Relaunch<\/a>, amb el qual Ellen Blumenstein s’estrena en qualitat de comiss\u00e0ria cap del Kunst-Werke Institute For Contemporary Art de Berlin. Visualment, Relaunch \u00e9s una exposici\u00f3 que no \u00e9s una exposici\u00f3: \u00e9s un dec\u00e0leg d’intencions que s’est\u00e9n com un enigma per desxifrar al llarg de gaireb\u00e9 tots els espais que conformen el KW. \u00c9s m\u00e9s, aquesta vegada l’espectador, aquest intermitent aventurer preceptiu, t\u00e9 m\u00e9s territori de jurisdicci\u00f3 est\u00e8tica amb l’obertura d’espais i racons que anteriorment el KW no descobria al p\u00fablic. No obstant aix\u00f2, de moment i davant del que podria esperar-se, la dilataci\u00f3 de l’espai no significa major nombre d’obres o d’artistes dins de l’edifici. Gaireb\u00e9 no hi ha obres o projectes art\u00edstics a Relaunch. Com si d’una exercici de m\u00e0rqueting es tract\u00e9s, el projecte Teasers # 1-20 \u00e9s una campanya institucional de publicitat intencional que ens parla d’un futur encara per arribar al KW. Un futur en el qu\u00e8 aquestes intencions es veuran obligades a abandonar aquesta zona de confort precedent en qu\u00e8 habiten els discursos -el llenguatge- abans que els fets s’encarreguin de determinar la coher\u00e8ncia vinculant entre paraula i acci\u00f3.<\/p>\nFent-se passar per portaveu de la pr\u00f2pia Ellen Blumenstein (referint-se a ella com “Ellen”), l’artista b\u00falgar Nedko Solakov omple les parets i les sales del KW amb frases senzilles, conscientment puerils, que intercanvien la serietat i condensaci\u00f3 de l’habitual discurs institucional per l’aparent informalitat i disseminaci\u00f3 de l’esl\u00f2gan desideratiu. \u2018Teasers\u2019 funciona com una estrat\u00e8gia de proximitat amb qu\u00e8 el KW -i amb ell, Ellen Blumenstein representat a la instituci\u00f3 mitjan\u00e7ant Solakov com a ventr\u00edloc- es proposa repensar-se com a centre d’art i, col\u00b7lateralment, com a espai (semi)p\u00fablic.<\/p>\n
Admetent la tradici\u00f3 pr\u00f2pia del centre, Relaunch proposa un present amb \u00e0nsies de futur en qu\u00e8 la imaginaci\u00f3 al poder amaga els riscos del poder d’una imaginaci\u00f3 mediatitzada per la instituci\u00f3, encara que sigui autocr\u00edtica. Perqu\u00e8 si b\u00e9 un dels potencials de l’art \u00e9s la seva alteraci\u00f3 de les formes de pensament habituals i la seva capacitat per subministrar noves formes de relaci\u00f3 amb el m\u00f3n, sempre hi ha la possibilitat que tot aquest potencial es quedi -com les paraules que formen l’arquitectura dels discursos- sense una demostraci\u00f3 efectiva que reemplaci la conting\u00e8ncia. O que els canvis que l’art creu assolir dins de la instituci\u00f3 no aconsegueixin traspassar les portes d’un espai en el qual ja la solemnitat jer\u00e0rquica de qualsevol inauguraci\u00f3 sembla posar en dubte la volici\u00f3 real d’un canvi en els esquemes de relaci\u00f3 interpersonal que es donen, tant en l’art com en l’esfera p\u00fablica general.<\/p>\n","protected":false},"excerpt":{"rendered":"
La instituci\u00f3 est\u00e0 institucionalitzada. Qui ser\u00e0 l\u2019institucionalitzador que la re-institucionalitzar\u00e0? Les bromes, que generalment s’usen com una estrat\u00e8gia per trencar el gel, tenen tamb\u00e9 la facultat de contenir certes dosis…<\/p>\n","protected":false},"author":1273,"featured_media":7827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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<\/p>\n