{"id":7925,"date":"2013-06-28T02:00:00","date_gmt":"2013-06-28T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/06\/28\/instruccions-d-us-en-allo-quotidia\/"},"modified":"2013-06-28T02:00:00","modified_gmt":"2013-06-28T02:00:00","slug":"instruccions-d-us-en-allo-quotidia","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/instruccions-d-us-en-allo-quotidia\/","title":{"rendered":"Instruccions d’\u00fas en all\u00f2 quotidi\u00e0"},"content":{"rendered":"

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\nResulta inevitable no esbossar un somriure en llegir les instruccions d’\u00fas que Julio Cort\u00e1zar (De Cronopios y Famas<\/em>, 1962) escriu sobre coses i accions aparentment quotidianes, com a Instruccions per plorar<\/em>, Instruccions per pujar escales<\/em>, Instruccions per donar corda a un rellotge<\/em> o Instruccions per matar formigues a Roma<\/em>. Pensar all\u00f2 quotidi\u00e0 excedeix el l\u00edmit de l’imaginable, en tant que no analitzem cadascun dels actes que realitzem en el nostre dia a dia. Q\u00fcestionar la quotidianitat i desconfiar de les evid\u00e8ncies \u00e9s potser el que ens queda en un m\u00f3n en qu\u00e8 cada vegada m\u00e9s est\u00e0 en joc el poder -biopoder- pel domini de tots els \u00e0mbits de la vida.<\/p>\n

Hacer en lo cotidiano<\/a><\/em> \u00e9s el projecte expositiu de la comiss\u00e0ria Beatriz Alonso, que va resultar premiat en el concurs “Se busca comisario 2013”, una convocat\u00f2ria p\u00fablica que va sorgir fa quatre anys de la Conselleria de Cultura de la Comunitat de Madrid. La iniciativa busca “donar l’oportunitat a joves comissaris per realitzar projectes expositius”, i de pas dotar d’un contingut coherent a una sala situada lluny del centre de la ciutat -amb el que aix\u00f2 comporta-, destinada a joves creadors madrilenys, aix\u00ed com revitalitzar un espai fins ara d’esc\u00e0s inter\u00e8s, tant per a l’administraci\u00f3 que el gestionava com per als usuaris -que no ho usaven-, a trav\u00e9s d’un programa d’activitats paral\u00b7lel, amb visites (no guiades), xerrades, trobades amb artistes i concerts.<\/p>\n

De febrer a maig d’aquest any vam poder veure la primera part d’aquest projecte, amb una exposici\u00f3 en qu\u00e8 van participar deu joves artistes vinculats d’alguna manera a la ciutat de Madrid, entre ells Julio Falag\u00e1n, Hisae Ikenaga, Luj\u00e1n Marc, Bego\u00f1a Olavarrieta, Maite Angulo, Maria Castell\u00f3 Solbes, entre d’altres. La segona part del projecte, que durar\u00e0 fins al setembre, continua amb el discurs sobre el qual la comiss\u00e0ria ha articulat, partint de les teories del fil\u00f2sof Michael De Certeau i la seva Invenci\u00f3 d\u2019all\u00f2 quotidi\u00e0<\/em>, tot el projecte: la quotidianitat en l’art i les diferents formes de fer.<\/p>\n

Si a la primera exposici\u00f3 s’incidia en la proximitat dels objectes, en la quotidianitat dels llocs i situacions, i en la mirada que els artistes tenen sobre aix\u00f2; en aquesta segona part es passa d’alguna manera a l’acci\u00f3, i ara els artistes passen a intervenir per mitj\u00e0 de petits gestos diferents contextos i situacions quotidianes.<\/p>\n

L’artista Marta Fern\u00e1ndez Calvo modifica un parc p\u00fablic mitjan\u00e7ant subtils canvis, com treure les boles d’una arbust fins a la l\u00ednia d’un banc; Ferm\u00edn Jim\u00e9nez Landa introdueix l’absurd en ambients quotidians a trav\u00e9s d’elements senzills, com utilitzar un paquet de llevat com si fos un m\u00f2bil en un supermercat; Carlos Granados converteix la sala en un hivernacle temporal en qu\u00e8 “dirigeix” el creixement desviat d’una planta interior a trav\u00e9s de la llum; Cristina Garrido oculta mobles d’Ikea en una de les botigues cobrint-los amb els mateixes llen\u00e7ols que es venen en aquests establiments; Marlon de Azambuja realitza una intervenci\u00f3 sobre una planta tropical pintant-la amb pintura gris en esprai; Isabel Marcos presenta un treball en v\u00eddeo sobre una s\u00e8rie de derives a trav\u00e9s de diferents ciutats, en les qu\u00e8 l’artista va creant diferents narratives a trav\u00e9s de les converses que tenen lloc entre els participants en aquests passejos. A l’espai expositiu trobem tamb\u00e9 cites amb data i hora escrites sobre les parets, s\u00f3n les diferents performances que l’artista Christian Fern\u00e1ndez Mir\u00f3n realitzar\u00e0 en el transcurs de la mostra, o el correu electr\u00f2nic de Javier R. Casado, que convida l’espectador a enviar-li un mail per explicar-li l’obra.<\/p>\n

El tema de la quotidianitat travessa la cultura i l’art des del segle passat fins a l’actualitat: des de les primeres avantguardes i el gest dadaista<\/em>, passant pel Situacionisme i Debord, i fins i tot, com proclama de les protestes del maig del 68, fins als moviments socials i art\u00edstics dels anys 70 i 80 sota el concepte de biopol\u00edtica. L’art contemporani s’ha encarregat de representar-la, si no amb viol\u00e8ncia, si amb certa hostilitat, doncs la quotidianitat, all\u00f2 que ens \u00e9s proper, s’ha vist fins a una data recent com la condici\u00f3 que ens constrenyia i reprodu\u00efa sistemes de dominaci\u00f3 o pautes de comportament. En l’actualitat el tema de la quotidianitat segueix molt present en l’art, m\u00e9s subtil si es vol, encara que no per aix\u00f2 menys violent. En aquesta exposici\u00f3, els artistes reflexionen sobre la quotidianitat, no des del conflicte o des de l’element fant\u00e0stic com Cort\u00e1zar; la quotidianitat aqu\u00ed es representa amb certa “normalitat” i es converteix en l’escenari on conflueix la vida, en l’espai com\u00fa per al di\u00e0leg amb l’altre des de l’experimentaci\u00f3 en l’art.<\/p>\n

Durant les passades \u2018Jornadas de Estudio de la Imagen\u2019 a Madrid, Santiago L\u00f3pez Petit argumentava la inefic\u00e0cia per si mateixa de la creativitat com a motor de canvi i el desgast del pensament de la difer\u00e8ncia, avui integrat de ple en les institucions. A falta d’una altra cosa, i a l’espera de noves instruccions d’\u00fas, a l’art, com al ciutad\u00e0, no li queda una altra que seguir fent, encara que siguin petits gestos.<\/p>\n","protected":false},"excerpt":{"rendered":"

Resulta inevitable no esbossar un somriure en llegir les instruccions d’\u00fas que Julio Cort\u00e1zar (De Cronopios y Famas, 1962) escriu sobre coses i accions aparentment quotidianes, com a Instruccions per…<\/p>\n","protected":false},"author":1246,"featured_media":7880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nInstruccions d'\u00fas en all\u00f2 quotidi\u00e0 – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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