{"id":7897,"date":"2013-06-22T02:00:00","date_gmt":"2013-06-22T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/06\/22\/allo-que-no-hi-es-cildo-meireles\/"},"modified":"2013-06-22T02:00:00","modified_gmt":"2013-06-22T02:00:00","slug":"allo-que-no-hi-es-cildo-meireles","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/allo-que-no-hi-es-cildo-meireles\/","title":{"rendered":"All\u00f2 que no hi \u00e9s: Cildo Meireles al Reina Sofia"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-7877\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/06\/Cildo_Meireles.jpg\" alt=\"Cildo_Meireles.jpg\" align=\"left\" width=\"670\" height=\"402\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/06\/Cildo_Meireles.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/06\/Cildo_Meireles-595x357.jpg 595w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><br \/>\nSempre \u00e9s complicat parlar de l&#8217;obra d&#8217;alg\u00fa, no importa la disciplina. El fet de col\u00b7locar-se davant del pensament d&#8217;una persona \u00e9s un risc sensible i intel\u00b7lectual que tots experimentem. Per\u00f2 quan, a m\u00e9s, es tracta d&#8217;un artista ja incl\u00f2s en el discurs de la hist\u00f2ria de l&#8217;art, no pots impedir que la por de quedar-te sense paraules s&#8217;apoderi una mica de tu. No obstant aix\u00f2, si acollim l&#8217;esdeveniment com una celebraci\u00f3, les frases i les accions v\u00e9nen i van, es transformen en alguna cosa que no est\u00e0, es queden en l&#8217;interregne del \u00ablluny\u00bb, paraula clau en l&#8217;obra que ara em m\u2019impressiona, la de l\u2019artista brasiler <a href=\" http:\/\/www.museoreinasofia.es\/exposiciones\/cildo-meireles\">Cildo Meireles<\/a>; doncs la mostra que presenta el Palacio Vel\u00e1zquez fins al 29 de setembre celebra, precisament, el Premi Vel\u00e1zquez que li va ser concedit l\u2019any 2008.<\/p>\n<p>Comissariada per Jo\u00e3o Fernandes, aquesta festa art\u00edstica exposa m\u00e9s de cent treballs (instal\u00b7lacions; dibuixos; escultures i peces sonores), entre les que s&#8217;han reprodu\u00eft diverses de les seves instal\u00b7lacions m\u00e9s rellevants, algunes de les quals mai s&#8217;han mostrat amb anterioritat, com \u00e9s el cas d\u2019&#8217;AmeriKKKa&#8217; (1991-2013). A m\u00e9s d&#8217;aquesta obra, conformen l&#8217;eix de l&#8217;exposici\u00f3 &#8216;Abajur&#8217; (1997-2010), presentada a la Biennal de Sao Paulo de 2010 i ara vista per primera vegada a Europa, &#8216;Olvido&#8217; (1987-1989), i &#8216;Marulho &#8216;(1991-1997). Tamb\u00e9 s\u00f3n in\u00e8dites les obres &#8216;Pares Impares&#8217; (2012-2013) o &#8216;Esfera Invisible&#8217; (2012-2013). Per contextualitzar-les, la mostra acull projectes hist\u00f2rics de Cildo Meireles com &#8216;Arte F\u00edsica&#8217; (1969) i &#8216;Inser\u00e7\u00f5es em Circuitos Ideol\u00f3gicos&#8217; (1970); &#8216;Cantos: Espacios Virtuales o Vol\u00famenes Virtuales&#8217; (1967-1981). Obres in\u00e8dites i hist\u00f2riques, totes elles assentades sobre una actitud cr\u00edtica amb la pr\u00e0ctica de la dominaci\u00f3 mitjan\u00e7ant els fluxos ideol\u00f2gics i econ\u00f2mics.<\/p>\n<p>La possibilitat de fer alguna cosa que despr\u00e9s puguis deixar als altres \u00e9s una constant en la vida de qualsevol de nosaltres, per\u00f2 aix\u00f2, que pot semblar una mica obvi, adquireix en el treball de Meireles un rerefons ontol\u00f2gic materialitzat en una preocupaci\u00f3 extrema perqu\u00e8 el p\u00fablic no erudit sigui capa\u00e7 d&#8217;entendre el que est\u00e0 veient. El poder de la seducci\u00f3 dels seus entorns lac\u00f2nics es posa al servei d&#8217;una postura cr\u00edtica amb la Hist\u00f2ria de la humanitat, eina servil dels poders colonials nord-sud. Un art que en principi ha estat classificat com a pol\u00edtic i que el mateix Meireles ha justificat per no tenir l&#8217;oportunitat de ser po\u00e8tic. Una cosa discutible ja que el que distingeix aquest creador \u00e9s la seva gran capacitat de s\u00edntesi, a la qual arriba mitjan\u00e7ant un \u00fas loqua\u00e7 de la met\u00e0fora, i qu\u00e8 \u00e9s la met\u00e0fora sin\u00f3 po\u00e8tica? Diu Carmen Bobes en el seu llibre &#8216;La met\u00e0fora&#8217;, que &#8220;no \u00e9s el mateix partir de la idea que la met\u00e0fora \u00e9s un tret d&#8217;estil, voluntari i amb finalitat d&#8217;ornament, que partir de la idea que \u00e9s l&#8217;\u00fanica forma d&#8217;expressi\u00f3 possible per a un contingut, que d&#8217;altra manera resultaria inefable&#8221;. Cildo Meireles ent\u00e9n i explora aquest segon plantejament fins a fer de les seves obres \u00abpres\u00e8ncies\u00bb sensorials que impliquen a la vista, a l&#8217;olfacte, al tacte, al gust i a l&#8217;o\u00efda de l&#8217;espectador, per tal d&#8217;arribar a la seva mem\u00f2ria. Doncs com el mateix creador ha expressat, la mem\u00f2ria \u00e9s el millor lloc per a l&#8217;art. Amb aix\u00f2, Meireles no nom\u00e9s ens est\u00e0 explicant una hist\u00f2ria, sin\u00f3 que provoca en nosaltres una conducta narrativa que aconsegueix connectar \u00e8ticament amb el que ens envolta.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sempre \u00e9s complicat parlar de l&#8217;obra d&#8217;alg\u00fa, no importa la disciplina. El fet de col\u00b7locar-se davant del pensament d&#8217;una persona \u00e9s un risc sensible i intel\u00b7lectual que tots experimentem. Per\u00f2&#8230;<\/p>\n","protected":false},"author":1284,"featured_media":7877,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>All\u00f2 que no hi \u00e9s: Cildo Meireles al Reina Sofia &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/allo-que-no-hi-es-cildo-meireles\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All\u00f2 que no hi \u00e9s: Cildo Meireles al Reina Sofia &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Sempre \u00e9s complicat parlar de l&#8217;obra d&#8217;alg\u00fa, no importa la disciplina. 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