{"id":7926,"date":"2013-06-29T02:00:00","date_gmt":"2013-06-29T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/06\/29\/hi-ha-homes-que-lluiten-un-dia-i\/"},"modified":"2013-06-29T02:00:00","modified_gmt":"2013-06-29T02:00:00","slug":"hi-ha-homes-que-lluiten-un-dia-i","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/hi-ha-homes-que-lluiten-un-dia-i\/","title":{"rendered":"Hi ha homes que lluiten un dia i s\u00f3n bons\u2026"},"content":{"rendered":"

\"Mauro
\nHaur\u00e9 d\u2019assegurar-me que les llambordes que Mauro Cerqueira va instal\u00b7lar durant el passat mes a la galeria Heinrich Ehrhardt<\/a> no hagin deixat marques a terra. Costa de creure. Dir\u00e0 Walter Benjamin que la idea d’un progr\u00e9s del g\u00e8nere hum\u00e0 al llarg del curs de la hist\u00f2ria no es pot separar de la idea de la seva prossecuci\u00f3 en un temps buit i homogeni.<\/p>\n

Seguir\u00e0 amb que la cr\u00edtica de la idea de tal prossecuci\u00f3 ha de constituir la base mateixa de la cr\u00edtica de la idea general de progr\u00e9s. Mauro Cerqueira ha vist com literalment la seva ciutat ha donat l’esquena al seu passat. La R\u00faa dos Caldeireiros, zona c\u00e8ntrica i popular de la ciutat de Porto s’ha convertit en un carrer m\u00e9s, en una d’aquestes impersonals vies cobertes de llamborda regular que no diuen res de la vida dels seus ve\u00efns.<\/p>\n

‘Ter que falar<\/em>‘ \u00e9s una necessitat de reivindicar aquests espais als quals l’especulaci\u00f3 urban\u00edstica no deixar\u00e0 respirar. Mauro Cerqueira ha acumulat diferents objectes, que de manera m\u00e9s o menys simb\u00f2lica, parlen de la hist\u00f2ria del seu carrer, de la de la seva ciutat i el seu pa\u00eds. Vells segells de fusta que recorden el glori\u00f3s i actualment decadent passat comunista de Portugal. Grans barres de sab\u00f3 artes\u00e0, paper moneda fora de curs legal o ampolles de vi. S\u00f3n objectes que Cerqueira ha anat recollint mitjan\u00e7ant un sistema de bescanvi, canviant aquests petits trossos d’hist\u00f2ria per tabac als personatges que regenten el barri.<\/p>\n

‘Ter que falar’<\/em> \u00e9s una sent\u00e8ncia que un captaire emet al v\u00eddeo que acompanya aquesta instal\u00b7laci\u00f3. Diferents gravacions durant una s\u00e8rie de nits que Cerqueira realitz\u00e0 mentre aquest individu pronunciava delirants discursos a mig cam\u00ed entre la profunda lucidesa i l’ebrietat m\u00e9s ves\u00e0nica.<\/p>\n

Tots aquests trossos d’hist\u00f2ria recent es disposen sobre les llambordes sota les quals result\u00e0 no haver-hi platja. Probablement l’impersonal del nou s\u00f2l col\u00b7locat en aquesta Rua dos Caldeireiros comporti tamb\u00e9 una despersonalitzaci\u00f3 de les reivindicacions d’un pa\u00eds que es retor\u00e7a sota els peus d’Europa. Ning\u00fa seria capa\u00e7 d’imaginar-se un individu arrencant el perfecte paviment de concret per llan\u00e7ar-lo a l’aire. Les pedres s\u00f3n aquesta arma que des de David i Goliat han definit al fort i al feble.<\/p>\n

Les llambordes sostenen ara, com abans, els elements definitoris d’aquest lloc particular de la ciutat. No \u00e9s prec\u00eds con\u00e8ixer el cas concret de Porto, i aquest \u00e9s l\u2019\u00e8xit del treball de Mauro Cerqueira. Tots hem vist les nostres ciutats i pobles sucumbir sota el mandat de ineptes adscrits a la cultura de l’aglomerat asf\u00e0ltic. Aix\u00f2 no obstant, qualsevol que hagi passejat pels carrers d’aquesta ciutat portuguesa haur\u00e0 pogut identificar la disposici\u00f3 ca\u00f2tica, en dubt\u00f3s equilibri, i coberta d’aquesta p\u00e0tina que ens fa baixar mentalment per la pronunciada i impossible costa de Caldeireiros. Busquem els vells tallers d’artesans, que claudiquen silenciosament sota les lloses d’aquesta gentrificaci\u00f3 desmesurada.<\/p>\n

N\u2019hi ha prou de con\u00e8ixer a Mauro Cerqueira per assegurar-se que la seva indignaci\u00f3 \u00e9s sincera. No \u00e9s l’estrat\u00e8gia d’un \u00e0vid cercador d’hist\u00f2ries tristes. Sota les seves llambordes hi ha la preocupaci\u00f3 d’un ciutad\u00e0 que comprova els efectes de l’especulaci\u00f3 urban\u00edstica, perqu\u00e8 aix\u00ed ho sent a les seva pr\u00f2pia carn, i en la dels rebutjats que poblen la seva \u00e0rea.<\/p>\n

Recordem a Jacques Tati quan mostra en clau d’humor aquestes dues cares de Par\u00eds sota el t\u00edtol de \u2018Mon Oncle\u2019. El Par\u00eds dels barris m\u00e9s populars on la vida es desenvolupa de manera espont\u00e0nia, sense guions que coartin els moviments que en el seu altre Par\u00eds v\u00e9nen ja enllaunats, d’un color gris formig\u00f3.<\/p>\n

\u00c9s imprescindible a dia d’avui que l’art surti d’aquest proc\u00e9s pautat que fins i tot en all\u00f2 pol\u00edtic s’ha estipulat com a acceptable o no acceptable. Per aquest motiu, veure com l’imponent espai de la galeria Heinrich Ehrhardt \u00e9s intervingut amb objectes que podrien haver estat extretes d’un container<\/em> de runa, deixa clara la falta de prejudicis que artista i galeristes han mostrat a l’hora de treballar en aquest projecte. Una exposici\u00f3 que no aixeca m\u00e9s que un pam de terra, obviant els blancs murs sobre els quals llueixen en ocasions Baselitz, F\u00f6rg o Brandl i disposant tota una exhibici\u00f3 a manera d’empedrat. No \u00e9s casual llavors haver arrencat aquest text amb el principi d’una c\u00e8lebre cita de Bertolt Brecht per acabar amb una sola paraula: Imprescindible.<\/p>\n","protected":false},"excerpt":{"rendered":"

Haur\u00e9 d\u2019assegurar-me que les llambordes que Mauro Cerqueira va instal\u00b7lar durant el passat mes a la galeria Heinrich Ehrhardt no hagin deixat marques a terra. Costa de creure. Dir\u00e0 Walter…<\/p>\n","protected":false},"author":1268,"featured_media":7886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nHi ha homes que lluiten un dia i s\u00f3n bons\u2026 – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/hi-ha-homes-que-lluiten-un-dia-i\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hi ha homes que lluiten un dia i s\u00f3n bons\u2026 – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Haur\u00e9 d\u2019assegurar-me que les llambordes que Mauro Cerqueira va instal\u00b7lar durant el passat mes a la galeria Heinrich Ehrhardt no hagin deixat marques a terra. 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