf, un estel de cinc arestes, un cap amb una llarga cabellera alada cap amunt per una m\u00e0… Es despleguen una s\u00e8rie d’icones amb els quals el p\u00fablic, convidat a metamorfosar-se en investigador, podria entrar en el joc.<\/p>\n
La incitaci\u00f3 a convertir-se en seguidors de pistes la trobo innecess\u00e0ria. Encara que \u00e9s cert que no \u00e9s una imposici\u00f3, determina molt la lectura. Aquestes marques que apareixen en els manuscrits o llibretes s\u00f3n destacades en les vitrines. El plantejament l\u00fadic ja est\u00e0 present en els escrits de Bola\u00f1o i em sembla que amb l’ingent material que hi ha a sala els lectors<\/em> en tenen prou per a endinsar-se a les seves maneres de treball. No cal oblidar que la ironia i l’humor formen part de la literatura \u201cbola\u00f1esca\u201d. D’aqu\u00ed la meva insist\u00e8ncia en qu\u00e8 el gest que crida l’atenci\u00f3 sobre els senyals el trobo sobrant en una exposici\u00f3 que s’endinsa de manera magistral, per\u00f2 amb car\u00e0cter oficial, a la vida i l’arxiu de Bola\u00f1o.<\/p>\n\u00c9s p\u00fablic i rellevant l’agra\u00efment a Carolina L\u00f3pez, la v\u00eddua de l’escriptor, per protegir i ocupar-se de reordenar el seu patrimoni. Per\u00f2 permetin-me aixecar la cella i la sospita: que sigui ella qui classifiqui i seleccioneu el que veiem a l’exposici\u00f3 tamb\u00e9 estableix un filtre amb molts matisos. Avui ja sabem el que ens ha volgut mostrar i com ha sistematitzat i cristal\u00b7litzat, a trav\u00e9s dels seus criteris i afectes, aquest fitxer revelat. Per qu\u00e8 negar-ho: m’agradaria saber qu\u00e8 va decidir deixar sota el mantell de l’ocultaci\u00f3, o macerant per tal de desvetllar-ho en una altra oportunitat. Caldr\u00e0 esperar a una altra sortida de l’inventari de notes al museu. \u00bfI qu\u00e8 es far\u00e0 de mentres amb l’arxiu sota cust\u00f2dia dels hereus?; com podrem accedir-hi? De qualsevol manera, aquest primer pas est\u00e0 molt aconseguit si no li prestem massa atenci\u00f3 al toc fetitxista d\u2019exposar les m\u00e0quines d’escriure, els lents, l’ordinador personal…<\/p>\n
Aqu\u00ed m’aturo sabent que podria dir m\u00e9s, per\u00f2 em ve b\u00e9 una mica d’autocr\u00edtica: l\u2019\u00faltima paraula \u00e9s del lector i de qui tregui el cap a l’exposici\u00f3, sens dubte una gran ocasi\u00f3. Ja ho advertia Bola\u00f1o amb aquesta cita que tamb\u00e9 tanca l’exposici\u00f3: “No us cregueu els cr\u00edtics, llegiu-los si no hi ha m\u00e9s remei, per\u00f2 no us en creieu ni una sola paraula.<\/em>“<\/p>\n","protected":false},"excerpt":{"rendered":"“Busquin, no nom\u00e9s en els museus hi ha merda.” ROBERTO BOLA\u00d1O, \u2018Deixin-ho tot, novament\u2019. Exposici\u00f3 per a p\u00fablic sensible a la literatura: Arxiu Bola\u00f1o (1977-2003) . Despr\u00e9s de sortir de…<\/p>\n","protected":false},"author":1293,"featured_media":7799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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